In the typology of ancient Greek pottery, the kernos (Greek κέρνος or κέρχνος, plural kernoi) is a pottery ring or stone tray to which are attached several small vessels for holding offerings. Its unusual design is described in literary sources, which also list the ritual ingredients it might contain. The kernos was used primarily in the cults of Demeter and Kore, and of Cybele and Attis.
The form begins in the Neolithic in stone, in the earliest stages of the Minoan civilization, around 3,000 BC. They were produced in Minoan and Cycladic pottery, being the most elaborate shape in the latter, and right through ancient Greek pottery. The Duenos Inscription, one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC, is inscribed round a kernos of three linked pots, of an Etruscan type.
Athenaeus preserves an ancient description of the kernos as
|“||a terracotta vessel with many little bowls stuck on to it. In them there is sage, white poppy heads, wheat, barley, peas (?), vetches (?), pulse, lentils, beans, spelt (?), oats, cakes of compressed fruit, honey, olive oil, wine, milk, and unwashed sheep's wool. When one has carried this vessel, like a liknophoros, he tastes of the contents.||”|
- Jacquelyn Collins-Clinton, A Late Antique Shrine of Liber Pater at Cosa (Brill, 1976), pp. 29 –30 online.
- Phillippe Borgeaud, Mother of the Gods: From Cybele to the Virgin Mary (Johns Hopkins University Press, 1996, English translation 2004), passim.
- Osvaldo Sacchi, "Il trivaso del Quirinale", in Revue Interantionale de Droit de l'Antiquité, 2001, p. 277; citing: Attilio Degrassi, Inscriptiones Latinae Liberae Rei Publicae, 1, 1957; Arthur Gordon, "Notes on the Duenos-Vase Inscription in Berlin", California Studies in Classical Antiquity, Vol. 8, 1975, pp. 53–72; Giovanni Colonna, "Duenos", in Studi Etruschi, 47, 1979, pp. 163–172; Brent Vine, "A Note on the Duenos Inscription", University of California at Los Angeles.
- Excavations at Mohenjo Daro, Pakistan: The Pottery (University of Pennsylvania Museum, 1986), p. 226 online.
- Athenaeus 11.478c = Polemon, frg. 88 Preller; English translation from Homer A. Thompson, Hellenistic Pottery and Terracottas (American School of Classical Studies at Athens, 1987), p. 448 online.
- The verb kernophorein means "to bear the kernos"; the noun for this is kernophoria; Stephanos Xanthoudides, "Cretan Kernoi," Annual of the British School at Athens 12 (1906), p. 9.
|This ceramic art and design-related article is a stub. You can help Wikipedia by expanding it.|
|This Ancient Greece related article is a stub. You can help Wikipedia by expanding it.|