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|Education||Academy of Visual Arts|
Lux has received the Infinity Award for Art from the International Center of Photography. Her work is exhibited widely and held in public collections.
Life and work
Lux executes her compositions using a combination of photography, painting and digital manipulation. Her work usually features young children. She trained as a painter at Munich Academy of Art, and is influenced by painters such as Agnolo Bronzino, Diego Velázquez, Phillip Otto Runge.
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- 2004: Loretta Lux, Yossi Milo Gallery, New York City.
- 2004: Loretta Lux, Torch Gallery, Amsterdam.
- 2006: Loretta Lux, Hague Museum of Photography, The Hague.
- 2006: Loretta Lux, Sixth Moscow Photobiennale, Manezh Central Exhibition Hall, Moscow.
- 2006: Loretta Lux, Yossi Milo Gallery, New York City.
- 2006: Fotomuseum Den Haag, The Netherlands. Solo exhibition.
- 2007: Loretta Lux, Musée de l'Élysée, Lausanne, Switzerland.
- 2008: Loretta Lux, Museo de Arte Contemporaneo Monterrey, Mexico.
- 2009: Loretta Lux, Kulturhuset, Stockholm.
This section of a biography of a living person needs additional citations for verification. (July 2014) (Learn how and when to remove this template message)
- Solomon R. Guggenheim Museum.
- J. Paul Getty Museum, Los Angeles.
- San Francisco Museum of Modern Art, San Francisco.
- Museum of Contemporary Art, Los Angeles.
- Los Angeles County Museum of Art.
- Art Institute of Chicago.
- Israel Museum, Jerusalem.
- Fotomuseum, den Haag.
- Museo Nacional Centro de Arte Reina Sofia, Madrid.
- Musée de l'Élysée, Lausanne, Switzerland.
- National Museum of Art, Osaka, Japan.
- Art Gallery of New South Wales, Sydney.
- http://www.icp.org/site/c.dnJGKJNsFqG/b.886361/k.43ED/Loretta_Lux.htm Archived September 28, 2007, at the Wayback Machine.
- "Archived copy". Archived from the original on 2006-10-03. Retrieved 2006-12-12.
- Official website
- Eerily Lovely Children of the Photoshop Generation' by Richard R. Woodward in the New York Times.
- 'I use children as a metaphor for a lost paradise' by Louise Baring in The Telegraph.