Il merlo maschio
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|Il Merlo Maschio|
"The Male Blackbird"
|Directed by||Pasquale Festa Campanile|
|Written by||Luciano Bianciardi (from the short story Il complesso di Loth)|
|Music by||Riz Ortolani|
|Edited by||Mario Morra|
Il merlo maschio (The Male Blackbird), known in United Kingdom as The Naked Cello or Secret Fantasy in United States, is an Italian film in the commedia sexy all'italiana style, and presents a theme of candaulism, that was very rare at the time. It was filmed in 1971 by director Pasquale Festa Campanile, and starred Laura Antonelli and Lando Buzzanca.
He discovers that the beauty of his wife, Costanza (Laura Antonelli) arouses in him admiration for her, and reflects on him. From then on, he decides to show it in public in order to gain personal glory. He takes photographs of her in poses that gradually became pornographic, and he begins to show the images to his friend and colleague Cavalmoretti (Lino Toffolo) and in a moment of madness to all the other members of the orchestra. Eventually, in a crescendo of exhibitionism, she playfully encourages him to photograph her nude in sensual poses, such as the screen shot below, and finally he exposes her completely nude (by an apparent accident with her dress) in front of everyone at Verona's Arena during the showing of Aida.
- Laura Antonelli: Costanza Vivaldi
- Lando Buzzanca: Niccolò Vivaldi
- Gianrico Tedeschi: Orchestra conductor
- Lino Toffolo: Cavalmoretti
- Luciano Bianciardi: Mazzacurati
- Gino Cavalieri: Costanza's father
- Elsa Vazzoler: Costanza's mother
- Ferruccio De Ceresa: Psychoanalyst
- Aldo Puglisi: Pharmacist
- Pietro Tordi: Doctor
This motion picture was filmed in Verona, and it shows many situations in the environment of practicing symphonic orchestras that at certain moment of the year are allowed to play in Arena. Il Merlo Maschio represents the Commedia all'italiana.
Unlike most Italian comedy films in that epoch, always repeating the storyboards of the first erotic dreams of the symbolic teenager Pierino, or the arousal reactions of secluded soldiers that watch for the first time the shapes of a beauty queen (Gloria Guida, etc.), The Male Blackbird is also a light and discrete sociological presentation of the theme of candaulism, something very frequent today (husbands that buy transparent panties and bras for their wives) but that was very rare at those times: the apparently casual, but carefully planned exposing of the spouse by her husband (Candaulism is classified by psychiatrist as a mania or paraphilia).