María Sabina

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María Sabina
A photo of María Sabina taken in Huautla, Oaxaca, Mexico.
Born(1894-07-22)22 July 1894
Died22 November 1985(1985-11-22) (aged 91)

María Sabina Magdalena García (22 July 1894 – 22 November 1985)[1] was a Mazatec sabia, or curandera, who lived in Huautla de Jiménez, a town in the Sierra Mazateca area of the Mexican state of Oaxaca in southern Mexico.[2] Her healing sacred mushroom ceremonies, called veladas, were based on the use of psilocybin mushrooms, such as Psilocybe cyanescens. María Sabina's veladas contributed to the popularization of indigenous Mexican ritual use of entheogenic mushrooms among westerners.


María Sabina was born outside of Huautla de Jiménez in the Sierra Mazateca toward the end of the 19th century. Though Sabina herself was not sure, she believed her birth year was 1894. Her parents were both campesinos; her mother was María Concepcion, while her father, Crisanto Feliciano, died from an illness when she was three years old. She had a younger sister, María Ana. Her grandfather and great-grandfather on her father's side were shamans as well, skilled in using the mushrooms to communicate with God, according to their beliefs. After the death of her father, her mother moved the family into town, and Sabina grew up in the house of her maternal grandparents.[3]

María Sabina was the first contemporary Mexican curandera, or sabia (one who knows"),[4] to allow Westerners to participate in the healing ritual known as the velada.[5][6] All participants in the ritual ingested psilocybin mushroom as a sacrament to open the gates of the mind. The velada is seen as a purification and a communion with the sacred.

In 1955, Valentina Wasson, a Russian pediatrician and scientist, and a passionate mycology enthusiast and her american ethnomycologist, husband, banker R. Gordon Wasson, visited María Sabina's hometown and Gordon participated in a velada with her. They collected spores of the fungus, which they identified as Psilocybe mexicana, and took them to Paris. The fungus was cultivated in Europe and its primary psychoactive ingredient, psilocybin, was isolated in the laboratory by Swiss chemist Albert Hofmann in 1958.

Wasson wrote a book about his experience of the ritual in a 1957 Life magazine article, Seeking the Magic Mushroom; María Sabina's name and location were not revealed. Wasson later published 512 copies of his two-volume book called Russia, Mushrooms and History, the second volume of which revealed her identity and location. The information was contained in an account of his and his wife's first velada with Aurelio Carreras, María Sabina's son-in-law, on 15 August 1953, two years before they consumed the mushrooms themselves.[7]

Young people from the United States began seeking out María Sabina and the "magic" mushrooms as early as 1962,[8] with numerous hippies, scientists, and other people visiting the remote isolated village of Hualta de Jimenez. María Sabina received several of them, including Wasson, who became a friend. Many 1960s celebrities, including Bob Dylan, John Lennon, and Keith Richards, were rumored to have visited María Sabina, but these claims cannot be substantiated as no photographic evidence or written reports of the visits by the rock stars themselves have ever been reported.[9]

While she was initially hospitable to the first of the arrivals, their lack of respect for the sacred and traditional purposes caused María Sabina to remark:

Before Wasson, nobody took the children simply to find God. They were always taken to cure the sick.

As the community was besieged by Westerners wanting to experience the mushroom-induced hallucinations, Sabina attracted attention from the Mexican police who believed her to be a drug dealer. The unwanted attention completely altered the social dynamics of the Mazatec community and threatened to terminate the Mazatec custom. The community blamed Sabina; consequently she was ostracized and her house was burned down. Sabina later regretted having introduced Wasson to the practice, but Wasson contended that his only intention was to contribute to the sum of human knowledge, despite being funded by the CIA's mind control project MK Ultra.[10][11][12] From 1967 to 1977 life returned to normal conditions for Hualta de Jimenez and the Mazatec after the Mexican Army blocked American, European and Mexican hippies or other unwanted visitors from entering on the only roads into the town. A few Federales also patrolled the town to evict undesirable foreign visitors.

