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Jess X. Snow

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Jess X. Snow
Born1992
EducationRhode Island School of Design, New York University
Websitehttp://www.jessxsnow.com/

Jess X. Snow (Chinese: 陈雪) is a Chinese-Canadian filmmaker, muralist, public artist and poet.[1] They are best known for their narrative short films, Little Sky (2023) and Roots That Reach Toward The Sky (2024), children’s books The Ocean Calls (2020) and We Always Had Wings (2025) and their large scale community murals about migration, environmental justice, solidarity, abolition and healing.

Biography

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Biography

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Jess X. Snow's parents immigrated from Nanchang, China to Canada after the Cultural Revolution.[1] From 2009 to 2013, Snow attended the Rhode Island School of Design and got a Bachelor of Fine Arts in Film/Animation/Video and Literary Arts. Snow is received an MFA in directing at NYU Tisch School of the Arts in 2023.[2]

Snow was named one of Filmmaker Magazine's 25 New Faces of Independent Film[3] in 2023. Their genre-bending short films unveil how flawed Asian queers live, heal and refuse with bold visuals and poetic lyricism. Their shorts have screened widely in university classrooms and at numerous film festivals worldwide including BlackStar, New Orleans, Ann Arbor, BFI London, Durban International Film Festival and on PBS. Their cinematography and producing credits include several narrative and documentary films shot in North America, the Kingdom of Hawai‘i, Vietnam and the Philippines supported by Sundance, ITVS, and Topic, and screening at festivals including Palm Springs and Aspen ShortsFest. They are currently in development for two narrative features, When the River Split Open, supported by 2023 Cine Qua Non Lab, the 2024 Film Independent Producing Lab and When We Were Dragons, adapted from their forthcoming novel.

They have been a member of the Justseeds Artist Co-operative,[4] since 2015.

In spring of 2024 they were the inaugural Artist in Residence in the Asian American Studies Department at UC Santa Barbara.[5]

Art

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Murals

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Featured in the LA Times, "We Always Had Wings" is a community mural project in downtown Los Angeles featuring migration of the endangered Yellow-billed cuckoo and portraits of 15 migrant girls at the Miguel Contreras Learning Complex.[6]

"Immigration Is Transformation" was on view at Belonging: Before and After the Immigration Act of 1965 at the Wing Luke Museum of the Asian Pacific American Experience in Seattle's Chinatown until February 2016 (curated by Minh Nguyen).[7][8][9] It is created from layers of hand-cut Japanese kozo paper, wire, and fishing line in 2015.

"O Wind, Take Me to My Country" is a mural at the Art Bar Gallery in Kingston, NY on a three-story wall for the 7th Annual O+ Festival.[10] It features a portrait of Safia Elhillo, a Sudanese-Migrant poet.

"Ain't I A Women" is a mural finished in fall 2015 in collaboration with Jetsonorama and features portraits of poets Mahogany Browne and T'ai Freedom Ford with Sojourner Truth's "Ain't I a Woman?" text.[11]

"We Be Darker Than Blue" is a mural installed at the BRIC art space in New York City and portrays two generations of black woman poets: Mahogany Browne and Sonia Sanchez, pioneer of the black arts movement.[12] It is based on the Frida Kahlo painting "The Two Fridas."

Snow performs and tours nationally for their poetry and spoken word. In 2016, Snow's poem "Hunger Drives The Body into Imagination" was nominated for a Pushcart Prize.[13] Their poem "If Cygnus Were A Refugee" was nominated for Best of the Net Anthology.[14]

  • "The Last Words of the Honey Bees," Nepantla: Issue II
  • "Hunger Drives The Body Into Imagination,"(nominated for a Pushcart Prize), The Blueshift Journal[15]
  • "Inheriting The Hurricane" Foundry Journal[16]
  • "The Resistance of the Anglerfish," and "The Day I Cracked Open Heaven," The Offing[17]
  • "The Field of Cattle" in Wildness[18]
  • "If Cygnus Were A Refugee" (nominated for Best of the Net Anthology) "Embroidery", and "First Day of Spring" Storyscape Journal[19][20]
  • "What I Saw Through The Telescope", The Margins[21]
  • "How To Forgive 100 Years After A War," Hyphen Magazine[22]

