Le Boulevard de Montmartre, Matinée de Printemps
|Le Boulevard de Montmartre, Matinée de Printemps|
|Catalogue||JP and CD-RS 1171|
|Medium||oil on canvas|
|Dimensions||65 cm × 81 cm (26 in × 32 in)|
By 1923 it was in the collection of the German industrialist and Holocaust victim Max Silberberg (de). Silberberg was obliged by the ruling Nazi regime to dispose of the work in a forced sale in 1935. It was restituted to his family in 2000 and placed on loan with the Israel Museum until 2013. On 5 February 2014 it was auctioned at Sotheby's, London, for £19,682,500,[Notes 1] double its pre-sale estimate.
- Galerie Durand-Ruel, Paris (acquired from the artist on 2 June 1898)
- Mr Burke, London (acquired from the above on 11 January 1899)
- Arthur Tooth & Sons, London
- Galerie Durand-Ruel, Paris (acquired from the above on 14 August 1901)
- Paul Cassirer, Berlin (acquired from the above on 13 October 1902)
- Adolf Rothermundt, Dresden (acquired circa 1914)
- Max Silberberg, Breslau (acquired by 1923)
- Sale: Paul Graupe, Berlin, 23 March 1935, lot 27 (forced sale by Max Silberberg)
- Alfred & Marie Erlich, New York
- Nathan J. & Sara N. Cohn, Mount Vernon (acquired from the above)
- Knoedler & Co., New York (acquired from the above on 9 November 1959)
- John & Frances L. Loeb, New York (acquired from the above on 4 January 1960)
- The American Friends of The Israel Museum, Jerusalem (a bequest from the above in 1997)
- The Israel Museum, Jerusalem (a gift from the above in 1997)
- Restituted to Gerta Silberberg on 1 February 2000, and placed on loan with The Israel Museum until 2013
- Paris, Galerie Durand-Ruel, Œuvres récentes de Camille Pissarro, 1898, no. 24
- St. Petersburg, Société Impériale d’Encouragement des Arts, Expositions française des Beaux-Arts et des Arts décoratifs, 1899, no. 274
- Rheims, Société des Amis des Arts, 16e Exposition générale, 1901, no. 563
- Dresden, Galerie Ernst Arnold, Ausstellung von Gemälden französischer Künstler, 1902, no. 26
- Dresden, Galerie Ernst Arnold, Französische Malerei des XIX. Jahrhunderts, 1914, no. 79
- New York, Wildenstein & Co., C. Pissarro, 1965, no. 66
- New York, Wildenstein & Co., ‘One Hundred Years of Impressionism’: A Tribute to Durand-Ruel, 1970, no. 88, illustrated in the catalogue
- Dallas, Dallas Museum of Art; Philadelphia, Philadelphia Museum of Art & London, Royal Academy of Arts, The Impressionist and the City: Pissarro’s Series Paintings, 1992-93, no. 51, illustrated in colour in the catalogue
- Rovereto, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Impressionists and Post-Impressionists: Masterpieces from the Israel Museum of Jerusalem, 2008-09, no. 6
- Hammer price with buyer's premium
- "5 February 2014 - Lot 43". Sotheby's.
- Adam, Georgina. "The Art Market: Sotheby's Impressionist and modern art auction scores £163.5m". The Financial Times. Archived from the original on 13 February 2014.
- Mauclair,Camille. The French Impressionists, London & New York, 1903, illustrated p. 2.
- Pissarro, Joachim and Snollaerts, Claire Durand-Ruel. Pissarro, Critical Catalogue of Paintings, Paris, 2005, vol. III, no. 1171, illustrated in colour p. 736.
- Scheffler, Karl. Die Sammlung Max Silberberg, in Kunst und Künstler, October 1931, mentioned p. 12.