List of compositions by Frank Bridge
Appearance
Below is a sortable list of compositions by Frank Bridge. The works are categorized by genre, Hindmarsh catalogue[1] number (H.), date of composition and title.
Genre | H. | Date | Title | Notes |
---|---|---|---|---|
Chamber music | 1 | 1900 | Piano Trio No.1 in D minor | for violin, cello and piano |
Chamber music | 2 | 1900 | Romance: Une Lamentatione d'amour | for violin and piano |
Chamber music | 3 | 1900 | String Quartet in B♭ major | for 2 violins, viola and cello |
Chamber music | 4 | 1900 | 3 Dances
|
for violin or cello and piano; revised 1911 |
Vocal | 5 | 1901 | Sonnet: When Most I Wink | for voice and piano; words: Sonnet 43 by William Shakespeare |
Chamber music | 6 | 1901 | Scherzo Phantastick | for 2 violins, viola and cello |
Chamber music | 7 | 1901 | String Quintet in E minor | for 2 violins, 2 violas and cello |
Chamber music | 8 | 1901 | Berceuse in B♭ major | for violin or cello and piano |
Concertante | 8 | 1901 | Berceuse in B♭ major | for violin and string orchestra; original for violin or cello and piano |
Orchestral | 8 | 1901 | Berceuse in B♭ major | version for small orchestra; original for violin or cello and piano |
Piano | 8 | 1901 | Berceuse in B♭ major | version for piano published in 1929; original for violin or cello and piano |
Vocal | 9 | 1901 | Berceuse | for soprano and orchestra; words by Dorothy Wordsworth |
Orchestral | 10 | 1901 | Coronation March | for orchestra |
Organ | 11 | c.1901 | Adagio ma non troppo in G minor | |
Vocal | 12 | c.1901 | If I Could Choose | for voice and piano; words by Thomas Ashe |
Vocal | 13 | c.1901 | The Primrose | for voice and piano; words by James Merrick |
Vocal | 14 | 1902 | The Hag | for baritone and orchestra; words by James Merrick |
Chamber music | 15 | 1902 | Piano Quartet in C minor | for violin, viola, cello and piano |
Piano | 16 | 1902 | Pensées Fugitives I in F minor | Only the first of the intended Pensées Fugitives was actually completed; published by Thames Publishing |
Orchestral | 17 | 1902 | Valse Intermezzo à Cordes in E minor | for string orchestra |
Orchestral | 18 | 1901–1902 | Trois Morceaux d'Orchestre
|
for small orchestra; "3 Pieces for Orchestra" |
Chamber music | 19 | c.1902 | Scherzetto | for cello and piano (or orchestra) |
Chamber music | 19a | c.1902 | Scherzo | for cello and piano; revised version of H.19 |
Piano | 20 | 1902 | Scherzettino in G minor | published by Thames Publishing |
Vocal | 21 | 1903 | A Dirge | for medium voice and piano; words by Percy Bysshe Shelley |
Chamber music | 22 | 1903 | Con Moto | for violin and piano |
Chamber music | 23 | 1903 | Serenade | for violin or cello and piano |
Orchestral | 23 | 1903 | Serenade | version for orchestra; original for violin or cello and piano |
Piano | 23 | 1903 | Serenade | version for piano; original for violin or cello and piano |
Choral | 24 | 1903 | Autumn | for mixed chorus a cappella; words by Percy Bysshe Shelley |
Vocal | 25 | 1903 | The Devon Maid | for medium voice and piano; words by John Keats |
Vocal | 26 | 1903 | Rising When the Dawn Still Faint Is | for voice and piano; words by Heinrich Heine |
Vocal | 26a | 1903 | Dawn and Evening | for voice and piano or orchestra; words by Heinrich Heine |
Vocal | 27 | 1903 | 2 Songs after Heine
|
for tenor and piano 2. also for tenor and small orchestra |
Vocal | 28 | c.1903 | The Mountain Voice | incomplete; for voice and piano; words by Heinrich Heine |
