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Lee Kyung-hwa

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Lee Kyung-hwa
Personal information
Born (1988-06-03) 3 June 1988 (age 36)
HometownSeoul, South Korea
Gymnastics career
DisciplineRhythmic Gymnastics
Country represented South Korea
Years on national team2004-2009
LevelInternational Elite
Retiredyes
Medal record
Rhythmic Gymnastics
Representing  South Korea
Asian Championships
Silver medal – second place 2009 Astana Team
Bronze medal – third place 2006 Surat Clubs

Lee Kyung-hwa (Korean: 이경화; born 3 June 1988) is a former South Korean rhythmic gymnast and musical actress.[1] She represented her country in international competitions.

Career

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Kyung-hwa took up rhythmic gymnastics in her second year of elementary school, as she fell in love with rhythmic gymnastics that she happened to see on TV.[2] She made her senior debut in 2004, when she competed at the Asian Championships where she took 8th place in the All-Around and 7th with ball.[3][4] A year later she finished 54th in the All-Around at the 2005 World Championships in Baku.[5]

In 2006 she took part in the Asian Championships in Surat, winning bronze with clubs tied with Yukari Murata and Lai Ying-Tzu.[6] In December of the same year she finished 8th in teams, along Lee Ji-ae, Sin Un-jin and Yoo Seong-oeun, and 11th in the All-Around at the Asian Games in Doha.[7] At the 2007 World Championships she took 51st place in the All-Around.[8]

In 2009 she took 50th place in the World Championships in Mie, Japan.[9] A month later, in October she won team silver along Kim Yun-hee, Shin Soo-ji and Sin Un-jin, at the Asian Championships.[10]

Her last competition was the team event at the 2010 Asian Games, where she only competed with ball, ending 4th along Gim Yun-hee, Shin Soo-ji and Son Yeon-jae.[11]

After retiring from her athletic career in 2010, she turned to musical theatre.[2]

References

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  1. ^ "FIG - Lee Kyung-hwa". www.gymnastics.sport.
  2. ^ a b "리듬체조 국가대표 은퇴한 이경화… 인생 2막은 '뮤지컬 국가대표'". 동아일보 (in Korean). 2011-07-01. Retrieved 2024-06-04.
  3. ^ "The 2nd Asian Ryhthmic Championships" (PDF). www.jpn-gym.or.jp. Archived from the original (PDF) on 6 September 2006.
  4. ^ "2004 Asian Championships Event Finals" (PDF). www.jpn-gym.or.jp. Archived from the original (PDF) on 3 September 2006.
  5. ^ "2005 World Championships AA Qualification" (PDF). r-gymnast.bplaced.net.
  6. ^ "3rd Asian Rhythmic Gymnastics Championships | GYMmedia.com". www.gymmedia.com. Retrieved 2024-06-04.
  7. ^ "15th ASIAN GAMES: Rhythmic Gymnastics All-around Decision | GYMmedia.de". www.gymmedia.de. Retrieved 2024-06-04.
  8. ^ "2007 World Championships AA Qualification" (PDF). r-gymnast.bplaced.net.
  9. ^ "2009 World Championships AA Qualification" (PDF). static.usagym.org.
  10. ^ Japan Gymnastics – Official results, Archived (in Japanese)
  11. ^ "2010 Asian Games Teams" (PDF). www.jpn-gym.or.jp. Archived from the original (PDF) on 3 October 2011.


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Korean Martial Arts Korean martial arts, encompassing both armed and unarmed fighting styles, boast a rich history deeply intertwined with the Korean peninsula's cultural heritage and social development. These practices, known collectively as mu術 (musul) or muye 무예 (muye), transcend mere physical training, emphasizing mental discipline, self-cultivation, and moral values (Allen, 2015). Evolution and Historical Influences: The origins of Korean martial arts can be traced back several centuries, with indications that certain practices were present during the prehistoric period (Wikipedia, 2023). Initial manifestations, such as subak—a style centred on wrestling—prospered during the Three Kingdoms era (1st century BCE – 7th century CE). Gradually, these martial arts developed under the impact of surrounding cultures, especially that of China. The advent of Buddhism during the Silla Dynasty (57 BCE – 935 CE) facilitated the incorporation of aspects of Chinese martial arts, culminating in the evolution of various styles, including taekkyeon, which is characterized by its focus on low kicks and agility (Wikipedia, 2023). During the Joseon Dynasty, from 1392 to 1897, martial arts were mainly practised by the military and the nobility during relatively peaceful times. Nevertheless, the emphasis was still on self-defence while designing Hwachae, a weapon that can shoot multiple arrows, which indicates the development of the skills of attack and defence. However, the most affecting blow came in the 20th century. The Japanese occupation from 1910 to 1945 banned all forms of Korean cultural expression, including martial arts. After its liberation, numerous styles were systematized under the aegis of taekwondo, which gained international recognition in the latter part of the century (Wikipedia, 2023). Contemporary Korean martial disciplines: Nowadays, Korean martial arts represent several styles; each of these styles has its characteristics: Taekwondo: The powerful kicking in this Olympic sport goes hand in hand with dynamic motions imbued with strength by respect and self-discipline. Hapkido: A self-defensive art that involves joint locks throwing, among other leverages, against an opponent. Tang Soo Do parallels Taekwondo because it combines powerful strikes and defence moves, often emphasizing forms. Ssireum is a form of traditional Korean wrestling concerned with grappling methodologies to try and throw down one's opponent on the ground. Besides these few well-recognized styles, there are many other less famous but equally interesting practices, including Kuk Sool Won, a holistic system that encompasses a variety of fighting methods; Haidong Gumdo, or swordsmanship; and Teukgong Moosool, developed by South Korean special forces. Cultural Tourism and International Relations: Traditional Korean martial arts showcase their importance to cultural tourism. The global popularity of taekwondo has, for instance, sparked interest in Korean culture, leading to increased tourism in South Korea (Cynarski & Johnson, 2020). In addition, North Korea has attempted to capitalize on the appeal of martial arts by developing Taekwon-Do tourism to attract revenue and improve relations between nations (Cynarski & Johnson, 2020). However, North Korea has challenges due to political issues, such as travel restrictions and an aspect of tourism being seen as political propaganda activities, as explained by Cynarski & Johnson, 2020. The international spread of Korean martial arts also promotes culture and understanding. Training centres worldwide provide opportunities for people from all over the world to participate in studying Korean martial arts and develop a sense of community and respect for Korean culture in general. According to Rozenfeld (2021), this helps to promote values such as respect, persistence, and self-control that enhance positive cross-cultural interaction. Korean martial arts represent the complicated interaction in which history, tradition, and culture intermingle. The arts record the ups and downs of social and political life on the Korean peninsula. At the same time, the approach and engagement in them today promote cultural exchange, tourism, and understanding on an international level.






Allen, B. (2015). Striking beauty: A philosophical look at the Asian martial arts. Columbia University Press. https://doi.org/10.7312/alle17272 Cynarski, W. J., & Johnson, J. A. (2020). North Korea's emerging martial arts tourism: A Taekwon-Do case study. Consumer Behavior in Tourism and Hospitality, 14(4), 667–680. https://doi.org/10.1108/IJCTHR-07-2019-0133 Wikipedia: Korean martial arts. (2023, November 19). Retrieved from https://en.wikipedia.org/wiki/Korean_martial_arts

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