List of Independent Curators International exhibitions
The List of Independent Curators International exhibitions is a list of exhibitions and curators since 1975.
| Exhibit | Curator | Years |
|---|---|---|
| Slightly Unbalanced | Susan Hapgood | 2008-10 |
| Phantasmagoria | José Roca | 2007-09 |
| Jess | Ingrid Schaffner | 2007-09 |
| Space Is the Place | Alex Baker and Toby Kamps | 2006-08 |
| High Times, Hard Times: New York Painting 1967-1975 | Katy Siegel with David Reed as adviser | 2006-08 |
| Beyond Green: Towards a Sustainable Art | Stephanie Smith | 2005-09 |
| Shoot the Family | Ralph Rugoff | 2006–07 |
| Situation Comedy: Humor in Recent Art | Dominic Molon and Michael Rooks | 2005–07 |
| What Sound Does a Color Make? | Kathleen Forde | 2005–07 |
| Will Boys Be Boys?: Questioning Adolescent Masculinity in Contemporary Art | Shamim M. Momin | 2004–07 |
| Likeness: Portraits of Artists by Other Artists | Matthew Higgs | 2004–06 |
| The Paper Sculpture Show Mary Ceruti | Matt Freedman and Sina Najafi | 2003–07 |
| 100 Artists See God | John Baldessari and Meg Cranston | 2003–06 |
| Mark Lombardi: Global Networks | Robert Hobbs | 2003–05 |
| UnNaturally | Mary-Kay Lombino | 2003–04 |
| Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures | Barbara Clausen and Carin Kuoni | 2002–04 |
| Walk Ways | Stuart Horodner | 2002–04 |
| The Gift: Generous Offerings, Threatening Hospitality | Antonio Somaini and Gianfranco Maraniello | 2001–03 |
| My Reality: Contemporary Art and the Culture of Japanese Animation | Jeff Fleming and Susan Lubowsky Talbott | 2001–03 |
| Everything Can Be Different | Maria Lind | 2001–02 |
| Pictures, Patents, Monkeys, and More... On Collecting | Ingrid Schaffner | 2001–02 |
| Telematic Connections: The Virtual Embrace | Steve Dietz | 2001–02 |
| Almost Warm & Fuzzy: Childhood and Contemporary Art | Susan Lubowsky Talbott and Lea Rosson DeLong | 2000–2002 |
| Beyond Preconceptions: The Sixties Experiment | Milena Kalinovska | 2000–2002 |
| Painting Zero Degree | Carlos Basualdo | 2000–2002 |
| Power of the Word | Chang Tsong-zung | 1999–2002 |
| Irish Art Now: From the Poetic to the Political | Declan McGonagle | 1999–2001 |
| Lee Krasner | Robert Hobbs | 1999–2001 |
| Contemporary Art from Cuba: Irony and Survival on the Utopian Island | Marilyn Zeitlin | 1998–2001 |
| The People’s Choice | Komar and Melamid | 1998–2002 |
| Judy Pfaff, U.S. entry to 24th São Paulo Bienal | Miranda McClintic | 1998 |
| do it | Hans-Ulrich Obrist | 1997–2001 |
| At the Threshold of the Visible: Minuscule and Small Scale Art, 1964–1996 | Ralph Rugoff | 1997–99 |
| Making It Real | Vik Muniz | 1997–99 |
| David Smith: Medals for Dishonor | Matthew Marks and Peter Stevens | 1996–2000 |
| Embedded Metaphor | Nina Felshin | 1996–99 |
| Content and Discontent in Today’s Photography | Andy Grundberg | 1995–97 |
| Critiques of Pure Abstraction | Mark Rosenthal | 1995–97 |
| Meret Oppenheim: Beyond the Teacup | Jacqueline Burckhardt and Bice Curiger | 1995–97 |
| Multiple Exposure: The Group Portrait in Photography | Leslie Tonkonow | 1995–97 |
| Image and Memory: Latin American Photography, 1880–1992 | Wendy Watriss | 1994–96 |
| Monumental Propaganda Komar and Melamid | guest instigators | 1994–96 |
| Transformers | Ralph Rugoff | 1994–96 |
| After Perestroika: Kitchenmaids or Stateswomen | Margarita Tupitsyn | 1993–95 |
| Empty Dress: Clothing as Surrogate in Recent Art | Nina Felshin | 1993–95 |
| The First Generation: Women and Video,1970–1975 | JoAnn Hanley | 1993–95 |
| Dark Decor | Tina Potter and Janine Cirincione | 1992–94 |
| Drawn in the Nineties | Joshua Smith | 1992–94 |
| From Media to Metaphor: Art About AIDS | Robert Atkins and Thomas W. Sokolowski | 1992–93 |
| Good Stories, Well Told: Video Art for Young Audiences | Robin White | 1992–94 |
| Departures: Photography, 1923–1990 | Edmund Yankov | 1991–93 |
