Leigh Ledare

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Leigh Ledare (born 1976, Seattle, Washington) uses photography, archival material, text and film to explore human agency, social relationships, taboos and the photographic in equal turns.[1] Through a wide span of artistic practices, Ledare examines issues related to desire, identity, and morality.[2]

Ledare first gained recognition through his exhibition and artist book titled “Pretend You’re Actually Alive” (2000-2008), which examines the complex relations between the artist and his mother – namely, how she used intimacy, eroticism, and vulnerability to negotiate the balance of power within the family. [3][4] "The resulting images are often sumptuous, saturated with color, and surprisingly beautiful. But they also, and importantly, disconcert the viewer, making us uncomfortable, and, in the process, raising questions about the functioning of the image and the construction of subjectivity in contemporary culture." [5] Ledare has continued this examination into personal relationships with works that feature images of his collectors, patrons, and ex-wife, often in sexual situations.[6]

In 2009, Ledare was included in an exhibition "Ça Me Touche" curated by Nan Goldin in Arles France as part of the annual Rencontres d'Arles photography festival. Writing in the New York Times, Roberta Smith said that Ledare is "taking us deep into the darkness and torment that drive many artists."[7] In the series "Personal Commissions" Ledare "answered personal ads from women whose desires echoed those of his mother’s, and paid them to photograph him in their apartments, in a scenario of their choosing."[8]

He has taught at Yale University; California Institute of the Arts; Columbia University, New York; New York University; and the Fondazione Spinola Banna per l’Arte, Italy.


  • Double Bind Conversations, co-authored with Rhea Anastas, published by Art Resources Transfer Press, New York (2015)
  • Anna and Carl and some other couples, w Nic Guagnini, published by PPP Editions in collaboration with Andrew Roth, New York (2014)
  • Double Bind, Bruxelles, mfc-michèle didier, 2012. Voir mfc-michèle didier
  • Leigh Ledare, et al., published by Mousse Publishing, Milan (2012)
  • Pretend You’re Actually Alive published by PPP Editions in collaboration with Andrew Roth, New York (2008)


  • 2016: Place du Jardin aux Fleurs, Office Baroque, Brussels.
  • 2016: The Here and the Now, Manifesta 11, Helmhaus Kunsthalle, Zurich, Switzerland.
  • 2014: Leigh Ledare, Mitchell-Innes and Nash Gallery, New York.
  • 2013: "Leigh Ledare, et al.", Kunsthal Charlottenborg, Denmark[9]
  • 2012: "Double Bind - Leigh Ledare", mfc-michèle didier, Paris[10]
  • 2012: "Leigh Ledare et al", WIELS, curated by Elena Filipovich[4][11]
  • 2010: "The Confectioner’s Confectioner", Pilar Corrias Gallery, London
  • 2010: Nominated and exhibited at the Rencontres d'Arles Discovery Award, France.
  • 2009: "Ça me touche", curated by Nan Goldin, Les Rencontres d'Arles, France.


  1. ^ New York Public Library "Paperwork" New York Public Library, September 25, 2013
  2. ^ David Joselit & Leigh Ledare "An Interview with Leigh Ledare" Leigh Ledare, et al, 2013
  3. ^ TC Colley Lecture Series "Leigh Ledare" Rhode Island School of Design, October 22, 2013
  4. ^ a b Matthews, Katherine Oktober (December 1, 2012). "Mores No More". GUP Magazine. 
  5. ^ Filipovic, Elena. ""Leigh Ledare, et al." at WIELS, Brussels". Mousse Magazine and Publishing. Retrieved 15 October 2013. 
  6. ^ Leah Ollman "Art review: Leigh Ledare at the Box" Los Angeles Times, April 5, 2012
  7. ^ Roberta Smith, "Take Me Out to the Big Show in Queens" New York Times, May 27, 2010
  8. ^ Christy Lange, "Leigh Ledare," Frieze, May 2009
  9. ^ "Kunsthal Charlottenborg : exhibition/view/89". www.charlottenborg.dk. Retrieved 2016-02-19. 
  10. ^ "Double Bind - Leigh Ledare". www.micheledidier.com. Retrieved 2016-02-19. 
  11. ^ WIELS. "Leigh Ledare, et al. | Exhibitions | WIELS". www.wiels.org. Retrieved 2016-02-19. 

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