Rivane Neuenschwander

Rivane Neuenschwander (born 1967) is a Brazilian artist. She is known for her ephemeral and engaging work that explores language, nature, geography, the passing of time and social interactions. At times her works are interactive, involving viewers in spontaneous and participatory actions. In her installations, films and photographs, Rivane Neuenschwander employs fragile unassuming materials to create aesthetic experiences, a process she describes as "ethereal materialism". “When I was starting off, I was very interested in the ephemeral, in quotidian materials that disappear or are subject to entropy, which is how my art got stuck with labels like ‘ethereal materialism,’" she says about her own work.

Biography

Neuenschwander was born in 1967 in Belo Horizonte, Minas Gerais. She graduated from the Federal University of Minas Gerais, Brazil in 1993 and completed her MFA at the Royal College of Art in London 1998. She is of Swiss descent.

Winner of the Yanghyun Prize in South Korea in 2013 and shortlisted for the Guggenheim Museum’s Hugo Boss Prize in 2004, the artist has exhibited her work internationally throughout the past twenty years. In 2010, the New Museum in New York presented Rivane Neuenschwander: A Day Like Any Other, a survey exhibition that traveled to the Mildred Lane Kemper Art Museum in St. Louis, followed by the Scottsdale Museum of Contemporary Art in Arizona, Miami Art Museum, and the Irish Museum of Modern Art in Dublin through 2012.

Other solo presentations include shows at Museu de Arte Moderna de São Paulo (MAM-SP) in Brazil (2014), Malmö Konsthall in Sweden (2010), St. Louis Art Museum in Missouri (2007), Carnegie Museum of Art in Pittsburgh (2007) Hirshhorn Museum and Sculpture Garden in Washington, DC (2007), Palais de Tokyo in Paris (2003), the Walker Arts Center in Minneapolis (2002) and Portikus in Frankfurt (2001).

Rivane Neuenschwander has developed a practice within the vein of Brazilian conceptualism, incorporating influences from Brazil's rich history of art movements over the past fifty years. Neuenschwander has become widely regarded for her ephemeral, engaging work that explores narratives about language, nature, geography, the passing of time and social interactions. To do so, the artist frequently employs external forces – both people and natural processes – to produce a series of dynamic, autonomous results. Often her works are interactive, as in Story of an Other (2005), which was created for the 2005 Venice Biennale and shown again in her New York solo début, ‘Other Stories and Stories of Others’. The installation I Wish Your Wish (2003) draws on a tradition at the São Salvador church Nosso Senhor do Bonfim. The work consists of multi-coloured ribbons each stamped with a wish gathered from local residents. Visitors are invited to take a ribbon from the installation, tie it around his or her wrist, and leave it there until it falls off, upon which the wish inscribed on it will come true.

Works can be found in the collections of the Museum of Modern Art, Tate Modern, Solomon R. Guggenheim Museum, Inhotim Centro de Arte Contemporânea, Museum Boijmans Van Beuningen, The Israel Museum, Museum of Modern Art in São Paulo, Seattle Art Museum, and the Walker Art Center, among others.