Piano | 29 | 1903 | Moderato in E minor | published by Thames Publishing |
Orchestral | 30 | 1903 | Mid of the Night | Symphonic poem |
Vocal | 31 | 1903 | Music When Soft Voices Die | for high voice and piano; words by Percy Bysshe Shelley |
Chamber music | 32 | 1903 | Tempo di Mazurka | for cello and piano |
Vocal | 33 | 1903 | Blow, Blow Thou Winter Wind | for medium voice and piano; words by William Shakespeare |
Vocal | 34 | 1903 | Go Not, Happy Day | for voice and piano; words by Alfred, Lord Tennyson |
Vocal | 35 | c.1903 | 2 Recitations
|
for speaker and piano 1. words by Robert Browning 2. words by Matthew Gregory Lewis |
Vocal | 36 | 1904 | Night Lies on the Silent Highways | for medium voice and piano; words by Heinrich Heine |
Choral | 37 | 1904 | Music When Soft Voices Die | for mixed chorus a cappella; words by Percy Bysshe Shelley |
Vocal | 38 | 1904 | A Dead Violet | for medium voice and piano; words by Percy Bysshe Shelley |
Chamber music | 39 | 1904 | Sonata in E♭ major | for violin and piano |
Vocal | 40 | 1904 | 2 Songs
|
for voice and orchestra |
Vocal | 41 | c.1904 | Harebell and Pansy | for voice and orchestra; incomplete |
Vocal | 42 | 1904 | Song Cycle
|
for voice and piano 3. incomplete |
Chamber music | 43 | 1904 | 3 Pieces | for 2 violins, viola and cello |
Chamber music | 44 | 1904 | 3 Novelletten | for 2 violins, viola and cello |
Chamber music | 45 | 1904 | Romanze | for violin and piano |
Vocal | 46 | c.1904 | Cradle Song | for voice and piano; words by Alfred, Lord Tennyson |
Chamber music | 47 | 1904 | Élégie | for cello and piano |
Chamber music | 48 | 1904 | Souvenir | for violin and piano |
Chamber music | 49 | 1904–1905 | Piano Quintet in D minor | for 2 violins, viola, cello and piano; original version in 4 movements |
Chamber music | 49a | 1904–1905 1912 |
Piano Quintet in D minor | for 2 violins, viola, cello and piano; revised version in 3 movements |
Vocal | 50 | 1905 | Lean Close Thy Cheek against My Cheek | for voice and piano; words by Heinrich Heine |
Vocal | 51 | 1905 | Fair Daffodils | for voice and piano; words by James Merrick |
Piano | 52 | 1905 | Capriccio No. 1 in A minor | published by Augener |
Chamber music | 53 | 1905 | 2 Pieces
|
for viola and piano 2. incomplete; The coda was completed by Paul Hindmarsh in 1980. |
Piano | 54 | 1905 | 2 Solos for Piano
|
published by Houghton and Co. |
Chamber music | 55 | 1905 | Phantasie String Quartet in F minor | for 2 violins, viola and cello; won second prize in the 1905 Cobbett Chamber Music Competition |
Organ | 56 | 1905 | First Book of Organ Pieces
|
published by Winthrop Rogers |
Vocal | 57 | 1905 | Adoration | for medium voice and piano or orchestra; words by John Keats |
Piano | 58 | 1905 | Étude Rhapsodique in A minor | published by Thames Publishing |
Chamber music | 59 | 1905 | Amaryllis in D major | for violin and piano |
Chamber music | 60 | 1905 | Norse Legend in G minor | for violin and piano |
Piano | 60 | 1905 | Norse Legend in G minor | version for piano; original for violin and piano |
Orchestral | 60 | 1905, 1938 | Norse Legend in G minor | version for small orchestra; original for violin and piano |
Vocal | 61 | 1905 | So Perverse | for medium voice and piano; words by Robert Bridges |
Vocal | 62 | 1905 | Tears, Idle Tears | for medium voice and piano; words by Alfred, Lord Tennyson |
Organ | 63 | 1905 | 3 Pieces for Organ
|
published by Novello |
