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File:The Capture of Geriah, February 1756 RMG BHC0377.jpg

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Summary

Dominic Serres: The Capture of Geriah, February 1756  wikidata:Q50860868 reasonator:Q50860868
Artist
Dominic Serres  (1722–1793)  wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter and artist
Date of birth/death 1722 Edit this at Wikidata 1793 Edit this at Wikidata
Location of birth/death Auch Edit this at Wikidata Marylebone (London)
Work location
Spain; Hamburg; London (1758–1793) Edit this at Wikidata
Authority file
creator QS:P170,Q3035468
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Dominic Serres, the Elder
Title
The Capture of Geriah, February 1756 Edit this at Wikidata
title QS:P1476,en:"The Capture of Geriah, February 1756 Edit this at Wikidata"
label QS:Len,"The Capture of Geriah, February 1756 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: The Capture of Geriah, February 1756

Geriah was a stronghold of the notorious and formidable Maratha pirate Tulagee Angria. One of a family of Indian pirates plundering the trade carried in East India Company ships, he operated off India’s Malabar coast between Bombay and Goa, known as the Pirate Coast. Angria had strongholds on the little island of Severndroog, which had been captured by Commodore James in 1755, south of Bankote, or Fort Victoria, and at Geriah, south of Ratnagiri. Late in 1755 an expedition consisting of Royal, Company and Mahrattan ships was organised to destroy it, together with a contingent of Company troops under Lieutenant Colonel Clive. The expedition was commanded by Rear-Admiral Watson with Rear-Admiral Pocock as his second in command. In anticipation of an attack, Angria made a deal with the Mahrattans to give them Geriah, if the attack was called off. Although they agreed, Watson was determined to destroy it, and carried out a bombardment on 12 February 1756. Although he silenced the defence batteries, it was necessary to open fire again on 13 February before the final surrender the next day. Apart from the destruction of Angria’s arsenal and fleet, £130,000 of spices and valuables were found. Angria’s wife and family were spared and Angira himself escaped and fled.

In the foreground are moored four Company gallivants or small armed vessels with sails or oars used on the Malabar coast, while on the right are two Indian dinghies under sail. Beyond these, centre to the right, five bombs are moored, to gain maximum shelter from the hulls of the big ships moored between them and the walls of Geriah. Watson’s flagship the ‘Kent’ is in the centre, with Pocock’s ‘Cumberland’ to the right of her as the only ship shown facing the opposite direction. To the right of the flagships are two more King’s ships with another on the left. The firing has ceased and boats and troops can be seen going ashore. To the left of the picture is a Company coastal vessel, called a grab, and astern of her are the bows of a moored ship, which may be that of Commodore James. In the left background are the blazing craft of Angria’s fleet. The NMM also has a pair of engraved plans by T. Jeffreys, 1761 and engravings by W. Tringham after M. Hore and P. Canot after T. Jeffreys, relating to this subject. The painting is signed and dated ‘D.Serres.1771’

The capture of Geriah, February 1756
Date 1771
date QS:P571,+1771-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1143 mm x 1828 mm; Frame: 1370 mm x 2057 mm x 80 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0377
Notes

Signed and dated 1771.

Glazed with 4.4mm laminated low reflect glass
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11869
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1927-2
id number: BHC0377
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current04:38, 26 September 2017Thumbnail for version as of 04:38, 26 September 20171,280 × 811 (772 KB)Royal Museums Greenwich Oil paintings (1771), http://collections.rmg.co.uk/collections/objects/11869 #1411

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