Music download: Difference between revisions
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As of 2006, digital music sales are estimated to have reached a trade value of approximately US$2 billion,<ref>[http://www.ifpi.org/content/section_resources/digital-music-reportb.html 2007, IFPI Digital Music Report 2007] , ''IFPI''</ref> with tracks available through 500 online services located in 40 countries, representing around 10 percent of the total global music market. Around the world in 2006, an estimated five billion songs, equating to 38,000 years in music, were swapped on peer-to-peer websites, while 509 million were purchased online.<ref>[http://www.ibisworld.com/pressrelease/pressrelease.aspx?prid=127 June 2008, The Tables Have Turned: Rock Stars – Not Record Labels – Cashing In On Digital Revolution], ''IBISWorld''</ref> |
As of 2006, digital music sales are estimated to have reached a trade value of approximately US$2 billion,<ref>[http://www.ifpi.org/content/section_resources/digital-music-reportb.html 2007, IFPI Digital Music Report 2007] , ''IFPI''</ref> with tracks available through 500 online services located in 40 countries, representing around 10 percent of the total global music market. Around the world in 2006, an estimated five billion songs, equating to 38,000 years in music, were swapped on peer-to-peer websites, while 509 million were purchased online.<ref>[http://www.ibisworld.com/pressrelease/pressrelease.aspx?prid=127 June 2008, The Tables Have Turned: Rock Stars – Not Record Labels – Cashing In On Digital Revolution], ''IBISWorld''</ref> |
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==Music downloads offered by artists== |
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Some artists allow their songs to be downloaded from their [[website]]s, often as a short preview or a low-quality sampling. Others have embedded services in their sites that allow purchases of their singles or albums. |
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==Challenges to legal music downloads== |
==Challenges to legal music downloads== |
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Revision as of 03:24, 6 November 2010
 | This article needs additional citations for verification. (August 2008) |
A music download is the transferral of a song from an Internet-facing computer or website to a user's local computer. This term encompasses both legal downloads and downloads of copyright material without permission or payment.
Popular examples of online music stores that sell digital singles and albums include the iTunes Store, Napster, Zune Marketplace, Amazon MP3, Nokia Music Store, TuneTribe, Kazaa and eMusic. Paid downloads are sometimes encoded with Digital Rights Management that restricts making extra copies of the music or playing purchased songs on certain digital audio players. They are almost always compressed using a lossy codec (usually MPEG-1 Layer 3 or Windows Media), reducing file size and therefore bandwidth requirements. However, this may cause an apparent loss in quality to a listener when compared to a CD, and cause compatibility issues with certain software and devices. Uncompressed files and losslessly compressed files are available at some sites.
As of 2006, digital music sales are estimated to have reached a trade value of approximately US$2 billion,[1] with tracks available through 500 online services located in 40 countries, representing around 10 percent of the total global music market. Around the world in 2006, an estimated five billion songs, equating to 38,000 years in music, were swapped on peer-to-peer websites, while 509 million were purchased online.[2]
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Challenges to legal music downloads
Even legal music downloads have faced a number of challenges from artists, record labels and the Recording Industry Association of America. In July 2007, the Universal Music Group decided not to renew their long-term contracts with iTunes. This legal challenge[clarification needed] was primarily based upon the issue of pricing of songs, as Universal wanted to be able to charge more or less depending on the artist, a shift away from iTunes' standard 99 cents per song pricing. Many industry leaders feel that this is only the first of many show-downs between Apple Inc. and the various record labels.[3]
The RIAA against illegal downloading
The Recording Industry Association of America launched its first lawsuits on September 8, 2003, against individuals illegally downloading music files from the Kazaa FastTrack network. At first, the RIAA's campaign to sue illegal downloaders looked like a bad idea to many critics; however, two years after it began, the campaign had survived at least one major legal challenge and began to pick up speed. The RIAA said that it filed 750 suits in February 2006 [4] against individuals downloading music files without paying for them in hopes of putting an end to Internet music piracy. Many[who?] say that it is unfair for the RIAA to choose certain individuals to sue out of millions, but the RIAA dismisses the charge that the suits are unfair, comparing them to those who get targeted for speeding tickets. The RIAA hopes their campaign will force people to respect the copyrights of music labels and eventually minimize the number of illegal downloads that happen every day.[5]
Chart inclusion
United States
Legal music downloads were first compiled by Billboard in 1993, but they did not gain mainstream acceptance in the United States until around February 2005, when digital sales for singles started to be included in the Billboard Hot 100 and other Billboard charts. In the year before, the Hot 100 chart was similar to the Hot 100 Airplay chart, because only minor CD-single sales affected the chart. The inclusion of digital singles has immensely helped many songs chart and peak higher, in some cases in the absence of a radio release.
Single certifications were introduced in February 2005. Songs that sell a certain number of copies are often certified by the RIAA with the permission of the artist and the record company.
United Kingdom
The UK Official Download Chart was launched on September 1, 2004 and included any Permanent Digital Download track, under 10 minutes long, being sold for a minimum price of 40p (0.4 GBP). In January 2005, downloaded tracks outsold physical singles for the first time in UK music history, prompting The Official UK Charts Company to begin to incorporate downloads for the first time into the UK Singles Chart on 17 April 2005, at which time Radio 1 stopped broadcasting the separate download chart, although the chart is still compiled. Initially this was on condition that the song must have a physical media release at the same time; this rule was fully lifted on January 1, 2007, meaning all download sales are now eligible in the chart.
Sales records
United States
In November 2005, the record for the best-selling digital single in the United States was held by Gwen Stefani's "Hollaback Girl", which had sold over one million downloads, making it the first song to achieve platinum download status. As of 2009, the record for the best-selling digital single in the United States on the iTunes Store is held by Black Eyed Peas's "I Gotta Feeling", which had sold over 5,561,000 downloads. The highest weekly sales record was held by Kanye West with the single "Gold Digger", and is now held by Flo Rida with "Right Round" when the single sold 636,000 downloads in one week in February 2009.
Japan
The highest selling digital single in Japan, and the world, is "Flavor Of Life" by Hikaru Utada with 7.7 million legal downloads. 40% of Japanese internet users access a music website, and Japan has the highest penetration of iTunes software users in the world.[6]
See also
References
- ^ 2007, IFPI Digital Music Report 2007 , IFPI
- ^ June 2008, The Tables Have Turned: Rock Stars – Not Record Labels – Cashing In On Digital Revolution, IBISWorld
- ^ Universal in Dispute With Apple Over iTunes
- ^ Riaa Announces New Round Of Music Theft Lawsuits[1]
- ^ Jason Krause. "Breaking up dowloading." ABA Journal 92.(2006): 16,18. Research Library. ProQuest. Georgia State University Library, Atlanta, Georgia. 12 November 2008 ProQuest.com
- ^ Nearly 25 Percent of Japanese Internet Users Accessed iTunes in August, According to comScore World Metrix