Chamber music | 64 | c.1905 | 3 Pieces for String Quartet | for 2 violins, viola and cello |
Vocal | 65 | 1905–1906 | 2 Songs of Robert Bridges
|
for high baritone and orchestra; words by Robert Bridges |
Piano | 66 | 1906 | Dramatic Fantasia | published by Thames Publishing |
Chamber music | 67 | 1906 | 3 Idylls | for 2 violins, viola and cello; movement 2 used as the theme of Variations on a Theme of Frank Bridge by Benjamin Britten |
Piano | 68 | 1906 | 3 Sketches
|
published by Winthrop Rogers |
Orchestral | 68b | 1906, 1936 | Rosemary | orchestration of No. 2 of 3 Sketches for piano, H.68 |
Vocal | 69 | 1906 | The Violets Blue | for voice and piano or string quartet; words by Heinrich Heine |
Chamber music | 70 | 1906 | String Quartet No. 1 in E minor | for 2 violins, viola and cello |
Vocal | 71 | 1906 | Come to Me in My Dreams | for voice and piano; words by Matthew Arnold |
Vocal | 72 | 1906 | My Pent Up Tears Oppress My Brain | for voice and piano |
Orchestral | 73 | c.1906 | Dramatic Overture | |
Chamber music | 74 | 1906 | The Rag | for 2 violins, viola and cello |
Chamber music | 75 | c.1904–1906 | Valse Fernholt | for strings (violin, viola and cello) and piano |
Vocal | 76 | 1906–1907 | 3 Songs
|
for medium voice, viola obbligato and piano 1. words by Matthew Arnold 2. words by Heinrich Heine 3. words by Percy Bysshe Shelley |
Vocal | 77 | 1907 | All Things That We Clasp | for voice and piano; words by Heinrich Heine |
Orchestral | 78 | 1907 | Isabella | Symphonic poem after John Keats |
Chamber music | 79 | 1907 | Phantasie Piano Trio | for violin, cello and piano; won first prize in the 1908 Cobbett Chamber Music Competition |
Chamber music | 80 | 1907 | Gondoliera in E minor | for violin and piano |
Vocal | 81 | 1907 | Love Is a Rose | for voice and piano; words by Leah Durand |
Chamber music | 82 | c.1907–1908 | Allegro Appassionato in B minor | for viola and piano |
Chamber music | 83 | c.1907–1908 | Morceau Characteristique | for violin and piano |
Orchestral | 84 | 1908 | Dance Rhapsody | |
Vocal | 85 | 1908 | Dear, When I Look into Thine Eyes | for voice and piano; words by Heinrich Heine |
Chamber music | 86 | 1908 | An Irish Melody | for 2 violins, viola and cello; movement I from Suite on Londonderry Air for string quartet, co-composed with Hamilton Harty, J. D. Davis (John David Davis), Eric Coates and York Bowen |
Orchestral | 86a | 1908, 1938 | An Irish Melody | original for string quartet; based on The Londonderry Air |
Chamber music | 87 | c.1908 | 3 Miniatures for Piano Trio, Set 1
|
for violin, cello and piano |
Chamber music | 88 | c.1908 | 3 Miniatures for Piano Trio, Set 2
|
for violin, cello and piano |
Chamber music | 89 | c.1908 | 3 Miniatures for Piano Trio, Set 3
|
for violin, cello and piano |
Piano | 90 | c.1906–1908 | ? | "untitled" work |
Choral | 91 | 1909 | Hilli-Ho! Hilli-Ho! | for mixed chorus a cappella; words by Thomas Moore |
Choral | 92 | 1909 | O Weary Hearts | for mixed chorus a cappella; words by Henry Wadsworth Longfellow |
Orchestral | 93 | 1909–1910 | Suite
|
for string orchestra |
Chamber music | 94 | 1910 | Phantasie Piano Quartet in F♯ minor | for violin, viola, cello and piano |
Incidental | 95 | 1910 | The Two Hunchbacks: 5 Entr'actes | incidental music for the play by Émile Cammaerts |
Chamber music | 96 | 1910 | Cradle Song in F major | for violin or cello and piano |
Orchestral | 97 | 1911 | Coronation March | |
