Mime artist: Difference between revisions
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The performance of pantomime originates at its earliest in [[Ancient Greece]]; the name is taken from a single masked dancer called ''Pantomimus'', although performances were not necessarily silent. In Medieval Europe, early forms of mime such as [[Mummers Play|mummer play]]s and later [[dumbshow]]s evolved. In early nineteenth century [[Paris]], [[Jean-Gaspard Deburau]] solidified the many attributes that we have come to know in modern times—the silent figure in whiteface. |
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[[Jacques Copeau]], strongly influenced by [[Commedia dell'arte]] and [[Japan]]ese [[Noh]] theatre, used masks in the training of his actors. [[Étienne Decroux]], a pupil of his, was highly influenced by this and started exploring and developing the possibilities of mime and developed [[corporeal mime]] into a highly sculptural form, taking it outside of the realms of naturalism. [[Jacques Lecoq]] contributed significantly to the development of mime and [[physical theatre]] with his training methods.<ref name=Callery>{{cite book |
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|last = Callery |
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|first = Dympha |
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|title = Through the Body: A Practical Guide to Physical Theatre |
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|year = 2001 |
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|publisher = Nick Hern Books |
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|location = London |
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|ISBN = 1854596306}}</ref> |
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== In film == |
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{{unreferenced section|date=October 2010}} |
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Prior to the work of [[Étienne Decroux]] there was no major treatise on the art of mime, and so any recreation of mime as performed prior to the twentieth century is largely conjecture, based on interpretation of diverse sources. However, the twentieth century also brought a new [[Mass media|medium]] into widespread usage: the [[motion picture]]. |
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The restrictions of early motion picture technology meant that stories had to be told with minimal dialogue, which was largely restricted to [[intertitle]]s. This often demanded a highly stylized form of physical acting largely derived from the stage. Thus, mime played an important role in films prior to advent of [[talkies]] (films with sound or speech). The mimetic style of film acting was used to great effect in [[German Expressionism|German Expressionist]] film. |
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[[Silent film]] comedians like [[Charlie Chaplin]], [[Harold Lloyd]] and [[Buster Keaton]] learned the craft of mime in the [[theatre]], but through film, they would have a profound influence on mimes working in live theatre even decades after their death. Indeed, Chaplin may be the most well-documented mime in history. |
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The famous French comedian, writer and director [[Jacques Tati]] achieved his initial popularity working as a mime, and indeed his later films had only minimal dialogue, relying instead on many subtle expertly choreographed visual gags. Tati, like Chaplin before him, would mime out the movements of every single character in his films and ask his actors to repeat them. |
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==On stage and street== |
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Mime has been performed onstage, with [[Marcel Marceau]] and his character "Bip" being the most famous. Mime is also a popular art form in [[street theatre]] and [[busking]]. Traditionally, these sorts of performances involve the actor/actress wearing tight black and white clothing with white facial makeup. However, contemporary mimes often perform without whiteface. Similarly, while traditional mimes have been completely silent, contemporary mimes, while refraining from speaking, sometimes employ vocal sounds when they perform. Mime acts are often comical, but some can be very serious. |
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== In literature == |
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Canadian author Michael Jacot's first novel, ''The Last Butterfly'', tells the story of a mime artist in Nazi-occupied Europe who is forced by his oppressors to perform for a team of Red Cross observers.<ref>Broyard, Anatole. "A Laugh Before Dying." ''The New York Times''. March 7, 1974. p. 37</ref> Nobel laureate [[Heinrich Böll]]'s ''The Clown'' relates the downfall of a mime artist, Hans Schneir, who has descended into poverty and drunkenness after being abandoned by his beloved.<ref>Stern, Daniel. "Without Shmerz." ''The New York Times''. January 4, 1965. Book Review. p. 4</ref> Jacob Appel's Pushcart short-listed story, ''Coulrophobia'', depicts the tragedy of a landlord whose marriage slowly collapses after he rents a spare apartment to an intrusive mime artist.<ref>''[[Bellevue Literary Review]]'', Vol 5, No. 2, Fall 2005.</ref> |
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== Greek and Roman mime == |
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{{Expand section|date=January 2010}} |
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[[Image:Mime artist in Rome.jpg|thumb|270px|A Mime artist on the [[Ponte Sant'Angelo]]]] |