Álvaro Estrada wrote a biography of María Sabina that was translated into English by Henry Munn. Sabina spoke only Mazatec and many of her supposed quotes in English are not verified. Estrada's book was translated from English into Spanish by Henry Munn who had lived in Hualta de Jimenez and knew the Mazatec language. Munn wrote two reports on sacred mushroom veladas and curanderos: The Mushrooms of Language was about the traditional ceremonies of the typical curanderos in Hualta; the second was called The Uniqueness of María Sabina. Another book on her song-poem chants was María Sabina: Selections by Jerome Rothenberg. The Sacred Mushroom of Mexico, by Brian Akers, has excerpts from five Mexican authors translated from Spanish to English. Los Hongos Alucinantes (in Spanish) by Fernando Benitez dispels many rumors about her life.[citation needed]

Plate 37 of the Codex Vindobonensis or Yuta Tnoho (Mixtec culture, Late Post-Classic Mesoamerican)

The book Sacred Mushroom Rituals: The Search for the Blood of Quetzalcoatl, by Tom Lane, has several chapters by the author on the experiences he, his wife, and a friend had at her home in a velada with María Sabina and her daughter Appolonia. The book reports on María's musical tonal songs, poetic expressions, ventriloquy, incantations and chanting during the velada. The rituals before the ceremony and prayers for the participants are similar to those recorded by Wasson in his visits during the mid-1950s. After publishing his book on ethnomycology, Russia, Mushrooms and History, Wasson wrote María Sabina and her Mazatec Mushroom Velada with George and Florence Cowan and Willard Rhodes, which included four cassette recordings and the musical score of Sabina's veladas, with lyrics translated from Mazatec to Spanish to English. Henry Munn later translated these songs into English in Álvaro Estrada's book.

The entheogenic use of the sacred mushrooms (hongos sagrados) practiced by María Sabina had roots in Pre-Columbian Mexico. By her meeting R. Gordon Wasson and her veladas being recorded in the mid-1950s, these ancient Mazatec ceremonies and rituals were preserved. Similar ceremonies were recorded in the late Post-Classic Mesoamerican Mixtec codex Yuta Tnoho or Vindobonensis Mexicanus I (Latin), written in the 16th century,[13] and in the Three Stelae of Xochimilco, but until Wasson met María Sabina in the early 1950s there was almost no proof that the sacred mushroom healing and divination ceremonies and rituals actually existed.[citation needed]

Use of synthetic entheogens[edit]

In 1958, the French mycologist Roger Heim brought psilocybin tablets to María Sabina and the first velada using the active principle of the mushrooms rather than the raw mushrooms themselves took place.[14] In 1962, R. Gordon Wasson and Albert Hofmann went to Mexico to visit her. They also brought a bottle of psilocybin pills.[15] Sandoz was marketing them under the brand name Indocybin—"indo" for both Indian and indole (the nucleus of their chemical structures) and "cybin" for the main molecular constituent, psilocybin. Hofmann gave his synthesized entheogen to the curandera. "Of course, Wasson recalled, Albert Hofmann is so conservative he always gives too little a dose, and it didn't have any effect." Hofmann had a different interpretation: "activation of the pills, which must dissolve in the stomach, takes place after 30 to 45 minutes. In contrast, the mushrooms when chewed, work faster as the drug is absorbed immediately". To settle her doubts about the pills, more were distributed. María, her daughter, and the shaman, Don Aurelio, ingested up to 30 mg each, a moderately high dose by current standards but not perhaps by the more experienced practitioners. At dawn, their Mazatec interpreter reported that María Sabina felt there was little difference between the pills and the mushrooms. She thanked Hofmann for the bottle of pills, saying that she would now be able to serve people even when no mushrooms were available.[16]


Álvaro Estrada, a fellow Mazatec, recorded her life and work and translated her chants. Estrada's American brother-in-law, Henry Munn, translated many of the chants from Spanish to English, and wrote about the significance of her language. Munn wrote that María Sabina brilliantly used themes common to Mazatec and Mesoamerican spiritual traditions, but at the same time was "a unique talent, a masterful oral poet, and craftsperson with a profound literary and personal charisma".

It is sung in a shamanic trance in which, as she recounted, the "saint children" speak through her:

Because I can swim in the immense
Because I can swim in all forms
Because I am the launch woman
Because I am the sacred opposum
Because I am the Lord opposum

I am the woman Book that is beneath the water, says
I am the woman of the populous town, says
I am the shepherdess who is beneath the water, says
I am the woman who shepherds the immense, says
I am a shepherdess and I come with my shepherd, says

Because everything has its origin
And I come going from place to place from the origin...[17]

Cultural impact[edit]

Sabina is regarded as a sacred figure in Huautla. At the same time, her image is used to market various local commercial ventures, from restaurants to taxi companies.

