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Ponto-chō

Coordinates: 35°00′29″N 135°46′16″E / 35.007969°N 135.771111°E / 35.007969; 135.771111
From Wikipedia, the free encyclopedia
Ponto-chō in the morning
Ponto-chō at night
Ponto-chō at night

Ponto-chō (先斗町) is a hanamachi district in Kyoto, Japan, known for its geiko and maiko, and is home to many of the city's okiya and traditional tea houses. Like Gion, Ponto-chō is famous for the preservation of forms of traditional architecture and entertainment.

Etymology

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The name "Ponto" is believed to come from the Portuguese word "ponte" (bridge), and is written in kanji used for their sound only (ateji).[1] The Japanese word "-chō" means town, block or street.

District

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Ponto-chō as a district is for the most part constructed around a long, narrow alleyway, running from Shijō-dōri to Sanjō-dōri, one block west of the Kamo River. This location is also known as the traditional location for the beginning of kabuki as an art form, and a statue of kabuki's founder, Izumo no Okuni, stands on the opposite side of the river. The district's crest is a stylized water plover, or chidori.

Cultural features

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Geiko and maiko have existed in Ponto-chō since at least the 16th century, as have prostitution and other forms of entertainment. Today, the area, lit by traditional lanterns at night, contains a mix of exclusive restaurants — often featuring outdoor riverside dining on wooden patios — geisha houses and tea houses, brothels, bars, and cheap eateries.

The area is also home to the Ponto-chō Kaburenjō Theatre at the Sanjō-dōri end of the street. This theatre functions as a practice hall for geisha and maiko, and has functioned as the location for the annual Kamogawa Odori — a combination performance of traditional dance, kabuki-like theatre, singing and the playing of traditional instruments — since the 1870s.

In the 1970s, American anthropologist Liza Dalby visited Kyoto for a year as part of her doctoral studies into the institution of geisha in modern Japanese society, eventually unofficially becoming a geisha as part of her research. Dalby later wrote a well-received book, Geisha, about the experience.[2]

See also

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References

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  1. ^ Dalby, L., 2000. Geisha, 3rd ed. Vintage Random House: London.
  2. ^ Dalby, Liza (1983). Geikoa. Berkeley: University Of California Press. ISBN 0-9658812-6-1.
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