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The first recorded pantomime actor was Telestēs in the play ''[[Seven Against Thebes]]'' by [[Aeschylus]]. Tragic pantomime was developed by Puladēs of Kilikia; comic pantomime was developed by Bathullos of Alexandria.<ref>Lust, Annette. [http://www.mime.info/history-lust.html "The Origins and Development of the Art of Mime".] ''From the Greek Mimes to Marcel Marceau and Beyond: Mimes, Actors, Pierrots and Clowns: A Chronicle of the Many Visages of Mime in the Theatre''. 9 March 2000. Retrieved 14 February 2010.</ref> |
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The Roman emperor [[Trajan]] banished pantomimists; [[Caligula]] favored them; [[Marcus Aurelius]] made them priests of [[Apollo]]. [[Nero]] himself acted as a mime.<ref>Broadbent, R. J. (1901) [http://www.mime.info/history-broadbent.html#2HCH0006 ''A History of Pantomime'', Chapter VI.] London. Retrieved 14 February 2010.</ref> |
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== In non-Western theatre traditions == |
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While most of this article has treated mime as a constellation of related and historically linked [[Western world|Western]] theatre genres and performance techniques, analogous performances are evident in the theatrical traditions of other civilizations. |
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[[Classical Indian musical theatre]], although often erroneously labeled a "dance," is a group of theatrical forms in which the performer presents a narrative via stylized gesture, an array of hand positions, and mime illusions to play different characters, actions, and landscapes. Recitation, music, and even percussive footwork sometimes accompany the performance. The [[Natya Shastra]], an ancient treatise on theatre by [[Bharata Muni]], mentions silent performance, or ''mukhabinaya''. |
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In [[Kathakali]], stories from Indian epics are told with facial expressions, hand signals and body motions. Performances are accompanied by songs narrating the story while the actors act out the scene, followed by actor detailing without background support of narrative song. |
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The Japanese [[Noh]] tradition has greatly influenced many contemporary mime and theatre practitioners including [[Jacques Copeau]] and [[Jacques Lecoq]] because of its use of mask work and highly physical performance style. |
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[[Butoh]], though often referred to as a dance form, has been adopted by various theatre practitioners as well. |
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==Notable mime artists== |
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{{div col|cols=3}} |
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*[[Samuel Avital]] |
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*[[Jean-Louis Barrault]] |
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*[[Tom Bergeron]]<ref>[http://www.bankrate.com/finance/fame-fortune/fame-fortune-tom-bergeron-1.aspx]</ref> |
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*[[Blue Man Group]] |
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*[[Wolfe Bowart]] |
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*[[Margolis Brown Adaptors Company|Tony Brown]] |
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*[[Janet Carafa]] |
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*[[Lon Chaney, Sr.|Lon Chaney]] |
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*[[Charlie Chaplin]] |
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*[[Michel Courtemanche]] |
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*[[Adam Darius]] |
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*[[Jean-Gaspard Debureau]] |
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*[[Étienne Decroux]] |
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*[[Jogesh Dutta]]<ref>[http://timesofindia.indiatimes.com/news/city/kolkata-/Mime-wizards-final-act/articleshow/4921124.cms "Mime wizard's final act"], ''[[The Times of India]]''. 22 August 2009. Retrieved 31 December 2009.</ref> |
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*[[Ladislav Fialka]] |
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*[[Dario Fo]] |
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*[[George L. Fox (clown)|George L. Fox]] |
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*[[Chris Harris (actor, director and writer)|Chris Harris]] |
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*[[Alejandro Jodorowsky]] |
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*[[Zillur Rahman John]] |
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*[[Buster Keaton]] |
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*[[Bill Irwin]] |
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*[[Stan Laurel]] |
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*[[Thomas Leabhart]] |
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*[[Jacques Lecoq]] |
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*[[Paul Legrand]] |
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*[[Marcel Marceau]] |
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*[[Ennio Marchetto]] |
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*[[Margolis Brown Adaptors Company|Kari Margolis]] |
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*[[Carlos Martínez (actor)|Carlos Martínez]] |
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*[[Harpo Marx]] ([[The Marx Brothers]]) |
