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This is an old revision of this page, as edited by 217.205.242.142 (talk) at 23:57, 31 May 2005. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

"British music became dull and uninventive" - do I hear someone say POV? Joolz 20:14, 1 Feb 2005 (UTC)

agreed. this article is fawning of the magazine. in truth many observers are very critical of the direction that the NME has taken. Electing Pete Doherty to be the "Coolest Man of Rock" in 2004 was especially controversial as the man is a self confessed crack addict. Also, the late 90s and early 2000s the NME championed many new bands that would not get a smigin of attention now - Mogwai and Godspeed You Black Emperor both obtained front pages during those days, something that would be unheard of for post-rock acts now. Other popular indie acts during the late 90s, such as Symposium and Idlewild, were certainly not dull or uninventive. They now tend, IMO, to establish very safe acts which sell well on MTV and on the Radio - the Libertines, The Strokes or Muse for example.
Yeah, the NME briefly put much more emphasis on underground music between 'Britpop' and the 'New Rock Revolution'. Theyve lost a lot of credibility since then and websites like Pitchfork seem to be the main source of information for more discerning Indie fans now. I think the NME has successfully found a niche though.
This article needs a lot of work. Snooo 02:52, 7 Mar 2005 (UTC)
I replaced the offending sentance but it still needs more work. --Moochocoogle 16:05, 15 Mar 2005 (UTC)