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Jacques Rivette

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Jacques Rivette
Born
Jacques Rivette
Years active1950-present

Jacques Rivette (born 1 March 1928) is a French film director.

With Jean-Luc Godard, Jacques Rivette is considered to be the most experimental of the French New Wave directors. Like Godard, he has a background in film criticism, where he has expressed his admiration for popular American cinema, especially genre directors such as Robert Aldrich, Howard Hawks, and Frank Tashlin.

Rivette's stories progress in unconventional ways - often following multiple plot lines that can be romantic, mysterious, and comic all at once and employing extensive improvisation. As a result, his films are often extremely long (the notable Out 1 clocked in at 13 hrs, although a 4½ hour cut was later produced) and many of them are rarely seen.

Biography

Jacques Rivette was born in Rouen. In 1950, Rivette joined the Ciné-Club du Quartier Latin, and began to write film criticism for the Gazette du Cinema, a small film journal. During this time, he made his first short films, Aux Quatre Coins (1950), Le Quadrille (1950), and Le Divertissment (1952). In 1952, Rivette began to write for Cahiers du cinéma with several other young critics who would form the core of the French New Wave: Éric Rohmer, Jean-Luc Godard, François Truffaut, Claude Chabrol, and Luc Moullet. Rivette championed American directors of the 1940s and 1950s, specifically the work of Howard Hawks, John Ford, Nicholas Ray, and Fritz Lang. In 1958, he began to work on his first feature using borrowed equipment and short ends of film stock. He finished Paris nous appartient two years later.

Céline et Julie vont en bateau (Céline and Julie Go Boating / Céline and Julie Lose Their Minds) is perhaps Rivette's most famous and best loved work. His other important films include Out 1, L'Amour fou, Paris nous appartient, and La Belle noiseuse.

Filmography

Feature films

Along with Out 1, La Belle noiseuse, and Va savoir, Rivette also at one point cut an alternate version of L'Amour fou, while the current version of L'Amour par terre was cut from a longer and preferred version of the film. Duelle and Noroît were two episodes from an intended four part series "Scenes from a Parallel Life" and Histoire de Marie et Julien was later loosely based on an unfilmed episode. Due to the rare nature of Rivette's works, many DVDs (such as the Region 1 Facets release of Jeanne la pucelle) are from edited or otherwise incomplete versions of his films.

Short films

Work for television

Episodes from Cinéastes de notre temps

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