|Genres||Folk, blues, roots|
|Labels||Waterbug, Swallowtail, Magic Crow|
Geoff Bartley, born in 1948, is an American acoustic guitarist and singer-songwriter whose musical style combines roots, blues, jazz, and traditional folk. He lives in the Boston area, where he can be found at The Cantab Lounge in Cambridge, Massachusetts every Monday night, hosting a singer-songwriter open mic, and every Tuesday night presenting bluegrass performances and jams.
Since 1994, Bartley has played guitar regularly for Tom Paxton, and February 13, 2004, was declared by the city of Cambridge to be Geoff Bartley Day. In 2009, he was awarded the Jerry Christen Memorial Lifetime Achievement Award by the Boston Area Coffeehouse Association, and in 2015 he was the winner of the Podunk songwriting contest. He has won the New Hampshire Acoustic Guitar Contest twice and, during the 1980s, won four guitars by four second-place wins at the National Fingerstyle Guitar Championships in Winfield, Kansas. The Folk Project calls him "an insightful songwriter with an expressive baritone voice, an exceptionally clean and tasty guitarist, and one of the best damn harmonica players in the country."
Early life and influences
Geoff Bartley was born in New York City in 1948, and grew up on the eastern shore of Maryland. His mother played piano and his father, a doctor, played clarinet, and he grew up surrounded by classical music. In fourth grade, Bartley began to study clarinet, and in 1963 picked up the acoustic guitar. "I had no social life and no social skills, so I just spent a lot of time practicing acoustic guitar," said Bartley in 2012. In 1967, he moved to Boston to attend Boston University, and has lived also in Nevada, Colorado, Connecticut, New Hampshire and Pennsylvania.
His influences included original pre-war acoustic blues players and singers such as Lightnin’ Hopkins, Robert Johnson, Bessie Smith, and Blind Willie McTell, and later folk musicians and interpreters of the blues, including Bob Dylan, Tom Rush, Bonnie Raitt, and Dave van Ronk.
Bartley had his first paying gig in 1970, at a Boston coffeehouse By 1973, he was able to make a living playing in bars and coffee houses, and he toured nationally for the next decade and a half. It was during this period that he won four guitars at the Walnut Valley Festival in Winfield, Kansas, winning every year from 1984 to 1987. During the 1980s, he also participated in and was inspired by the Fast Folk Music Cooperative. Since 1994, he has regularly accompanied folk legend Tom Paxton, who considers him one of the world's best guitar players, and Bartley was instrumental in the creation of the 2004 Tom Paxton signature model Martin guitar.
Cantab Lounge and the bluegrass connection
In 1991, he began hosting a folk singer/songwriter open mic at the Cantab Lounge in Cambridge every Monday evening. The success of the folk open mic led the venue asked him in 1993 to host Tuesday evenings as well, and he decided to make that a bluegrass event. Bluegrass Tuesdays eventually became what master fiddler and Berklee professor of music Matt Glaser called "the epicenter of bluegrass in Boston," and multiple bluegrass bands have met each other and gained experience through jamming in the Cantab's basement and stairwells and performing on its stage. In 2016, the Boston Bluegrass Union recognized Bartley's contributions to bluegrass with its Industry Heritage Award.
A widely respected and prize-winning songwriter and composer, Bartley's songs have been recorded by numerous artists and licensed for film and television. His song "Sunny Side of Town" won the 2015 Podunk Bluegrass Festival Songwriters Competition. His recordings Put the Big Stone Down (2009) and Mercy for the Dispossessed (2011) both reached number one on the international Folk DJ Radio chart. Through his open mics, he has been a mentor to many aspiring songwriters. The folk press has called him a world-class guitarist, a brilliant songwriter and the prophet and spiritual godfather of the Boston folk scene.
- Blues Beneath the Surface (1984)
- Interstates (1986)
- I Am the Heart (1989)
- One Kind Word (1998)
- Hear That Wind Howl (1999)
- Bones and Breath (with Timothy Mason) (2003)
- Interstates (2005)
- Blackbirds in the Pie (2008)
- Put The Big Stone Down (2010)
- Mercy for the Dispossessed (2011)
- Uncle Wiggly's Bicycle Ride (2015)
- Particles of Light (September, 2016)
- Morse, Katrina (2012). "Geoff Bartley". cambridgehistory.org. Music in Cambridge. Cambridge Historical Society. Retrieved 2018-02-10.
- Symkus, Ed. "Geoff Bartley". The Music Museum of New England. Retrieved 2018-02-10.
- Alarik, Scott (2003). Deep Community: Adventures in the Modern Folk Underground. Cambridge, Massachusetts: Black Wolf Press. pp. 214–216. ISBN 0-9720270-1-7.
- "Deborah Silverstein & Geoff Bartley". Amazing Things. Retrieved 2018-02-10.
- Holbrow, Gwendolyn (2016-06-28). "Geoff Bartley and Boston's Golden Age of Bluegrass". Bluegrass Today. Retrieved 2018-02-10.
- "Winfield Winners". Walnut Valley Festival. Retrieved 2018-02-11.
- Harris, Craig (1991). The New Folk Music. Crown Point, Indiana: White Cliffs Media Company. pp. 90–91. ISBN 0-941677-25-7.
- "Geoff Bartley and Cosy Sheridan: Two excellent Boston area songwriters". The Folk Project. 2018-02-09. Archived from the original on 2018-02-09. Retrieved 2018-02-10.
- Alexander, Steven (2002). "Fast Folk and Coop Database". www.folklib.net. Retrieved 2018-02-19.
- Limnios, Michael (December 7, 2013). "Geoff Bartley: The Theory of Bluesy". Blues.Gr. Retrieved 2018-02-10.
- Boudreau, Jeff (2008-11-02). "Mary McCaslin & Geoff Bartley". notloB Music.
- "Geoff Bartley Credits". AllMusic. Retrieved 2018-02-13.
- "Podunk Bluegrass Festival Songwriters Competition Finalists" (PDF). Podunk Bluegrass Festival Press Release. 2016-07-05. Retrieved 2018-02-13.
- "Geoff Bartley with Frank Sugrue". Amazing Things. Retrieved 2018-02-13.
- Koda, Cub. Geoff Bartley: Hear That Wind Howl at AllMusic. Retrieved August 21, 2015.