File:The Capture of Geriah, February 1756 RMG BHC0377.jpg
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Summary
Dominic Serres: The Capture of Geriah, February 1756 | |||||||||||||||||||||||||||
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Artist |
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Author |
Dominic Serres, the Elder |
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Title | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: The Capture of Geriah, February 1756 Geriah was a stronghold of the notorious and formidable Maratha pirate Tulagee Angria. One of a family of Indian pirates plundering the trade carried in East India Company ships, he operated off India’s Malabar coast between Bombay and Goa, known as the Pirate Coast. Angria had strongholds on the little island of Severndroog, which had been captured by Commodore James in 1755, south of Bankote, or Fort Victoria, and at Geriah, south of Ratnagiri. Late in 1755 an expedition consisting of Royal, Company and Mahrattan ships was organised to destroy it, together with a contingent of Company troops under Lieutenant Colonel Clive. The expedition was commanded by Rear-Admiral Watson with Rear-Admiral Pocock as his second in command. In anticipation of an attack, Angria made a deal with the Mahrattans to give them Geriah, if the attack was called off. Although they agreed, Watson was determined to destroy it, and carried out a bombardment on 12 February 1756. Although he silenced the defence batteries, it was necessary to open fire again on 13 February before the final surrender the next day. Apart from the destruction of Angria’s arsenal and fleet, £130,000 of spices and valuables were found. Angria’s wife and family were spared and Angira himself escaped and fled. In the foreground are moored four Company gallivants or small armed vessels with sails or oars used on the Malabar coast, while on the right are two Indian dinghies under sail. Beyond these, centre to the right, five bombs are moored, to gain maximum shelter from the hulls of the big ships moored between them and the walls of Geriah. Watson’s flagship the ‘Kent’ is in the centre, with Pocock’s ‘Cumberland’ to the right of her as the only ship shown facing the opposite direction. To the right of the flagships are two more King’s ships with another on the left. The firing has ceased and boats and troops can be seen going ashore. To the left of the picture is a Company coastal vessel, called a grab, and astern of her are the bows of a moored ship, which may be that of Commodore James. In the left background are the blazing craft of Angria’s fleet. The NMM also has a pair of engraved plans by T. Jeffreys, 1761 and engravings by W. Tringham after M. Hore and P. Canot after T. Jeffreys, relating to this subject. The painting is signed and dated ‘D.Serres.1771’ |
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Date |
1771 date QS:P571,+1771-00-00T00:00:00Z/9 |
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Medium | oil on canvas | ||||||||||||||||||||||||||
Dimensions | Painting: 1143 mm x 1828 mm; Frame: 1370 mm x 2057 mm x 80 mm | ||||||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | |||||||||||||||||||||||||||
Accession number |
BHC0377 |
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Notes |
Signed and dated 1771. Glazed with 4.4mm laminated low reflect glass |
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References | |||||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/11869 | ||||||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Other versions |
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Identifier InfoField | Acquisition Number: 1927-2 id number: BHC0377 |
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Collection InfoField | Oil paintings |
Licensing
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 04:38, 26 September 2017 | 1,280 × 811 (772 KB) | Fæ | Royal Museums Greenwich Oil paintings (1771), http://collections.rmg.co.uk/collections/objects/11869 #1411 |
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Metadata
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Image title |
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Camera manufacturer | Hasselblad |
Camera model | Hasselblad H3DII-39MS - Hasselblad H3D |
Author | David Westwood |
Exposure time | 3/10 sec (0.3) |
F-number | f/13 |
ISO speed rating | 50 |
Date and time of data generation | 09:20, 23 May 2013 |
Lens focal length | 120 mm |
Headline | Capture of Geriah, by D Serres BHC0377 |
Copyright holder |
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Short title |
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Usage terms |
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Width | 6,588 px |
Height | 4,173 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5.1 Macintosh |
File change date and time | 12:00, 29 July 2013 |
Exposure Program | Manual |
Exif version | 2.1 |
Date and time of digitizing | 09:20, 23 May 2013 |
Shutter speed | 1.7369655929506 |
APEX aperture | 7.4008794352412 |
Maximum land aperture | 4 APEX (f/4) |
Subject distance | 1.874 meters |
Metering mode | Center weighted average |
Flash | Flash did not fire |
Color space | Uncalibrated |
Focal plane X resolution | 1,470.59 |
Focal plane Y resolution | 1,470.59 |
Focal plane resolution unit | 3 |
Focal length in 35 mm film | 84 mm |
Lens used | HC 120 |
Serial number of camera | DM58244248 |
Date metadata was last modified | 13:00, 29 July 2013 |
Unique ID of original document | CA773D86D64C59540F6C5E68489D1C99 |
Copyright status | Copyrighted |
IIM version | 4 |