This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
The core philosophy of neosymbolism, like that of its predecessor Symbolism, is the idea of "correspondences", the "emblematic order" of a world in which technology and the industrial reality have not yet drowned the forces of mysticism and belief. In a world where visual images exist to generate sales and revenue Neosymbolist imagery attempts to preserve the relationship between image and the human soul. The imagery is necessarily representational rather than abstract. It borders on the narrative, but stops short of the commercial trap of illustration to convey an idea for profit. Artists like Norman Rockwell could qualify as Neosymbolist painters in that they adopt a social and cultural undercurrent and convey it in terms of the cultural cliche'; the image as representative of core aspects of the culture. The same is not true, however, of the generally accepted idea of commercial illustration which attempts more to influence cultural, political, and economic ideology than it tries communicate an existent reality.
Neosymbolism is fairly well hidden within the culture with few references and almost no broad based visibility. In 1988 A_Demos, Nick published a book in an edition of two. This was the first visible sign of the idea underlying this philosophy.Nick A_Demos developed this first book of Neosymbolism into paintings.Nick A_Demos was the first to coin the word Neosymbolism.
There has also been a separate group using the neosymbolism name for the creation of an international collective representing a number of artists who share the goals of preserving the visual art that is the foundation of the ideas associated with the term in its original and essential sense, as opposed to the "non-sense" of individual philosophies which deviate from the preservation of the core philosophy as it has evolved since the late nineteenth century.
The neosymbolist movement was born spontaneously in numerous locations across the globe. Many groups use words but do not want to be limited to only that discipline. A group of Danish Neosymbolists defined their movement by
- Using Iconic language in their expressions
- Reproducing the inner experience of the outer world
- Examining the human experience and circumstance in today’s changing world
- Examining the underlying meaning of life
- Using media in conscious and innovative ways
The founder of the Canadian Neosymbolists describes the foundations of the movement as:
Brief Summary of the Foundations of Canadian Neosymbolism: By founder: Gary F. Manzo
- Using Symbolic language in our, expressions, often derived from Dream Sequences and Archetypal Imagery as described by Carl Jung, and others involved with Mysticism, Alchemy, Depth Psychology and Philosophy.
- Depicting the inner experience of the outer world, in relationship to Self Actualization and Depth Psychology, and related fields of study.
- Examining the human experience and circumstance in today’s changing world; with the idea that mankind must “make friends with his animal nature”, in order to achieve Wholeness of SELF in a contemporary world.
- Examining the underlying meaning of life, both from an historical, perspective, and it’s relevancy to the new age of Technology; as well as New Age Psychology.
- Using mediums and techniques, in conscious, experimental and innovative ways, utilizing both traditional methods and contemporary cutting edge techniques and technologies.
An international Neosymbolist collective that began exhibiting as a group in 2001 has a simpler definition.
- exploration of the emotional, political, and spiritual themes of the rapidly changing culture of the late 20th and early 21st through the use of symbols both personal and universal.[this quote needs a citation]
From this perspective the neosymbolist movement can be seen as a reaction against abstraction, an attempt to weave the artists’ intellectual and spiritual experiences into the fabric of their work. Words, ancient symbols of ideas, can be a powerful tool of expression but the neosymbolists’ palette is not limited to their use alone.
The exhibition history of this group, including their collaborations with the Danish Neosymbolist collective, are documented in the reviews in these periodicals. More information about this group can be found at www.neosymbolism.eu
- Sketch Book the Artists’ Coalition of Austin Newsletter -
- Neosymbolismus at Depot St. Gallery - Pascale Vial -July 2001
- Austin Chronicle Vol 23 No 26 - Jacqueline May - May 7, 2004,
- Olomoucky Den - Gabriela Garbova - March 17, 2005
- Austin Gazeta - The Exhibition of Neosymbolist Art - October, 2006
- Vesterbro Bladet - Symbol X i Rahuset - Af Michael Friis - November 22, 2006 - Copenhagen, Denmark
- Dnes - Galerii Osadil Neosymbolismus - January 5, 2007
- Pravo - Neosymboliste Vystavuji v Olomouci - Vlasta Hrdilova - January 12, 2007,
- Piestansky Tyzden-Americki vytarnici predstavili neosymbolizmus-Ondrej Grezdo - octobra 14, 2008