Mazurkas, Op. 41 (Chopin)
Mazurkas, Op. 41 is a set of four mazurkas for piano by Frédéric Chopin, composed and published between 1838 and 1839. A typical performance of the set lasts about nine and a half minutes.[1] The set is dedicated to Chopin's friend Stefan Witwicki, a minor poet, ten of whose poems Chopin set to music as songs.
Composition
Structure
The order here is the order in the first French and English editions. The first German edition placed the C sharp minor mazurka first rather than last.[3]
Mazurka in E minor, Op. 41, No. 1
Description
The first mazurka is in E minor and has a time signature of 3/4. It also has the tempo marking: Andantino.
Musical analysis
![]() | This section is empty. You can help by adding to it. (January 2011) |
Mazurka in B major, Op. 41, No. 2
Description
The second mazurka is in B major and has a time signature of 3/4. It also has the tempo marking: Animato.
Musical analysis
![]() | This section is empty. You can help by adding to it. (January 2011) |
Mazurka in A-flat major, Op. 41, No. 3
Description
The third Mazurka is in A-flat major and has a time signature of 3/4. It also has the tempo marking: Allegretto.
Musical analysis
Mazurka in C-sharp minor, Op. 41, No. 4
Description
The final mazurka in the set is in C-sharp minor and has a time signature of 3/4. It also has the tempo marking: Maestoso.
The Mazurka op.41 no.4 in C sharp minor should really have a subtitle: in the Phrygian mode for this is the special quality of its main theme and the crowning climax at the end. How Chopin incorporates the mode into the piece is fascinating: The mazurka starts with an outlining of the Phrygian scale as a solo right hand melody, only then repeating it with harmonization and then subjecting it to harmonic development in E major.Various episodes introduce new key areas, all very clearly marked off from one another, many developing the dotted rhythm idea from the main theme. The big dominant build-up to the climax is quite awe-inspiring both in its length (14 bars) and its ubiquitous use of dotted rhythms.In the 13 bar coda Chopin takes us back to C sharp minor and we enjoy the minor scale without the characteristic flattened supertonic of the Phrygian mode.
References
External links
- Mazurka Op. 41 No.1, No.2, No.3 and No.4, played by Arthur Rubinstein (YouTube)
- Mazurkas, Op.41: Scores at the International Music Score Library Project