Incidental | 98 | 1911 | The Pageant of London | for military band and male chorus; incidental music for the Festival of Empire |
Chamber music | 99 | 1911 | Mélodie in C♯ minor | for cello or violin and piano |
Orchestral | 100 | 1910–1911 | The Sea
|
Suite for orchestra |
Chamber music | 101 | 1911–1912 | 2 Pieces
|
for 2 violas 1. manuscript lost |
Vocal | 102 | 1912 | Isobel | for voice and piano; words by Digby Goddard-Fenwick |
Vocal | 103 | c.1912 | Easter Hymn (Ein frölicher Gesang) | for voice and piano; 17th century German Hymn arrangement |
Choral | 103 | c.1912 | Easter Hymn (Ein frölicher Gesang) | for mixed chorus; original for voice and piano |
Chamber music | 104 | c.1912 | 4 Short Pieces
|
for violin or cello and piano |
Vocal | 105 | c.1912 | O That It Were So | for voice and piano or orchestra; words by Walter Savage Landor |
Organ | 106 | c.1901 1912 c.1901 |
Second Book of Organ Pieces
|
originally published in The Organ Loft, Books 100 (December 1913), 103 (March 1914), and 105 (May 1914) |
Chamber music | 107 | 1906–1912 | String Sextet in E♭ major | for 2 violins, 2 violas and 2 cellos |
Piano | 108 | 1901, 1912 1912 1912 |
3 Pieces
|
published by Augener |
Vocal | 109 | 1913 | Strew No More Red Roses | for voice and piano; words by Matthew Arnold |
Choral | 110 | 1913 | The Bee | for mixed chorus a cappella |
Orchestral | 111 | 1913 | Dance Poem | |
Piano | 112 | 1913–1914 1913 1914 1914 1914 |
4 Characteristic Pieces
|
published by Winthrop Rogers |
Vocal | 113 | 1914 | Where She Lies Asleep | for voice and piano or orchestra; words by Mary Elizabeth Coleridge |
Vocal | 114 | 1914 | Love Went A-Riding | for voice and piano or orchestra; words by Mary Elizabeth Coleridge |
Chamber music | 115 | 1914–1915 | String Quartet No. 2 in G Minor | for 2 violins, viola and cello |
Orchestral | 116 | 1914–1915 | Summer | Symphonic poem |
Orchestral | 117 | 1915 | Lament (In Memory of the Victims of the Sinking of the Lusitania) | for string orchestra; also a version for piano |
Orchestral | 118 | 1915 | 2 Poems after Richard Jefferies
|
|
Chamber music | 119 | 1916 | 2 Old English Songs
|
for 2 violins, viola and cello |
Orchestral | 119 | 1916 | 2 Old English Songs
|
for string orchestra; original for 2 violins, viola and cello |
Piano | 119 | 1916 | 2 Old English Songs
|
for piano 4-hands; original for 2 violins, viola and cello |
Choral | 120 | 1916 | Lullaby | for female chorus and piano or string orchestra; words by Veronica Mason |
Choral | 121 | 1916 | The Graceful Swaying Wattle | for 2-part chorus and piano or string orchestra; words by Veronica Mason |
Choral | 122 | 1916 | For God and King and Right | for unison chorus and piano or orchestra; words by Veronica Mason |
Choral | 123 | 1916 | Peter Piper | for chorus of 3 equal voices a cappella; traditional words |
Choral | 124 | 1917 | Thy Hand in Mine | for voice and piano or orchestra; words by Mary Elizabeth Coleridge |
Chamber music | 125 | 1913–1917 | Sonata in D minor | for cello and piano |
Piano | 126 | 1917 | 4 Characteristic Pieces
|
published by Winthrop Rogers |
Piano | 127 | 1917 | 3 Miniature Pastorals, Set 1 | published by Winthrop Rogers |
Piano | 128 | 1917 | Fairy Tale
|
Suite; published by Augener |
Vocal | 129 | 1917 | To You in France | for voice and piano; words by Helen Dircks |
Vocal | 130 | 1918 | So Early in the Morning, O | for high voice and piano; words by James Stephens |
Vocal | 131 | 1918 | Mantle of Blue | for voice and piano or orchestra; words by Padraic Colum |
