Richard Samuel Chattock
Chattock was born in Solihull (then in Warwickshire), the third son of Thomas Chattock, a solicitor. After studying at Rugby School, he too entered the legal profession. However, in the late 1850s he began following his interest in art, exhibiting his work in the Royal Birmingham Society of Artists. From 1869 to 1891, he exhibited in the Royal Academy of Arts.
Chattock often painted rural scenes and architectural subjects. In 1872, he completed his most famous works, sixteen etchings that depict the industrial landscape of the Black Country considered an unusual choice for artists. For each etching, Chattock gave a description of what is being portrayed, and often how the objects in the etchings were used in the industry. While these descriptions tell of the "intense desolation" of the Black Country, due to an industry that "ransacked [its] depths", Chattock is often focused on what he calls "single picturesqueness, if not beauty".
- Parsons, Harold (1977). From the Black Country. Black Country Society. p. 41. ISBN 9780904015126.
The artist Richard Samuel Chattock was a member of a family which had been settled for centuries in West Bromwich. ... R. S. Chattock was born on 23 August, 1825, the third son of Thomas Chattock of Solihull.
- Wildman, Stephen (1990). The Birmingham School (Exhibition Catalogue). Birmingham: Birmingham Museum and Art Gallery.
- Peters, Greg; Peters, Connie. "Richard Samuel Chattock". Art of the Print. Retrieved 1 March 2015.
- Flynn, Brendan (2014). RBSA A Place for Art The Story of the Royal Birmingham Society of Artists. Birmingham: Royal Birmingham Society of Artists. p. 84. ISBN 978-0-9930294-0-0.
- Richard S. Chattock (1887). "The Black Country, Sixteen etchings illustrative of the coal and iron district South Staffordshire, with descriptive letterpress to each plate". Exhibition of Engineers. Birmingham: Royal Birmingham Society of Artists.
- "Deaths". The Times. The Times Digital Archive. 3 February 1906. p. 1.