|Native name||倉田 百三|
23 February 1891|
Shōbara, Hiroshima Japan
|Died||12 February 1943
|Resting place||Tama Cemetery, Fuchū, Tokyo, Japan|
|Genre||essays, stage plays|
Hyakuzō Kurata (倉田 百三 Kurata Hyakuzō, 23 February 1891 – 12 February 1943) was a Japanese essayist and playwright on religious subjects who was active during the Taishō and early Shōwa periods of Japan.
Kurata was born in what is now rural Shōbara city, Hiroshima Prefecture to a wealthy merchant family. He graduated from the No.1 High School in Tokyo and made his home in a cottage on the banks of Ueno Pond. He was highly influenced by the writings of Nishida Kitarō and his concepts of religious syncretism, travelling to Kyoto meet the philosopher in 1912. However, Kurata was forced to leave Tokyo in 1913 due to health reasons, as he was suffering from both lung and bone tuberculosis and venereal disease. After a period in a hospital in Hiroshima, he traveled extensively around the Inland Sea region of Japan. He also became interested in the writings of philosopher and cult-leader Nishida Tenko, who had created an agrarian commune based on a mixture of Daoism, Christianity, Buddhism, and pacifism, and whose teachings were attracting a wide following in the slum areas near Japan’s major cities. Nishida accepted Kurata as a follower in December 1915, and he came to the commune with his nurse and lover, Haru Kanda, who gave birth to his son in March 1917. However, Kurata was not physically strong enough for work at the commune, and his health quickly deteriorated.
In 1917, Kurata wrote Shukke to sono deshi ("The Priest and his Apprentice") a stage play about the 13th century Buddhist priest Shinran, which quickly became a best-seller. Initially contributing articles on philosophy and religion to the Shirakaba literary journal, he became acquainted with Mushanokōji Saneatsu. However, Mushanokoji had very little regard to Nishida Tenko and his ideas, and was somewhat indifferent to Kurata.
In July 1918, under nervous stress, Kurata was hospitalized in Fukuoka. In January, still mostly bed-ridden, he moved to a Buddhist temple in Fukuoka and joining Mushanokōji’s commune, Atarashiki-mura as an external member. He organized public lectures, held concerts and even installed a printing press near his bed. Thinking that Kurata was on his deathbed, Nishida sent a mortuary tablet with Kurata’s posthumous name inscribed on it, which Kurata accepted with somewhat mixed feelings, as he wrote in a letter to Masao Kume in March 1919
He also wrote Ai to ninshiki to no shuppatsu ("The Beginning of Love and Understanding", 1921), a collection of essays on diverse subjects ranging from love and sex to religion that became a classic with young people in pre-war Japan.
However, Kurata had a falling out with the Shirakaba group in 1922, as Mushanokōji joined critics in lambasting his most recent play Chichi no Shimpai ("A Father's Worry", 1921), and the Atarashiki-mura faced bankruptcy. His private life also attracted unfavorable press, as he was living polygamous with three women under the same roof. Politically, Kurata made a sharp turn to the religious right, and embraced the concepts of fascism, advocating a theocracy based on the teachings of Shinran 
- Kurata, Hyakuzo. The priest and his disciples: A play. Hokuseido Press (1955). ASIN: B000N2BPJU
- Miller, Scott J (2010). The A to Z of Modern Japanese Literature and Theater. Scarecrow Press. ISBN 1461731887.
- Moritimer, Maya (2000). Meeting the Sensei: The Role of the Master in Shirakaba Writers. Brill. ISBN 9004116559.