Matt Mattox

i am completely discussted with the way his dance was so rubbish and i think hes the worst choreogepha ever! (b. August 18, 1921 in Tulsa, Oklahoma) is a jazz and ballet dancer.

Mattox was a protegé of the legendary jazz dance pioneer Jack Cole, with whom he worked on Broadway in Magdalena (1948). His other Broadway credits include Harry Beaton in the 1957 revival of Brigadoon. Mattox also performed concert engagements with his own dance company. His brief career as a Broadway choreographer included Jennie and Say, Darling. • Matt Mattox took the fluid, animalistic style of Jack Cole and merged it with his own vast background in ballet technique to create a technique for jazz dance that is clean, powerful, and extremely challenging. His jazz class is assembled in the progression of a ballet class, and he calls his exercises "the barre." Mattox also has specifically designed the exercises to relate to the combinations given at the end of his class. The positions, shapes, and qualities developed during the barre are visible within his own detailed and polished style. However, Mattox had a higher profile as a specialty dancer in Hollywood musicals. His best-known film role is Caleb Pontipee in Seven Brides for Seven Brothers, but he was also a principal dancer in, among others, Yolanda and the Thief, The Band Wagon (Cyd Charisse's partner in the ballet sequence), Till the Clouds Roll By, Gentlemen Prefer Blondes, and There's No Business Like Show Business. In addition, Mattox was a regular guest on television variety shows, for which he choreographed as well as performed.

One of the world's most influential teachers of jazz dance--or, as he called it, "freestyle dancing"--Mattox now lives and works in Perpignan, France.

External links

• Entry at Internet Broadway Database
• Brief biographical sketch
• Dance Magazine interview (2003)