Glass, born in Copenhagen, was almost an exact contemporary of Carl Nielsen and, like Nielsen, was a student of Niels Gade. However, Glass also studied at the Brussels Conservatory, where he became enamored of the music of César Franck and Anton Bruckner, both of whom stylistically influenced his writing. For several years, he was one of Denmark's leading concert pianists until a paralysis in one arm made him retire from the stage. He then devoted himself primarily to composing. He composed in most genres and wrote several chamber music works of worth, including four string quartets, a string sextet, a piano trio, a piano quintet and several instrumental sonatas.
Glass died in Copenhagen.
- Baker, Theodore (1919). Remy, Alfred (ed.). Baker's Biographical Dictionary of Musicians. New York: Schirmer. p. 313.
- Cobbett's Cyclopedic Survey of Chamber Music, Ed. Cobbett, W.W., Oxford University Press, 1929 & 1963, London. ISBN 0-19-318304-8
- Some of the information on this page appears on the website of Edition Silvertrust but permission has been granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License.
- Claus Røllum-Larsen; Marie-Louise Zervides; David Fanning (2 October 2020). "Louis Glass and Carl Nielsen: Opposites in Danish Musical Life". Carl Nielsen Studies. 6. doi:10.7146/CNS.V6I0.122256. ISSN 1603-3663. Wikidata Q101500342.