Vocal | 132 | 1918 | Blow Out, You Bugles | for tenor and orchestra, or piano with optional trumpet; words by Rupert Brooke |
Chamber music | 133 | 1918 | Morning Song | for cello and piano |
Piano | 134 | 1918 | 3 Improvisations
|
for piano left-hand; written for pianist Douglas Fox, who lost his right arm in World War I; published by Winthrop Rogers |
Choral | 135 | 1918 | A Litany | for female chorus with organ ad lib.; words by Phineas Fletcher |
Vocal | 136 | 1918 | The Last Invocation | for voice and piano; words by Walt Whitman |
Choral | 137 | 1918 | Sister, Awake | for female chorus (sopranos) and piano; words by Thomas Bateson |
Vocal | 138 | 1918 | Lay a Garland on My Hearse | for 2-part vocal canon with piano; words by Beaumont and Fletcher |
Organ | 139 | 1918 | Lento (In Memoriam C.H.H.P.) | originally written for the funeral service of Hubert Parry; published by H.F.W. Deane and Sons (No. 7 of The Little Organ Book) |
Choral | 140 | 1916, 1918 | A Prayer | for mixed chorus and orchestra; words by Thomas à Kempis |
Vocal | 141 | 1918 | 3 Variations on "Cadet Rousselle" | for voice and piano |
Orchestral | 141 | 1918 | 3 Variations on "Cadet Rousselle" | version for orchestra; original for voice and piano |
Vocal | 142 | 1919 | When You Are Old | for high voice and piano; words by William Butler Yeats |
Vocal | 143 | 1919 | Into Her Keeping | for voice and piano; words by Henry Dawson Lowry |
Choral | 144 | 1919 | Lantido Dilly | for female chorus and piano; anonymous words (17th century) |
Vocal | 145 | 1919 | What Shall I Your True Love tell? | for voice and piano; words by Francis Thompson |
Vocal | 146 | 1919 | 'Tis But a Week | for voice and piano; words by Gerald Gould |
Piano | 147 | c.1919 | The Turtle's Retort | One-step for piano originally published by Winthrop Rogers under the pseudonym John L. More |
Piano | 148 | 1919–1920 | The Hour Glass
|
Suite; published by Augener |
Piano | 149 | 1921 | 3 Miniature Pastorals, Set 2 | |
Piano | 150 | 1921 | 3 Miniature Pastorals, Set 3 | |
Piano | 151 | 1921 | Threads: 2 Intermezzi
|
incidental music to the play by Frank Stayton; orchestrated in 1938 |
Incidental | 151 | 1921, 1938 | Threads: 2 Intermezzi
|
incidental music to the play by Frank Strayton; original for piano |
Piano | 152 | 1921 | In the Shop, Ballet | for piano 4-hands |
Choral | 153 | 1922 | Golden Slumbers | for female chorus a cappella; words by Thomas Dekker |
Choral | 154 | 1922 | Hence care | for female chorus a cappella; anoymous words (1595) |
Chamber music | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | for 2 violins, viola and cello |
Orchestral | 155 | 1922 | Sir Roger de Coverley: A Christmas Dance | version for full orchestra; original for 2 violins, viola and cello |
Orchestral | 155 | 1922, 1938 | Sir Roger de Coverley: A Christmas Dance | version for string orchestra; original for 2 violins, viola and cello |
Choral | 156 | 1922 | The Fairy Ring | for female chorus with optional piano; anonymous words |
Choral | 157 | 1922 | A Spring Song | for unison voices and piano or string orchestra; words by Mary Howitt |
Choral | 158 | 1922, 1924 | Pan's Holiday | for female chorus and piano (1922) or string orchestra (1924); words by James Shirley |
Choral | 159 | 1922 | Evening Primrose | for female chorus and piano; words by John Clare |
Piano | 160 | 1921–1924 | Sonata | sketches dated 1921–1922; published by Augener |
