Harvey Fite

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Harvey Fite (December 25, 1903 – May 9, 1976)[1] was a pioneering American sculptor, painter and earth artist best known for his monumental land sculpture Opus 40. A teacher, innovator and Woodstock artist of many talents, he was primarily a sculptor of wood and stone. Fite is also known for founding the fine arts program at Bard College in Annandale-on-Hudson, New York.

Biography[edit]

Fite was born in Pittsburgh, Pennsylvania, on Christmas Day 1903, but his family relocated to Texas when he was three years old. In 1923 he entered law school, where he studied for three years before deciding against continuing. At that point he moved east to study for the ministry at St. Stephen's College,[2] a small Episcopal institution in Annandale-on-Hudson, in New York's Hudson Valley. Once there, Fite was drawn to the stage at the campus theater, and at the end of his third year he dropped out. He joined a traveling troupe of actors, and later moved to Woodstock, where he performed with a local theater.[2]

One day backstage, he picked up a seamstress's discarded spool and began to whittle. Finding his passion at last, he left the theater and set to sculpting.

A recognized sculptor, Fite was invited in 1933 to organize the fine arts program at his alma mater (St. Stephen's), which, in the three years since his departure, had affiliated with Columbia University and been renamed Bard College. Fite taught there and headed the fine arts program until his retirement in 1969.[1] He settled across the river at the Maverick art colony outside Woodstock, New York.

Opus 40[edit]

In May 1938, Fite purchased an idle bluestone quarry in Saugerties, New York,[3] a 12-acre site formerly owned by the widow of the last quarrymaster. He designed, engineered and hand-built a fine wooden house at the edge of the quarry grounds, facing the Catskill Mountains, and settled there in High Woods, a rural hamlet within the township of Saugerties, which neighbors Woodstock. He embellished his home's exterior with grand necklaces of quarryman's chains, and filled the interior and attached studio with murals, paintings and sculpture, going as far as whittling door handles of arched nudes, so that the building itself is now a museum of Fite's artwork.

That summer he was invited by the Carnegie Institute to do restoration work on ancient Mayan sculpture in Copan, Honduras.[1] Fite would be profoundly influenced by the art and architecture of the Maya, especially by their method of dry-stone construction. That following spring he began to organize the rubble scattered about the disused quarry, and his great life's work was begun: a stonework sculptured environment of terraces, alleys, ramps, steps and rain-fed pools which he would eventually name "Opus 40", as he estimated it would take him forty years to complete. Over the decades, Fite single-handedly moved stones up to nine tons in weight using ancient Egyptian methods of leverage and hoisting, transforming an abandoned quarry pit into the largest coherent sculpture in the world when measured by surface area.

Harvey Fite died tragically in May 1976 while at work on Opus 40,[1] in the process of completing an attached open-air "theater" at the site's northwestern extreme; he was riding a power lawnmower at the time, and he fell into the quarry from a 12-foot precipice.[1] He was 72 years old, and had worked alone on his magnum opus for the last 37 years of his life.[1]

References[edit]

  1. ^ a b c d e f "Harvey Fite Dies; Sculptor was 72". New York Times. May 11, 1976. Retrieved 2017-06-17.
  2. ^ a b Wallis, David (June 2, 2006). "A Monumental Vision of Half a Lifetime." New York Times. p. F9(L). Retrieved via Biography in Context database, 2017-06-18.
  3. ^ "About Opus 40 & Harvey Fite". Opus 40 Sculpture Park and Museum. opus40.org. Retrieved 2017-06-18.