Filmography

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References

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  1. ^ a b "ABOUT – JESS X CHEN". www.jessxsnow.com. Retrieved 17 December 2016.
  2. ^ "Jess X. Snow". tisch.nyu.edu. Retrieved 20 April 2022.
  3. ^ "25 New Faces of Independent Film 2023 - Filmmaker Magazine". Filmmaker Magazine | Publication with a focus on independent film, offering articles, links, and resources. Retrieved 21 July 2024.
  4. ^ "Justseeds | Artists". justseeds.org. Retrieved 21 July 2024.
  5. ^ "Asian American artist-in-residency program debuts with film screening and workshops". The Current. 10 April 2024. Retrieved 21 July 2024.
  6. ^ "WE ALWAYS HAD WINGS – JESS X CHEN". jessxchen.com. Retrieved 18 December 2016.
  7. ^ "Belonging: Before & After the Immigration Act of 1965 | Digital Exhibition". www.wingluke.org. Retrieved 17 December 2016.
  8. ^ "IMMIGRATION IS TRANSFORMATION – JESS X CHEN". jessxchen.com. Retrieved 18 December 2016.
  9. ^ "Belonging: Before & After the Immigration Act of 1965 | Digital Exhibition". www.wingluke.org. Retrieved 18 December 2016.
  10. ^ "O WIND, TAKE ME TO MY COUNTRY – JESS X CHEN". jessxchen.com. Retrieved 18 December 2016.
  11. ^ "AIN'T I A WOMAN? – JESS X CHEN". jessxchen.com. Retrieved 18 December 2016.
  12. ^ "WE BE DARKER THAN BLUE – JESS X CHEN". jessxchen.com. Retrieved 18 December 2016.
  13. ^ "Blueshift Journal on Twitter". Twitter. Retrieved 18 December 2016.
  14. ^ "Storyscape Journal – Issue 16 – If Cygnus were a Refugee by Jess X. Chen". storyscapejournal.com. Retrieved 18 December 2016.
  15. ^ "The Blueshift Journal". The Blueshift Journal. Retrieved 18 December 2016.
  16. ^ "Jess X. Chen". Foundry. Retrieved 18 December 2016.
  17. ^ "Two Micros by Jess X. Chen | The Offing". The Offing. 23 March 2016. Retrieved 18 December 2016.
  18. ^ "W I L D N E S S". readwildness.com. Retrieved 18 December 2016.
  19. ^ "Storyscape Journal – Issue 16 – Embroidery by Jess X. Chen". storyscapejournal.com. Retrieved 18 December 2016.
  20. ^ "Storyscape Journal – Issue 16 – First Day of Spring 2016 by Jess X. Chen". storyscapejournal.com. Retrieved 18 December 2016.
  21. ^ "Asian American Writers' Workshop – What I Saw Through The Telescope". aaww.org. Retrieved 18 December 2016.
  22. ^ "January Lit: "How to Forgive 100 Years After a War" by Jess X. Chen". Hyphen Magazine. 21 January 2016. Retrieved 18 December 2016.
  23. ^ "2018 Los Angeles Asian Pacific Film Festival - Program Guide by Visual Communications - Issuu". issuu.com. 3 May 2018. Retrieved 27 February 2024.
  24. ^ "SAFE AMONG STARS". CAAMFest FORWARD. Retrieved 27 February 2024.
  25. ^ "SFTFF 2021 – Program 2 – San Francisco Transgender Film Festival". Retrieved 27 February 2024.
  26. ^ "2023 New Orleans Film Festival". noff2023.eventive.org. Retrieved 27 February 2024.
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