Piano | 161 | 1921–1924 1921 1922 1924 |
3 Lyrics
|
published by Augener |
Chamber music | 161a | 1921 | Heart's Ease | for violin and piano; original for piano |
Piano | 162 | 1924 | In Autumn
|
published by Augener |
Chamber music | 163 | 1925 | The Pneu World | for cello and piano; parody on the opening bars of The Star-Spangled Banner |
Vocal | 164 | 1922–1925 1922 1924 1925 |
3 Songs of Rabindranath Tagore
|
for voice and piano or orchestra; words by Rabindranath Tagore |
Vocal | 165 | 1925 | Golden Hair | for voice and piano; words by James Joyce |
Piano | 166 | 1925 | Vignettes de Marseille
|
3 movements also orchestrated as Vignettes de Danse; published by Thames Publishing |
Orchestral | 166 | 1925, 1938 | Vignettes de Danse
|
1938 orchestration of 3 movements from Vignettes de Marseille for piano |
Vocal | 167 | 1925 | Journey's End | for tenor or high baritone and piano; words by Humbert Wolfe |
Piano | 168 | 1925 | Winter Pastoral | published by Augener |
Piano | 169 | 1926 | Canzonetta (Happy South) | also orchestrated; published by Hawkes and Sons |
Orchestral | 169 | 1926 | Canzonetta (Happy South) | for small orchestra; original for piano |
Piano | 170 | 1926 | Graziella | published by Hawkes and Sons |
Piano | 171 | 1926 | A Dedication | published by Augener |
Piano | 172 | c.1926 | Hidden Fires | published by Hawkes and Sons |
Orchestral | 173 | 1927 | There Is a Willow Grows Aslant a Brook | Impression for small orchestra; title taken from Act IV of William Shakespeare's Hamlet; Benjamin Britten transcribed the work for viola and piano |
Orchestral | 174 | 1926–1927 | Enter Spring | Rhapsody (Symphonic poem) |
Chamber music | 175 | 1925–1927 | String Quartet No. 3 | for 2 violins, viola and cello |
Chamber music | 176 | 1928 | Rhapsody Trio | for 2 violins and viola |
Piano | 177 | 1928 | Gargoyle | published by Thames Publishing |
Chamber music | 178 | 1928–1929 | Piano Trio No. 2 | for violin, cello and piano |
Opera | 179 | 1909–1929 | The Christmas Rose | Children's Opera in 3 scenes; libretto by Margaret Kemp-Welch and Constance Cotterell |
Concertante | 180 | 1929–1930 | Oration, Concerto Elegiaco | for cello and orchestra |
Piano | 181 | 1931 | Todessehnsucht (Come Sweet Death) | |
Piano | 181 | 1931, 1936 | Todessehnsucht (Come Sweet Death) | version for string orchestra; original for piano |
Concertante | 182 | 1931 | Phantasm, Rhapsody | for piano and orchestra |
Chamber music | 183 | 1932 | Sonata | for violin and piano |
Orchestral | 184 | 1934 | A Royal Night of Variety | Epilogue for orchestra |
Chamber music | 185 | 1934 | A Merry, Merry Xmas | for oboe, clarinet, trombone and piano |
Chamber music | 186 | c.1935–1936 | Sonata | for viola and piano; incomplete, sketches only |
Chamber music | 187 | c.1936 | Movement for String Quartet | for 2 violins, viola and cello |
Chamber music | 188 | 1937 | String Quartet No. 4 | for 2 violins, viola and cello |
Chamber music | 189 | 1934–1938 1937 1937 1937 1938 |
Divertimenti
|
for flute, oboe, clarinet and bassoon; first version dated 1934 |
Organ | 190 | 1939 | 3 Pieces
|
published by J. Curwen |
Orchestral | 191 | 1940 | Rebus | Overture |
Orchestral | 192 | 1940–1941 | Allegro Moderato | fragment of a Symphony for string orchestra |
Sources
- Hindmarsh, Paul. Frank Bridge: A Thematic Catalogue, 1900-1941. London: Faber Music, 1983.
References
- ^ Hindmarsh, Paul (1983). Frank Bridge: A Thematic Catalogue, 1900–1941. London: Faber Music.