Lee Tzsche
Lee Tzsche | |
Hangul | 이상은 |
---|---|
Hanja | 李尙恩 |
Revised Romanization | I Sang-eun |
McCune–Reischauer | Yi Sangŭn |
Stage name | |
Hangul | 리채 |
Revised Romanization | Richae |
McCune–Reischauer | Rich'ae |
Lee-Tzsche (born March 12, 1970; also known as Lee Sang-eun) is a South Korean female singer-songwriter[1] and artist.[2] She is currently under Breeze Music.
Biography
She debuted at the MBC College Music Festival in 1988, singing another composer's song. At the time, she maintained a unisex look and she became popular, but she grew disenchanted with the entertainment business and, taking a sabbatical,[3] went to Japan and the USA to study art.
Her second career as a musician began with 'Slow day' (1991), a short but impressive album with adolescent girl's feel to it. 'Begin' (1992) was a transitional album - it had an R&B or house sound with the producer Kim Hong-soon, but few fans appreciated the change.
The 5th and self-titled album 'Lee Sang-eun' (1993) showed more musical maturity. Soon she went to Japan and worked with Japanese musicians, most notably Takeda Hajimu (竹田元). Her 6th album 'GongMuDoHaGa(公無渡河歌)' (1995) has been called 'an introspective reflection.'[3] It has been suggested that she did 'far better' in Japan than her native country,[4] and she received wide name recognition and was regarded as an artist rather than a pop idol. The rich and overlapped sound production showed her ambition as a music director. She returned to simple sounds in the 7th album 'OiRobGo UtGin GaGe' (1997). With her back-band, the Penguins (with Takeda Hajimu) she became a troubadour with a serene mood.
From the 8th and self-titled 'Lee Tszche' (1997), she released albums aimed at the worldwide market with Toshiba EMI. She recorded in America with American session musicians.[5] Half of the tracks were English versions of her older songs, and the other half were new tracks in English. It led to a second English album 'Asian Prescription' (1999). In 2001 she featured on a song on CB Mass's album Massmatics, titled 흔적.
Discography
The Idol Era
- (1989) Happy Birthday
- (1989) SaRangHalGgeoYa
As Lee Sang-eun
- (1991) Slowdays
- (1992) Begin
- (1993) Lee Sang-eun
- (1995) GongMuDoHaGa
- (1997) OiRopGo UtGinGaGe
As Lee Tzsche
- (1997) Lee-Tzsche
- English version compilation
- (1998) Give it All OST
- (1999) Asian Prescription
- English version compilation
- (2000) She Wanted OST
- (2001) Endless Lay
- (2003) SinBiCheHeom
- (2005) Roman Topia
- (2008) The Third Place
- (2010) LeeSangEun 14th 'We Are Made of Stardust'
- (2014) 15th 'LuLu'
See also
References
- ^ "K-pop's Girls' Generation and 2NE1 lead comeback month - News - The Star Online".
- ^ Korea Newsreview. Korea Herald, Incorporated. 1996. p. 30.
- ^ a b Nielsen Business Media, Inc. (16 March 1996). Billboard. Nielsen Business Media, Inc. pp. 67–. ISSN 0006-2510.
{{cite book}}
:|author=
has generic name (help) - ^ Mark James Russell (2008). Pop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture. Stone Bridge Press. ISBN 978-1-933330-68-6.
- ^ Papers of the British Association for Korean Studies. British Association for Korean Studies. 2003. p. 46. ISBN 978-1-872588-13-1.
External links
- Lee Sang Eun - official site and biography, in Korean
- koreanrock.com - reviews in English