The Mexican counterculture has an affinity for Sabina. The Mexican rock group Santa Sabina is named after her, and El Tri, one of the first and most successful rock groups in Mexico, dedicated the song "María Sabina" to her, proclaiming her "un símbolo de la sabiduría y el amor" ("a symbol of wisdom and love").

Mexican musician, Jorge Reyes, included prerecorded chants of María Sabina in the track "The Goddess of the Eagles", in his album Comala. Reyes also used more of the recording in his collaboration with Deep Forest on the track "Tres Marías", from the Album Comparsa.

Bolivian singer Luzmila Carpio has recorded a song in honor of María Sabina.[18]

Mexican poet and novelist Homero Aridjis has written a novel, Carne de Dios, about María Sabina, her life in Huautla and her experience with Westerners who flocked to her home to experience the hallucinogenic effects of the mushrooms. Aridjis brought María Sabina to Mexico City for medical treatment towards the end of her life.[19] Hualta de Jimenez was without electricity and few signs of the 20th century until after María Sabina died in 1985. The Mazatec sacred mushroom veladas have survived into the 21st century and are now accepted by the Catholic Church there.[citation needed]


  1. ^ Rothenberg, Jerome, with Álvaro Estrada. 2003. "The Life" in María Sabina: Selections. University of California Press. 2003. p.3 "I don't know what year I was born, but my mother, María Concepción, told me that it was the morning of the day that they celebrate the Virgin Magdalene there in Río Santiago, an agencia of Huautla. None of my ancestors knew their age."
  2. ^ Rothenberg, Jerome. 2003. "Editor's Preface" in María Sabina: Selections. University of California Press. p. x
  3. ^ Rothenberg, Jerome, with Alvaro Estrada. 2003. "The Life" in María Sabina: Selections. University of California Press. p. 3–8
  4. ^ Robert Gordon Wasson; Stella Kramrisch; Jonathan Ott (1986). Persephone's Quest: Entheogens and the Origins of Religion. Yale University Press. p. 37. ISBN 978-0-300-05266-4.
  5. ^ In Spanish, the noun la velada refers to a vigil or watch, and is uniformly a nocturnal one. [1], as defined in the Real Academia Española's Diccionario de la lengua española (RAE 2001)
  6. ^ It was R. Gordon Wasson who used the term by which it has since become generally known when he first wrote about the ritual in María Sabina and Her Mazatec Mushroom Velada (1974). See Karttunen 1994: 225.
  7. ^ Carl Ruck (18 January 2010). "Wasson and the Psychedelic Revolution". Archived from the original on 1 June 2019. Retrieved 7 August 2020.
  8. ^ Estrada 1996 passim; Monaghan & Cohen 2000: 165
  9. ^ Feinberg, Benjamin (January 2010). The Devil's Book of Culture: History, Mushrooms, and Caves in Southern Mexico. ISBN 9780292782068.
  10. ^ Letcher, Andy (2006). Shroom: A Cultural History of the Magic Mushroom. England: Faber and Faber Ltd. pp. 97–98. ISBN 0-571-22770-8.
  11. ^ Estrada, Álvaro, (1976) Vida de María Sabina: la sabia de los hongos (ISBN 968-23-0513-6)
  12. ^ Rothenberg, Jerome. 2003. "Editor's Preface" in María Sabina: Selections. University of California Press. p. xvi
  13. ^ Faustino Hernández-Santiago; Magdalena Martínez-Reyes; Jesús Pérez-Moreno; Gerardo Mata (12 April 2017). "Pictographic representation of the first dawn and its association with entheogenic mushrooms in a 16th century Mixtec Mesoamerican Codex" (PDF). Scientia Fungorum. 46 (19–28): 27. Retrieved 20 August 2020.
  14. ^ Verroust, Vincent (June 2019). "De la découverte des champignons à psilocybine à la renaissance psychédélique". Ethnopharmacologia (n° 61): 12.
  15. ^
  16. ^ Psychedelics Encyclopedia, p 237–238
  17. ^ Estrada, María Sabina: her Life and Chants
  18. ^ Luzmila Carpio - Homenaje a María Sabina on YouTube
  19. ^


External links[edit]