Jump to content

Impulse (1954 film)

From Wikipedia, the free encyclopedia
(Redirected from Impulse (1957 film))

Impulse
Theatrical release poster
Directed byCy Endfield (as Charles de Lautour)
Written byCy Endfield (as Jonathan Roach)
Lawrence Huntington
Story byCarl Nystrom
Robert S. Baker
Produced byRobert S. Baker
Monty Berman
StarringArthur Kennedy
Constance Smith
Joy Shelton
CinematographyJonah Jones
Edited byJack Slade
Music byStanley Black
Production
company
Distributed byEros Films
Release date
  • 1954 (1954)
Running time
81 minutes
CountryUnited Kingdom
LanguageEnglish

Impulse is a 1954 British second feature[1] film noir directed by Cy Endfield (as "Charles de Lautour") and starring Arthur Kennedy, Constance Smith and Joy Shelton.[2] It was written by Endfield (as "Jonathan Roach") and Lawrence Huntington from an original story by Carl Nystrom and Robert S. Baker.

Plot

[edit]

Alan Curtis is an American estate agent living in England, dissatisfied with his humdrum life. With his wife Elizabeth on a short break visiting her mother, he gives a lift to sultry nightclub singer Lila when he finds her stranded on the road at night. Curtis becomes romantically involved with her and Lila tells him that her brother is in trouble over a jewel robbery.

In reality Lila wants the stolen stones for herself. She tricks the wayward Curtis into believing that he killed a man so that he buys them two tickets out of the country. He decides that it is better to face the music, opting to stay and confess. Lila, too, reconsiders, staying with Curtis until his name is cleared. After the true killers are revealed, Lila goes to jail as a participant in the robbery and Curtis returns to his wife, who forgives him.

Cast

[edit]

Production

[edit]

The film was shot at Nettlefold Studios, Walton-on-Thames, Surrey, with sets designed by art director Wilfred Arnold.[2]

Endfield had come to work in Britain to escape the Hollywood blacklist. In order for him to direct, the Association of Cine Technicians (ACT) required that a paid ACT "dummy" director be appointed, to do nothing on set, but to be credited with direction; Endfield chose documentary filmmaker Charles de Lautour, whom he paid £35 a week.[3]

Critical reception

[edit]

Monthly Film Bulletin said "Characteristic British crime melodrama. The story is by no means completely convincing, but is made reasonably credible by a standard of acting somewhat above the average for a production of this type."[4]

Film historians Steve Chibnall and Brian McFarlane praised Kennedy's performance and said "This detailed and un-showy study of a man tempted away from a comfortable but dull rut is one of the subtlest to be found in the 'B' film ranks."[5]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Ordinary thriller at least keeps you guessing."[6]

The Radio Times Guide to Films gave the film 2/5 stars, writing: "This is a routine British second-feature, although Arthur Kennedy is a cut above the average imported American lead. Kennedy has a fling with nightclub singer Constance Smith, who involves him in a crime. Screenwriter "Jonathan Roach" is actually Cy Endfield, taking refuge in the UK from the McCarthy witch-hunts, while Charles de Lautour took credit for Endfield as director."[7]

References

[edit]
  1. ^ Chibnall, Steve; McFarlane, Brian (2009). The British 'B' Film. London: BFI/Bloomsbury. p. 181. ISBN 978-1-8445-7319-6.
  2. ^ a b "Impulse". British Film Institute Collections Search. Retrieved 20 November 2023.
  3. ^ Neve, Brian (2015). The Many Lives of Cy Endfield: Film Noir, the Blacklist, and "Zulu". University of Wisconsin Press. pp. 105–106. ISBN 978-0299303747.
  4. ^ "Impulse". Monthly Film Bulletin. 22 (252): 39. 1955. ProQuest 1305817634 – via ProQuest.
  5. ^ Steve Chibnall & Brian McFarlane, The British 'B' Film, Palgrave Macmillan, London, 2009, p. 181.
  6. ^ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 327. ISBN 0-7134-1874-5.
  7. ^ Radio Times Guide to Films (18th ed.). London: Immediate Media Company. 2017. p. 456. ISBN 9780992936440.
[edit]