He studied music at the Hochschule für Musik Köln, including conducting with Hermann Abendroth. He conducted opera in Berlin, Dresden, Koblenz, Leipzig, and Munich. He also conducted the radio orchestras of Baden-Baden and Cologne and led concerts with the Sächsische Staatskapelle Dresden. In 1956 he became a record producer for Deutsche Grammophon and 1963 the label's artistic director. His conducting for that label began when he filled in for an ailing conductor, recording excerpts from the opera Eugene Onegin.
He was dismissed at Deutsche Grammophon in the mid-1960s. The incident that led to his dismissal was recounted in Richard Osborne's 1998 biography of Herbert von Karajan. Gerdes, fresh from a conducting assignment, addressed Karajan as one conductor to another with a "Herr Kollege" (my dear colleague).[dubious ]
Gerdes conducted several works for record including the Prelude to Act 1 of Wagner's Die Meistersinger, a complete Tannhäuser (Dresden version) as well as Wagner's rarely recorded Symphony in C major. He also conducted a recording of the Brahms 4th Symphony.
- Louis, Soveaux & Boruchowitch. Deutsche Grammophon: State of the Art. Celebrating over a Century of Musical Excellence, Rizzoli, New York 2009, page 70.
- Osborne, Richard. Herbert von Karajan, A Life in Music, 1998, page 580.
- Holmes, John L. Conductors on Record, 1982.