Exhibitions

Selected solo exhibitions

• 2015: Children's Commission 2015: Rivane Neuenschwander, Whitechapel Gallery, London, England; Rivane Neuenschwander: The fever, the sewing box and a ghost, Tanya Bonakdar Gallery, New York, USA
• 2014: Rivane Neuenschwander: mal-entendidos/misunderstandings, São Paulo Museum of Modern Art, São Paulo, Brazil; Quarta-feira de cinzas/Epilogue, Wexner Center for the Arts, Columbus, Ohio, USA
• 2013: POST - The Order and the Method, Kunsthal Charlottenborg, Copenhagen, Denmark
• 2012: Caos e Ordem, Fabrica ASA, Guimarães, Portugal; The Spiral and The Square. Exercises in Translatability, Trondheim Kunstmuseum, Trondheim, Norway; Galpão Fortes Vilaça, São Paulo, Brazil; Kadist Art Foundation, San Francisco, USA
• 2011: A Day Like Any Other, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA; travelling to Miami Art Museum, Miami, USA, Irish Museum of Modern Art, Dublin, Ireland; Rivane Neuenschwander und Haegue Yang, Kunsthalle Lingen, Berlin, Germany
• 2010: A Day Like Any Other, New Museum, New York, USA; travelling to Mildred; Kemper Art Museum, Saint Louis, USA; At a Certain Distance, Malmö Konsthall, Malmö, Sweden; Dominó Caníbal [PAC MURCIA 2010]: Rivane Neuenschwander, Sala Verónicas, Murcia, Spain
• 2008: Rivane Neuenschwander: Suspension Point, South London Gallery, London, England; Rivane Neuenschwander, Stephen Friedman Gallery, London, England
• 2007: Coisa de Ninguém. Coisa de Todos, Galeria Fortes Vilaça, São Paulo, Brazil; Forum 60, Carnegie Museum of Art, Pittsburgh, USA; Black Box, Hirshhorn Museum and Sculpture Garden, Washington D.C, USA; Eu desejo o seu desejo/ I wish your wish, Sfeir-Semler Gallery, Beirut, Lebanon; Joe Carioca, St. Louis Art Museum, Missouri, USA
• 2006: Other Stories and Stories of Others, Tanya Bonakdar Gallery, New York, USA
• 2005: Galerie Klosterfelde, Berlin, Germany
• 2004: Currents 93: Rivane Neuenschwander, St Louis Art Museum, Gallery 337, Missouri, USA
• 2003: Eu Desejo o seu Desejo, Galeria Fortes Vilaça, São Paulo, Brazil; Superficial Resemblance, Palais de Tokyo, Paris, France; Aloisio Magalhaes Modern Art Museum, Recife, Brazil
• 2002: To/From: Rivane Neuenschwander, Walker Arts Center, Minneapolis, USA (catalogue); Museu de Arte da Pampulha, Belo Horizonte, Brazil; Stephen Friedman Gallery, London, England
• 2001: Spell, Portikus, Frankfurt, Germany, (catalogue); The Americas Society, New York, USA, (brochure); Artpace Foundation, San Antonio, Texas, USA
• 2000: Syndrome, IASPIS, International Artists Studio Program, Stockholm, Sweden (brochure); Galeria Fortes Vilaça, São Paulo, Brazil; Douglas Hyde Gallery, Dublin, Ireland
• 1999: Stephen Friedman Gallery, London, England
• 1997: Stephen Friedman Gallery, London, England
• 1996: Casa Triângulo, São Paulo, Brazil
• 1992; Itaú Galeria, Belo Horizonte, Brazil; Itaú Galeria, São Paulo, Brazil

Selected group exhibitions

• 2016: Fear Nothing, She Says, Museo Nacional de Escultura Valladolid, Valladolid, Spain; The Campaign for Art: Contemporary Art, San Francisco Museum of Modern Art, San Francisco, USA
• 2015-2016: Scenes for a New Heritage: Contemporary Art from the Collection, Museum of Modern Art, New York, USA; Fear Nothing, she says, Museo Nacional de Escultura, Valladoli, Spain
• 2015: Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England (catalogue); Images Moving Out Onto Space, Tate St. Ives, Cornwall, UK
• 2014-2015: What makes a home? National Gallery of Denmark, Copenhagen, Denmark
• Huna, Hunak/ Here, There, Al Riwaq Exhibition Space, Doha, Qatar
• 2014: Imagine Brasil, Musée d'Art Contemporain de Lyon, Lyon, France; touring to DHC/Art, Montreal, Canada; do it, Garage Museum of Contemporary Art, Moscow, Russia
• 2013- 2014: Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA; Inhabiting Time, Museo Jumex, Mexico City, Mexico
• 2013: More Love: Art, Politics and Sharing Since the 1990s, Cheekwood, Nashville, USA; Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway
• 2012-2013: Planos de Fuga - Uma Exposicao em Obras, Centro Cultural Banco do Brasil, São Paulo, Brazil; The Unspecific Index, curated by Erin Sickler, 601 Artspace, New York, USA
• 2012: Explosion! Painting as Action, Moderna Museet, Stockholm, Sweden; Mexico: Expected/Unexpected, Katzen Arts Centre, Washington D.C., USA
• 2011-2012: The Spiral and the Square. Exercises in Translatability, Bonniers Konsthall, Stockholm, Sweden
• 2011: Paradise Lost, Istanbul Museum of Art, Istanbul, Turkey (catalogue); The Luminous Interval, Guggenheim Museum Bilbao, Bilbao, Spain
• 2010-2011: Keeping it Real: An Exhibition in Four Acts: The D. Daskalopoulos Collection, Whitechapel Gallery, London, England; Twenty First Century: Art in the First Decade, Gallery of Modern Art, Queensland, Australia
• 2010: Adaptation: Between Species, The Power Plant, Toronto, Canada; Dominó Caníbal, Proyecto de Arte Contemporáneo, Murcia, Spain; SERPENTINE CINEMA: CINACT, The Gate, Serpentine Gallery, London, England
• 2009 - 2010: After Utopia: A View on Brazilian Contemporary Art, Centro per l'arte contemporanea Luigi Pecci, Prato, Italy; Mexico: Expected/Unexpected Current Alliances in Art, Stedelijk Museum Schiedam, Schiedam, Netherlands (catalogue)
• 2009: Brasil Contemporary, Contemporary Art, Architecture and Visual Culture, Museum Boijmans van Beuningen, Rotterdam; Rivane Neuenschwander, 2a Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, Instituto de Cultura Puertorriqueña Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico (Publication project organised by Jens Hoffman)
• 2008: Library, UOVO Open Office Berlin, Berlin, Germany; 50 Moons of Saturn, 2ndTorino Triennale, Torino, Italy
• 2007: Kunstkammer, Berkeley Art Museum & Pacific Film Archive, Berkeley, USA; Collection Display, Idea and Object Wing, Tate Modern, London, England
• 2006: Water, Water Everywhere..., Contemporary Art Center of Virginia, Virginia Beach, USA (catalogue)
• 2005: Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France; Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England
• 2004: Artist's Favourites Act II, Institute of Contemporary Art, London, England; Never Never Landscape, Atle Gerhardsen, Berlin, Germany
• 2003: Land Land! Helen Mirra, Rivane Neuenschwander, Katja Strunz, Kunsthalle Basel, Switzerland (catalogue); Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan
• 2002: poT, II Liverpool Biennal of Contemporary Art, Liverpool, UK
• 2001: Trans Sexual Express, Centro D'Art Santa Monica, Barcelona, Spain
• 2000: Friends and Neighbours, Limerick City Gallery of Art, Limerick, Ireland
• 1999: Au-Delà, Galerie Klosterfelde, Berlin, Germany
• 1998: Bili Bidjoka, Los Carpinteros, New Museum of Contemporary Art, New York, USA
• 1997: Trade Routes : History and Geography II Johannesburg Biennale, Johannesburg, South Africa
• 1996: Cercanias, Geto Gráfico, Belo Horizonte, Brazil
• 1995: Os náugragos, Sala Corpo de Exposições, Belo Horizonte, Brazil
• 1994: A Imagem Não Virtual, Casa Triãngulo, São Paulo, Brazil
• 1993: Estandartes, Parque Municipal, Belo Horizonte, Brazil
• 1992: Utopias Contemporâneas, Palácio das Artes Belo Horizonte, Brazil
• 1991: 15.000 kg, Palácio das Artes, Belo Horizonte, Brazil

