Subverted rhyme

From Wikipedia, the free encyclopedia
  (Redirected from Mind rhyme)
Jump to navigation Jump to search

A subverted rhyme, teasing rhyme or mind rhyme is the suggestion of a rhyme which is left unsaid and must be inferred by the listener.[1] A rhyme may be subverted either by stopping short, or by replacing the expected word with another (which may have the same rhyme or not). Teasing rhyme is a form of innuendo, where the unsaid word is taboo or completes a sentence indelicately.

An example, in the context of cheerleading:

Raa Raa REE!
Kick 'em in the knee!
Raa Raa RASS!
Kick 'em in the other knee!

where the presumption is that the listener anticipates the chant ending with "ass" rather than "other knee".

Subverted rhyme is often a form of word play. The implied rhyme is inferable only from the context. This contrasts with rhyming slang from which the rhyming portion has been clipped, which is part of the lexicon. (An example is dogs, meaning "feet", a clipping of rhyming dog's meat.[2])


A traditional example is the song "Sweet Violets":[3]

There once was a farmer who took a young miss
In back of the barn where he gave her a lecture
On horses and chickens and eggs
And told her that she had such beautiful
Manners that suited a girl of her charms
A girl that he wanted to take in his
Washing and ironing and then if she did
They could get married and raise lots of
Sweet violets
Sweeter than the roses
Covered all over from head to toe
Covered all over with sweet violets

The girl told the farmer that he'd better stop
And she call her father and he called a
Taxi and got there before very long
'Cause some one was doin' his little girl
Right for a change and so that's why he said
If you marry her son, you're better off single
'Cause it's always been my belief
Marriage will bring a man nothing but
Sweet Violets
Sweeter than the roses
Covered all over from head to toe
Covered all over with sweet violets

The farmer decided he wed anyway
And started in planning for his wedding
Suit which he purchased for only one buck
But then he found out he was just out of
Money and so he got left in the lurch
A standin' and waitin' in front of the
End of the story which just goes to show
All a girl wants from a man is his
Sweet Violets
Sweeter than the roses
Covered all over from head to toe
Covered all over with sweet violets
Sweet Violets

Alan Bold described the 20th century anonymous bawdy poem about the "young man of Brighton Pier" as "perhaps the finest of the teasing-rhyme variety of bawdy poem".[4] An extract will illustrate the technique:[5]

One very hot day in the summer last year
A young man was seen swimming round Brighton Pier;
He dived underneath it and swam to a rock
And amused all the ladies by shaking his
Fist at a copper who stood on the shore,
The very same copper who copped him before.
For the policeman to order him out was a farce,
For the cheeky young man simply showed him his
Graceful manoeuvres and wonderful pace...

"Something You Can Do with Your Finger" from South Park uses enjambment to replace taboo words with non-taboo phrases with the same initial syllable. For example shit>shih-tzu and meat>meeting, in the following fragment, each start a new sentence instead of finishing the old one:

I don't want my breakfast, because it tastes like—
Shih Tzus make good housepets, they're cuddly and sweet,
Monkeys aren't good to have, because they like to beat their—
Meeting in the office, [...]

Similarly, the childhood rhyme "Miss Suzie" ends each section with what sounds like a taboo word, only to continue with a more innocent word.

Miss Suzie had a steamboat,
the steamboat had a bell,
Miss Suzie went to heaven,
the steamboat went to
Hello operator
please give me number nine [...]

Another example is the 1985 Bowser and Blue song "Polka-Dot Undies", which begins:

I went for a ride in my pickup truck
I picked up my girl, 'cuz I wanted to
Show her my gloves, 'cuz she had on her mitts
And I blushed brightly when she showed me her
Perfume that she buys whenever Avon calls,
So I took off my pants, and I showed her my
Polka-dot undies!
My polka-dot undies!


Teasing rhymes have been popular since the 17th century. Though fairly rare in canonical literature, examples of mind rhyme can be found in the work of William Shakespeare, Emily Dickinson, Marianne Moore and others.[6] In Lewis Carroll's 'Tis the Voice of the Lobster it is generally assumed that the last words of the interrupted poem could be supplied by the reader as "— eating the Owl".

See also[edit]


  • Abrams, M. H., A Glossary of Literary Terms, 2004.


  1. ^ "Subverted Rhyme Every Occasion". TV Tropes. Retrieved 22 April 2020.
  2. ^ Ayto John (2002) The Oxford Dictionary of Rhyming Slang, Oxford, Oxford UP, p. 36. ISBN 0-19-280122-8)
  3. ^
  4. ^ The Bawdy Beautiful, ed. Alan Bold, 1979 ISBN 0-7221-1732-9
  5. ^ Making Love, ed. Alan Bold, 1978 ISBN 0-330-25585-1
  6. ^ Holdefer Charles (2009) ’Shaving Cream’ and Other Mind Rhymes, The Antioch Review, Vol. 67, No. 1, Winter pp. 158-63.