This is an old revision of this page, as edited by Nostaljack(talk | contribs) at 19:49, 14 September 2022(→Track listing: Removed "All tracks produced by Barry Eastmond" because it's not true. Producer's credits listed here betray that claim.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 19:49, 14 September 2022 by Nostaljack(talk | contribs)(→Track listing: Removed "All tracks produced by Barry Eastmond" because it's not true. Producer's credits listed here betray that claim.)
In his review for AllMusic, editor Alex Henderson felt that "containing mostly ballads and slow jams, the CD is very much in the late '90s neo-soul vein – the production is high-tech and hip-hop-ish, but the singing is classic R&B. Washington often brings to mind Alexander O'Neal, and he also shows an awareness of Luther Vandross and Freddie Jackson. A few of the tracks are excellent [...] most of the other material, however, is decent, although not remarkable. But while KW isn't the all-out gem that Washington is quite capable of providing, it was still nice to see him recording again."[2]Billboard found that with KW "Washington brings his no-nonsense ballads and think-on-it, midtempo tracks to the table [...] It will be interesting to see how [he] fares against such other balladeers as R. Kelly and Maxwell."[3]