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|Died||11 January 1968 (aged 78)|
Rezső Seress lived most of his life in poverty in Budapest, from where, being Jewish, he was taken to a labor camp by the Nazis during the Second World War. He survived the camp and after employment in the theatre and the circus, where he was a trapeze artist, he concentrated on songwriting and singing after an injury. Seress taught himself to play the piano with only one hand. He composed many songs, including Fizetek főúr (Waiter, bring me the bill), Én úgy szeretek részeg lenni (I love being drunk), and a song for the Hungarian Communist Party to commemorate the chain bridge crossing the river in Budapest, Újra a Lánchídon.
Seress felt a strong loyalty to Hungary, and one reason for his poverty while having a world-famous song was that he never wished to go to the USA to collect his royalties; instead, staying as pianist at the Kispipa restaurant in his home town. This restaurant had a pipe stove at the centre of its dining room, and was remarkably cold for a restaurant. The place was a favourite of prostitutes, musicians, Bohemian spirits and the Jewish working class.
As his fame began to wane, along with his loyalty to the communist party, Seress plunged into depression. Though he himself survived the Nazi forced labour in the Ukraine, his mother didn't- which increased his gloom.
Seress committed suicide in Budapest in January 1968; he survived jumping out of a window, but later in the hospital choked himself to death with a wire. His obituary in the New York Times mentions the notorious reputation of "Gloomy Sunday":
|“||Budapest, January 13.
Rezsoe Seress, whose dirge-like song hit, "Gloomy Sunday" was blamed for touching off a wave of suicides during the nineteen-thirties, has ended his own life as a suicide it was learned today.
Authorities disclosed today that Mr. Seress jumped from a window of his small apartment here last Sunday, shortly after his 69th birthday.
|— The New York Times, January 13, 1968, |
- "Rezsoe Seres Commits Suicide; Composer of 'Gloomy Sunday'". Microfilm scan. Obituaries. New York Times. Jan 14, 1968. p. 84.
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