| No Laughing Matter | Nina Felshin | 1991–93 |
| Contemporary Illustrated Books: Word and Image, 1967–1988 | Donna Stein | 1990–91 |
| Eye for I: Video Self-Portraits | Raymond Bellour | 1990–92 |
| Imágenes Líricas/New Spanish Visions | Lucinda Barnes | 1990–92 |
| Points of Departure: Origins in Video | Jacqueline Kain | 1990–91 |
| Team Spirit | Susan Sollins and Nina Sundell | 1990–92 |
| Through the Path of Echoes: Contemporary Art in Mexico | Elizabeth Ferrer | 1990–92 |
| A Different War: Vietnam in Art | Lucy Lippard | 1989–92 |
| Eternal Metaphors: New Art from Italy | Susan Sollins | 1989–92 |
| The Presence of Absence: New Installations | Nina Felshin | 1989–93 |
| Acceptable Entertainment | Paul Laster and Renée Riccardo | 1988–90 |
| Hybrid Neutral: Modes of Abstraction and the Social | Tricia Collins and Richard Milazzo | 1988–90 |
| Line and Image: The Northern Sensibility in Recent European Drawing | Peter Frank | 1988–89 |
| The Analytical Theatre: New Art from Britain | Milena Kalinovska and Michael Newman | 1987–88 |
| Ancient Inspirations: Six Figurative Sculptors | Judith Olch Richards | 1987–88 |
| Modern Redux: Critical Alternatives for Architecture in the Next Decade | Douglas Davis | 1987–88 |
| Morality Tales: History Painting in the 1980s | Thomas W. Sokolowski(1987–89 | |
| The Success of Failure | Joel Fisher | 1987–88 |
| After Matisse Tiffany Bell | Irving Sandler and Susan Sollins | 1986–88 |
| Video Transformations Lois Bianchi | 1986–88 | |
| The American Experience: Contemporary Immigrant Artists | Cynthia Jaffee McCabe | 1985–86 |
| Large Drawings | Elke Solomon | 1985 |
| Points of View: Four Painters | Susan Sollins | 1985–86 |
| Tradition and Conflict: Images from a Turbulent Decade, 1963–1973 | Mary Schmidt Campbell | 1985–87 |
| Drawings: After Photography | William Olander | 1984–86 |
| From the Collection of Sol LeWitt | Andrea Miller-Keller and John Ravenal | 1984–86 |
| Indiana Influence - Part I | William H. Gerdts | 1984 |
| Indiana Influence - Part II | Peter Frank | 1984 |
| Verbally Charged Images | Nina Felshin | 1984–86 |
| Concepts in Construction: 1910–1980 | Irving Sandler | 1983–85 |
| New Sculpture: Icon and Environment | Susan Sollins | 1983–84 |
| Sculpture from Germany | Michael Klein | 1983–85 |
| The End of the Road: Vanishing Highway Architecture in America | John Margolies | 1982–84 |
| Texas on Paper | Cheryl A. Brutvan and Linda L. Cathcart | 1982–84 |
| Art Materialized: Selections from the Fabric Workshop | Michael Quigley | 1981–84 |
| CAPS/ICI Traveling Video Festival | Nina Sundell | 1981–84 |
| Ezra Stoller: Architectural Photographs | 1981–83 | |
| Mapped Art: Charts, Routes, Regions | Peter Frank | 1981–83 |
| Metropolitan Container of Art | 1981 | |
| Some Color Photographs | Marvin Heiferman | 1980 |
| American Images: New Work by Twenty Contemporary Photographers | Renato Danese | 1979–84 |
| Collaborations and Amplifications | Elke Solomon | 1979 |
| Masks Visiting Artists Collaborative | 1979–81 | |
| The Photograph as Artifice | Constance Glenn | 1979–80 |
| Supershow! | Susan Sollins and Elke Solomon | 1979–80 |
| Artists’ Books U.S.A. | Peter Frank and Martha Wilson | 1978–79 |
| Numerals: Mathematical Concepts in Contemporary Art | Rainer Crone | 1978–79 |
| The Sense of Self: From Self-Portrait to Autobiography | Nina Sundell | 1978–80 |
| The City Project | Susan Sollins | 1977 |
| New Work/New York | Susan Sollins | 1977–78 |
| American Pop Art and the Culture of the Sixties | Nina Sundell | 1976 |
| Art in Landscape | Susan Sollins | 1976–77 |
| Language and Structure in North America | Richard Kostelanetz | 1976 |
| MC=E2 | 1976–77 | |
| Photography: A Representative Survey | John R. Gossage | 1976–78 |
| Ralph Eugene Meatyard: A Retrospective | Van Deren Coke | 1976–79 |
| Video Art U.S.A., U.S. entry to 1976 São Paulo Bienal | Jack Bolton | 1975 |