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*Jean-Jacques Menais alias [[Jyjou*]] |
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*[[Samy Molcho]] |
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*[[Tony Montanaro]] |
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*[[Mummenschanz]] |
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*[[Stefan Niedziałkowski]] |
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*[[Adrian Pecknold]] |
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*[[Lenka Pichlíková-Burke]] |
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*[[Slava Polunin]] |
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*[[Oleg Popov]] |
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*[[Nola Rae]] |
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*[[Gene Sheldon]] |
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*[[Richmond Shepard]] |
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*[[Shields and Yarnell]] |
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*[[Red Skelton]] |
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*[[Daniel Stein (mime)|Daniel Stein]] |
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*[[Jacques Tati]] |
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*[[Pan Tau]] |
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*[[Modris Tenisons]]<ref>[http://www.gramata21.lv/users/tenisons_modris/ "Modris Tenisons: Režisors un scenogrāfs, dizaina mākslinieks, profesionāla pantomīmas teātra izveidotājs Kauņā."] 2003. Retrieved October 6, 2010.</ref> |
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*[[Tik and Tok]] |
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*[[Henryk Tomaszewski (mime)|Henryk Tomaszewski]] |
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*[[Achille Zavatta]] |
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*[[Pablo Zibes]] |
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{{div col end}} |
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==See also== |
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*[[Corporeal mime]] |
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*[[Dumbshow]] |
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*[[Floating (dance)]] |
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*[[Liquid and digits]] |
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*[[Mummers Play]] |
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*[[Pantomime]] |
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*[[Popping]] |
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*[[Physical theatre]] |
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*[[Turfing]] |
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==References== |
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{{reflist}} |
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==External links== |
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{{Wiktionary|mime}} |
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*[http://www.pantomimes-mimes.com/ World Mime Index] |
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*[http://www.mime.info/ Mime.info], The world of mime theatre. International mime theatre information, including a library, resources, performer contacts, and events calendar. |
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*[http://www.moveo.cat MOVEO—International school of corporeal mime and physical theatre in Barcelona]—centre for research, creation and training, moveo.cat |
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*[http://www.ecole-jacqueslecoq.com/index_uk.htm International Theatre School Jacques Lecoq], ecole-jacqueslecoq.com |
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*[http://www.lispa.co.uk/ London International School of Performing Arts], lispa.co.uk |
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*[http://www.innovotheatre.com/ Innovo Conservatory of Physical Theatre], innovotheatre.com |
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*[http://crossroadsfestival.eu/e-mix/en European Mime Index, European Network for the Promotion and Profiling of Visual Theatre] |
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[[Category:Dance]] |
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[[Category:Mime]] |
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[[Category:Pantomime]] |
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[[Category:Theatrical genres]] |
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[[Category:Theatrical professions]] |
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[[Category:Silence]] |
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[[ca:Mim]] |
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[[cs:Mim]] |
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[[de:Pantomime]] |
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[[es:Mímica]] |
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[[fr:Mime]] |
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[[it:Mimo latino]] |
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[[pl:Mim]] |
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[[pt:Mímica]] |
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[[ru:Мимы]] |
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[[simple:Mime]] |
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[[sk:Mím]] |
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[[sh:Mim]] |
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[[uk:Міми]] |
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[[zh:默劇]] |
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