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|Born||February 4, 1905|
|Died||January 8, 1988 (aged 82)|
|Education||Art Students League|
|Alma mater||Amherst College|
Jared French (February 4, 1905 – January 8, 1988) was an American painter who specialized in the medium of egg tempera. He was one of the artists attributed to the style of art known as magic realism along with contemporaries George Tooker and Paul Cadmus.
Born in Ossining, New York, French received a Bachelor of Arts degree from Amherst College in 1925. Soon after this he met and befriended Paul Cadmus (1904–1999) in New York City, who became his lover. French persuaded Cadmus to give up commercial art for what he deemed, "serious painting". In 1930, while French and Cadmus were students together at New York's Art Students League, Italian artist Luigi Lucioni painted French in a painting entitled Jared French, that is currently owned by the Metropolitan Museum of Art in 1994.
During the late 1930s and early 1940s, French painted murals for the WPA. French's early paintings are eerie, colorful tableauxs of still, silent figures derived from Archaic Greek statues. His later work shows "a kind of classical biomorphism," strange, colorful, suggestive organic forms.
Jungian psychology is thought to have played an important influence upon the dream-like imagery in the paintings of French's maturity. The highly stylized, archaic-looking figures in his paintings suggest that they are representative of the ancestral memory of all mankind, what Carl Jung called "the collective unconscious". French himself was never explicit about the sources of his imagery, although on a stylistic level, the influence of early Italian Renaissance paintings by such masters as Mantegna and Piero della Francesca is evident, as it is also in the work of both Tooker and Cadmus. On the level of content, he made only one, short, public statement regarding his intentions:
My work has long been concerned with the representation of diverse aspects of man and his universe. At first it was mainly concerned with his physical aspect and his physical universe. Gradually I began to represent aspects of his psyche, until in The Sea (1946) and Evasion (1947), I showed quite clearly my interest in man's inner reality.
French entered the Mural and Easel Painting Section of the Public Works of Art Project, initiated by the Department of the Treasury in 1933, after which he produced murals for the post office in Plymouth, Pennsylvania (1938), and for the Parcel Post Building in Richmond, Virginia (1939).
In 1937, French married Margaret Hoening (died 1998), also an artist who was 15 years French's senior. For the next eight years Cadmus and the Frenches summered on Fire Island and formed a photographic collective called PaJaMa ("Paul, Jared, and Margaret"). In between Provincetown, Truro, Fire Island, and New York, they staged various black and white photographs of themselves with their friends, both nude and clothed. Most of these friends featured in the photographs were among New York's young artists, dancers and writers, and most were handsome and gay.
In 1938, French and Cadmus posed for a series photographs with the noted photographer George Platt Lynes (1907–1955). These photographs were not published or exhibited while Lynes was living and show the intimacy and relationship of the two. In the photographs, 14 of which survive today, the subjects, Cadmus and French, vacillate between exposure and concealment, with French generally being the more exhibitionist of the two. Cadmus stated that French was the model for all four male figures in his 1935 painting, Gilding the Acrobats, as well as his 1931 painting, Jerry. In addition, French modeled as John Smith for Camdus' mural in 1938, Pocahontas Rescued Captain John Smith at the Richmond Parcel Post Building.
Later in the 1940s, French and his wife formed a complicated relationship with Cadmus and Cadmus' then lover, George Tooker (1920–2011). When French and his wife bought a home in Hartland, Vermont, they gave Cadmus a house of his own on the property. French later took the house back and gave it to his Italian lover.
Works in collections
- Seat by the Sea, 1959, Smithsonian American Art Museum, Washington, DC
- Nude and Dress Suit, 1950, Smithsonian American Art Museum, Washington, DC
- Evasion, 1947, Cleveland Museum of Art, Cleveland, Ohio
- State Park, 1946, Whitney Museum of American Art, New York, New York
- Learning, 1946, Smithsonian American Art Museum, Washington, DC
- The Sea, 1946
- Music, 1943, Georgia Museum of Art, Athens, Georgia
- John Pelham, 1939, Court House Annex, Richmond, Virginia
- Cavalrymen Crossing a River, 1939, Court House Annex, Richmond, Virginia
- Safe, 1937, National Baseball Hall of Fame and Museum, Cooperstown, New York
- Mealtime, The Early Coal Miners, 1937, Plymouth Post Office, Plymouth, Pennsylvania.
- Mealtime, The Early Coal Miners (Mural Study), 1936, Smithsonian American Art Museum, Washington, DC
- Mealtime, The Early Coal Miners (Mural Study), 1935, Smithsonian American Art Museum, Washington, DC
- Banfer Gallery, New York, 1969
- Banfer Gallery, New York, 1967
- Banfer Gallery, New York, 1965
- Robert Isaacson Gallery, New York, 1962
- Edwin Hewitt Gallery, New York, 1955
- Edwin Hewitt Gallery, New York, 1950
- Julien Levy Gallery, New York, 1939
- Morgan Hall, Amherst College, Massachusetts, 1939
- Vassar College Art Gallery, New York, 1939
- "Jared French Is Dead; Figural Artist Was 82". The New York Times. 20 January 1988. Archived from the original on 27 April 2016. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Johnson, Ken (9 October 2008). "Conform, Conform, Wherever You Are: Modern Angst in 'George Tooker: A Retrospective' at the National Academy Museum". The New York Times. Archived from the original on 5 June 2016. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Smith, Roberta (5 November 2015). "PaJaMa, Whose Photographs Breathed Eroticism". The New York Times. Archived from the original on 29 March 2018. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Meyer, Richard (2002). Outlaw Representation: Censorship & Homosexuality in Twentieth-century American Art. Beacon Press. pp. 89–93. ISBN 9780807079355. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Grimes, Nancy (1993). Jared French's myths (1st ed.). San Francisco, Calif.: Pomegranate Artbooks. ISBN 1566403227.
- Leddick, David (2015). Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and Their Circle. Macmillan. ISBN 9781250104786. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- "Luigi Lucioni | Jared French | The Met". metmuseum.org. The Metropolitan Museum of Art. Archived from the original on 15 September 2016. Retrieved 1 September 2016. CS1 maint: discouraged parameter (link)
- Edgecombe, Rodney. "Jared French's Iconic Enigmas". The Gay & Lesbian Review. The Gay & Lesbian Review Worldwide. Archived from the original on 26 August 2016. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- French, Jared; Wechsler, Jeffrey (1992). The Rediscovery of Jared French. Midtown Payson Galleries. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- "Paid Notice: Deaths FRENCH, MARGARET HOENING". The New York Times. 21 November 1998. Archived from the original on 28 August 2016. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Anreus, Alejandro; Linden L., Diana; Weinberg, Jonathan (2006). The Social and the Real: Political Art of the 1930s in the Western Hemisphere. Penn State Press. ISBN 027104716X. Retrieved 23 August 2016. CS1 maint: discouraged parameter (link)
- Grimes, Nancy (1993). Jared French's Myths. San Francisco, California: Pomegranate Artbooks. ISBN 1-56640-322-7.
- The Essence of Magic Realism - Critical Study of the origins and development of Magic Realism in art.
- Jerry Wechsler (1992) The Rediscovery of Jared French. New York: Midtown Payson Galleries
- Panzetta, Alfonso (2010). Jared French by Jared French. Italy: Torino: Allemandi.