Moody Jones

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Moody Jones
Born (1908-04-08)April 8, 1908
Earle, Arkansas, United States
Died March 23, 1988(1988-03-23) (aged 79)
Chicago, Illinois, United States
Genres Chicago blues
Instruments Vocals, guitar, bass
Years active 1930s–1953
Associated acts Snooky Pryor, Floyd Jones

Moody Jones (April 8, 1908 - March 23, 1988) was an American blues guitarist, bass player, and singer, who is significant for his role in the development of the postwar Chicago blues sound in the late 1940s.

Life and career[edit]

Jones was born in Earle, Arkansas, on April 8, 1908.[1] Raised in the church, he developed an interest in music at an early age and learned to play the guitar after his brother bought an old broken one for $3. When he was proficient enough, he started playing for country dances. By 1939 he had arrived in Chicago,[2] where he was one of numerous musicians performing on Maxwell Street and in nonunion venues who played an important role in the development of the postwar Chicago blues sound. He often performed with his first cousin, the singer and guitar player Floyd Jones.[3] By the late 1940s he was capable of playing any kind of music requested and had learned to play the piano, banjo and bass (including a homemade bass fashioned from a washtub, a broom handle and a clothesline),[3] in addition to guitar. He was regarded by his contemporaries as the best guitar player on the Chicago scene,[1] and was warned by noted slide guitar player Muddy Waters not to "fool with that slide" when he sat in with Waters's band one night.[4]

Jones is most significant and best known for his association with his cousin, Floyd Jones, and the harmonica player Snooky Pryor and the singles he recorded with them in 1948,[5] which were among the first recorded examples of the new style. The track "Snooky and Moody's Boogie" is said to have been the inspiration for Little Walter's 1952 hit "Juke".[1] Jones made further recordings for JOB Records in the early 1950s, backing musicians such as Snooky Pryor and Johnny Shines. He sang three numbers on a 1952 session, but these were not released at the time, according to Jones because label owner Joe Brown thought his voice was "too rough".[5] One of the songs, "Rough Treatment", was recorded and released by the singer and guitarist Little Hudson (Hudson Shower) for the same label the following year.[6]

After 1953 Jones stopped playing blues and joined a gospel group,[5] and by 1955 he had become a pastor of a Sanctified church.[7]

Jones died in Chicago, on March 23, 1988.[1]

Citations[edit]

  1. ^ a b c d Komara 2006, p. 547.
  2. ^ Rowe 1973, p. 56.
  3. ^ a b Rowe 1973, p. 57.
  4. ^ Rowe 1973, p. 75.
  5. ^ a b c "Planet and Marvel". hubcap.clemson.edu. Retrieved 2008-11-22. 
  6. ^ Leadbitter, Fancourt and Pelletier 1994, p. 81.
  7. ^ Rowe 1973, p. 194.

References[edit]

  • Komara, E. M. (2006). Encyclopedia of the Blues, Routledge.[1]
  • Ledbitter, M., Fancourt, L., and Pelletier, P. (1994). Blues Records 1943–1970 Vol 2 (L to Z), London, Record Information Services.
  • Rowe, M. (1973). Chicago Breakdown. London, Eddison Press.