Kranok pattern

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Kranok Sam Thua: the mother pattern of the all Kranok.

Kranok pattern (Thai: ลายกระหนก, RTGSLai Kranok) is one of the most important Thai motif patterns, because it appears in many Thai artworks such as Tripiṭaka cabinets, the doors of Thai temple, and coffins. According to the Royal Institute Dictionary in 1982, the definition of Kranok refers to a pattern of lines. However, when it is written as Kanok, it means gold. The pattern basically shows the repetition of right triangles. Sometimes, it is shown in same sizes or in different sizes. Oftentimes, the pointy part of the triangle goes right with each other in the same direction.

Definition[edit]

Kranok pattern is the most important basic of Thai pattern in Thai painting which has a base from right triangle might has one or more, and often face to the same side but has the different size and proportion. By the Thai dictionary version royal institute B.E.2525 Kranok means one type of pattern and also means gold. And Lai means pattern. In Sanskrit language Kra-nok means thorns.

History[edit]

The origin of Lai Thai pattern[edit]

The Thai pattern has been inspired from the nature, for example;

- Lotus

- Jasmine

- Java Cassia

- Sea Iceland Cotton

- Paco Fern

- Vine

- Bamboo stick

- Flame

- Etc.

The origin of Lai Kranok pattern[edit]

There are many types of Lai Kranok. The prototype of Lai Kranok is from the character of flame. Kranok Sam-Tua is the motif of other Kranok. In the past the ancient master prescribe another name which Kra-nok means birds and woods (Dong Nok Dong Mai) which they were created from the nature, can be spelled “Kor-Nok” but degenerate “O” vowel. Later on the next generation called “Kra-Nok”

Theory[edit]

To study Thai art should practice by following the chapter or the procedure which was created by the ancient masters by starting from the group of Kranok pattern because Kranok or other pattern such as building, utensils, painting of characters in literary; monk, monkey, princess, giant and etc. to draw the eyebrow, mouth, ear, beard and any ornaments.

From the origin of Thai pattern the sacred lotus is the original of Kranok Sam-Tua, so before drawing we should know the components of Kranok which is very important e.g. drawing the notch and the apex of Kranok.

The notch[edit]

The notch or bezel which called by the ancient master. The notch is dividing the distance of line around Kranok equally. To draw the notch has 2 ways;

  • The notch in

The notch in has a character similar to the petal of the lotus bud. The petal line is bended into the flower. To bring the lotus petal to draw as the notch have to separately draw the end of the notch to far from each other. The distance of the depth is about a half of the notch.

  • The notch out

The notch out has character similar to the petal of the lotus bloom. The petal line is bended from the flower. To bring the lotus petal to draw as the notch have to separately draw the end of the notch to far from each other. The distance of the depth is about a half of the notch. The notch out is same with the notch in, but opposite side.

The apex of Kranok[edit]

The apex of Kranok is the most important. If Kranok body has the perfect proportion but the apex is too strong the Kranok will out of the beauty. The exemplar and inspiration of Kranok pattern is the flame. To draw the apex have to draw flutter and bland like a flame or a tail of eel.

Purpose[edit]

The purpose of Thai pattern is to be used in religious institutions and the monarchy. The pattern are brought to decorate the buildings and utensils e.g. church, pavilion, palace, clothes, and ornaments. Including to the Thai acting such as making up the character and to decorate the scenes.

Types[edit]

The Kranok pattern can be divided into many types, which include

  • Kranok Sam Thua (กระหนกสามตัว)
  • Kranok Plaew (กระหนกเปลว)
  • Kranok Bai Tet (กระหนกใบเทศ)
  • Kranok Pak Kud (กระหนกผักกูด)
  • Kranok Kor (กระหนกกอ)
  • Kranok Hang-Hong (กระหนกหางหงส์)
  • etc.

Kranok Sam Thua is the mother pattern of the all Kranok patterns as it the original design.[1] Although different patterns exist, slight variations on design can be observed. Generally, the shape of the Kranok pattern originated from a lotus flower and derived from the appearance of the flame.

Designs[edit]

To make the Kranok line look strong and lively, many artists draw the Yhuk (หยัก) shape. It looks like a small triangle with a curve. Yhuk (หยัก) is located on the side of the triangle. The spaces between each Yuk (หยัก) must be even. The top part of the triangle in the Kranok pattern is called Yaud Kranok (ยอดกระหนก).[2] One of the most famous Kranok artwork in Thailand is the Tripitaka cabinet (Thai: ตู้พระไตรปิฎก), which can be found in most of Buddhist temples in Thailand.

Kinnaree: a young woman wearing an angel-like costume.

Kranok Pattern in Artworks[edit]

The Tripitaka cabinet with Kranok pattern.

The Kranok pattern can be used in many Thai designs. It is shown in general Thai artworks depending on the imagination of the artist. For example, in Thai painting and Thai carving, the delicate designs and gorgeous details are shown.

References[edit]

[3] [4]

  1. ^ Leksukhum., Santi. Kranok nai dindǣn Thai. Samnakphim Matichon. ISBN 9747120305. OCLC 36143543. 
  2. ^ (Thailand), ʻOngkān Khā khō̜ng Khurusaphā. Samut tamrā lāi Thai. ʻOngkān Khā khō̜ng Khurusaphā. ISBN 9740038441. OCLC 21518899. 
  3. ^ (2010, February 20). Retrieved from gotoknow: https://www.gotoknow.org/posts/338616
  4. ^ Chobchit, S. (n.d.). ลายไทย. Retrieved from google: https://sites.google.com/site/thailandsart/2