Heavy Deavy Skull Lover
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Heavy Deavy Skull Lover is the fourth album by American psychedelic rock band The Warlocks. It was released on October 7, 2007 by Tee Pee Records
Background
The album is produced by Rod Cervera, who had previously worked on The Warlocks' debut album, Rise and Fall. In contrast to the more refined sounding and major label released, Surgery, the album features a rougher and less melodic sound, described by Drowned in Sound as akin to an "elongated jamming session".
The album was recorded as a stripped down four-piece, in departure from the octet, dual drummer formation of previous releases.
The Warlocks signed to Tee Pee Records, a small psychedelia-themed record label also home to band cohorts, The Brian Jonestown Massacre, who reportedly requested that The Warlocks be signed.[1]
Release
Heavy Deavy Skull Lover was released on October 7, 2007.
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Drowned in Sound | 8/10[2] |
| The Guardian | [3] |
| Pitchfork | 5.0/10[4] |
| PopMatters | 8/10[5] |
| Spin | 4/10[6] |
Heavy Deavy Skull Lover received a mixed-to-positive critical reception.
Drowned in Sound wrote "The Warlocks may just have released their best album to date. While not containing the obvious singles of Phoenix, the album that ultimately lifted them into the spotlight of their own accord rather than via associations with co-conspirators, Heavy Deavy Skull Lover is by far their most ambitious, sprawling and intensely defiant collection of sounds [...] this is the 21st Century psychedelic sound of the West Coast in all its glory. Simply immense."[2] The Guardian described the album as "potent stuff, but not something you'd want to listen to every day".[3]
Spin, on the other hand, described it as "a middling version of shoegaze for people who stare at their hands."[6]
Musical style
Critics noted the album's darker sound than previous Warlocks albums. Describing the album's sound and mood, Pitchfork Media wrote "The end goal here is The Cure: Live at Pompeii – lo-fi dirges heavy on slow-motion distortion, but with Hecksher's usual stoned-out sighs replaced by more pronounced, mopey affectations. That the bookend tracks both feature the word 'death' in the title offers some indication of the kind of mood he's in, and the pervasively dreary mood makes it hard to tell where the pained opener 'The Valley of Death' ends and the quicksand-slow descent of 'Moving Mountains' begins."[4] Spin described the album as The Warlocks being "more funereal than ever".[6] PopMatters countered, writing "Though 'The Valley of Death' starts the record off with a dreary note, the record itself is altogether quite glorious, buzzing and sticky with muck that's convincingly part saccharine."[5]
Track listing
- "The Valley of Death" – 5:03
- "Moving Mountains" – 10:59
- "So Paranoid" – 6:27
- "Slip Beneath" – 8:07
- "Zombie Like Lovers" – 4:50
- "Dreamless Days" – 5:31
- "Interlude in Reverse" – 3:11
- "Death, I Hear You Walking" – 6:24
References
- ^ a b Lymangrover, Jason. "Heavy Deavy Skull Lover – The Warlocks | Songs, Reviews, Credits, Awards | AllMusic". AllMusic. Retrieved December 6, 2014.
- ^ a b Gourlay, Dom (November 16, 2007). "Album Review: The Warlocks – Heavy Deavy Skull Lover / Releases / Releases // Drowned in Sound". Drowned in Sound. Retrieved December 6, 2014.
- ^ a b Costa, Maddy (November 16, 2007). "CD: The Warlocks, Heavy Deavy Skull Lover | Music | The Guardian". The Guardian. Retrieved December 6, 2014.
- ^ a b Berman, Stuart (November 15, 2007). "The Warlocks: Heavy Deavy Skull Lover | Album Reviews | Pitchfork". Pitchfork. Retrieved December 6, 2014.
- ^ a b Adcock, Zack (March 2, 2008). "The Warlocks: Heavy Deavy Skull Lover | PopMatters". PopMatters. Retrieved December 6, 2014.
- ^ a b c Anderson, Stacey (January 18, 2008). "The Warlocks, 'Heavy Deavy Skull Lover' Review". Spin. Retrieved December 6, 2014.
External links
- Heavy Deavy Skull Lover at Discogs (list of releases)