Remnants of an Army
|The remnants of an army, Jellalabad, January 13, 1842|
|Remnants of an Army|
Remnants of an Army.
|Medium||Oil on canvas|
|Dimensions||132.1 cm × 233.7 cm (52.0 in × 92.0 in)|
|Location||Tate Britain, London, United Kingdom|
The remnants of an army, Jellalabad (sic), January 13, 1842, better known as Remnants of an Army, is an 1879 oil-on-canvas painting by Elizabeth Thompson, Lady Butler. It depicts William Brydon, assistant surgeon in the Bengal Army, arriving at the gates of Jalalabad in January 1842. The walls of Jalalabad loom over a desolate plain and riders from the garrison gallop from the gate to reach the solitary figure bringing the first word of the fate of the "Army of Afghanistan".
Supposedly Brydon was the last survivor of the approximately 16,000 soldiers and camp followers from the 1842 retreat from Kabul in the First Anglo-Afghan War, and is shown toiling the last few miles to safety on an exhausted and dying horse. In fact a few other stragglers from the Army eventually arrived, and larger numbers were eventually released or rescued after spending time as captives of Afghan forces.
The painting was made in the middle of the Second Anglo-Afghan War. Lady Butler was developing a reputation for her military pictures after the favourable reception of her earlier painting The Roll Call of 1874, on a subject from the Crimean War. It measures 132.1 centimetres (52.0 in) by 233.7 centimetres (92.0 in)
Remnants of an Army was exhibited at the Royal Academy summer exhibition in 1879, and acquired by Sir Henry Tate, who presented to the Tate Gallery in 1897. Still owned by the Tate Gallery, it is on long-term loan as part of a permanent exhibition at the Somerset Military Museum: the 13th (1st Somersetshire) Regiment (Light Infantry) was involved in the First Anglo-Afghan War, and moved to Jalalabad in late 1841.