Karl Brendel is the pseudonym of Karl Genzel (1871 – 1925), a schizophrenic outsider artist and one of the "schizophrenic masters" profiled by Hans Prinzhorn in his field-defining work Artistry of the Mentally Ill (1923, in German; English edition 1972). He was the only sculptor profiled in Prinzhorn's work, and the work also includes more illustrations of his work (twenty-four sculptures and eight drawings) than that of any other profiled artist.
Brendel was born in central Germany, the son of a freight transporter and one of eight children, attending school through the age of 14 and becoming employed variously as a bricklayer, plasterer, and iron moulder in a foundry. He married a widow with three children in 1895 and had two children of his own with her. However, from 1892 on Brendel was sentenced 12 times for assault and battery and property damage, and had to serve a prison term in 1902, at which point his marriage ended. His left leg was injured in an accident in 1900, and later amputated.
The first records of his mental illness come from 1906, when the prison doctor noticed megalomaniacal delusions and abnormal physical sensations; Brendel claimed that he has already experienced a sacrificial death, and that he was Jesus Christ. He was admitted to the Eickelborn asylum, near Lippstadt, in 1907.
Brendel's first artistic expressions came from 1912, when he began modeling obscene figures out of chewed bread. Although none of his bread sculptures survive, he was encouraged by a physician to begin woodcarving at this time.
His favorite subjects for carving were animal reliefs and depictions of his religious hallucinations, particularly the Christ motif. All of his human figures, including Christ, were usually depicted as hermaphrodites. Brendel generally worked in hard woods which he then painted or varnished.
||This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (December 2014)|
- Freeman, Barbara. "Biographies of Outsider Artists." Parallel Visions: Modern Artists and Outsider Art. Ed. Maurice Tuchman. Princeton, NJ: Princeton University Press, 1992. p. 26. ISBN 0-691-03213-0.
- Prinzhorn, Hans. Artistry of the mentally ill: a contribution to the psychology and psychopathology of configuration. Trans. Eric von Brockdorff. New York, NY: Springer-Verlag, 1972. ISBN 3-540-05508-8.
- "Africa within us?", Royal Anthropological Institute News, June 1979.
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