Public collections

• The Guggenheim, New York, USA
• The Museum of Modern Art, New York, USA - works in the collection
• Thyssen-Bornemisza Art Contemporary, Vienna, Austria
• Museu de Arte da Pampulha, Belo Horizonte, Brazil
• Inhotim Centro de Arte Contemporânea, Brumadinho, Brazil
• MAM - Museu de Arte Moderna de São Paulo, São Paulo, Brazil
• Atlanta Kulturstiftung im Sinclair-Haus, Bad Homburg, Germany
• Ellipse Foundation, Alcoitão, Brazil
• Espacio 1414, Santurce, San Juan, Puerto Rico
• Museu d´Art Contemporani de Barcelona - MACBA, Barcelona, Spain
• Musac - Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
• Tate, London, England - works in the collection
• Contemporary Art Center of Inhome, Brazil
• The Israel Museum, Jerusalem, Israel
• Seattle Art Museum, Seattle, USA
• Walker Art Center, Minneapolis, USA
• Museum of Contemporary Art, North Miami, Florida, USA
• Centre Pompidou, Paris, France
• Fundación "la Caixa", Barcelona, Spain
• Fundación Arco, Madrid, Spain
• La Fundacion Jumex, Mexico City, Mexico
• Gandar Collection, Geneva, Switzerland
• Kunst Verein Lingen Kunsthalle, Lingen, Germany
• Queensland Art Gallery, Brisbane, Australia

Projects and Awards

• 2013 Yanghyun Prize, Seoul Museum, Seoul, South Korea
• 2004 Shortlisted Hugo Boss Prize, Guggenheim Museum, New York, USA
• 2003 Bursary Vitae de Artes
• 2002 Honourable Mention, UFMG University, Belo Horizonte, Brazil
• 2001 Resident Delfina Studios, London; ArtPace residency, San Antonio, Texas, USA
• 2000 IASPIS residency, Stockholm, Sweden
• 1999 ‘The Quiet in the Land 2: Everyday Life, Contemporary Art and Projeto Axé', art residency organised by France Morin, Bahia, Brazil
• 1996 Antarctica Artes com a Folha, São Paulo, Brazil
• 1993 Prêmio Marc Ferrez de Fotografia, ‘Ex-Votos' - (Objeto Fotográaficos), Brazilian Institute of Contemporary Art, Rio de Janeiro, Brazil

Bibliography

• 2015: Ellis, Phillipa, What Impact Is London Life Having On Kids?, Londonist, 6 July; Johnson, Ken, Review: ‘Scenes for a New Heritage' at the Museum of Modern Art, The New York Times, 26 March
• 2014: Mazzucchelli, Kiki, Linguagem Fraturada. Revista Select, 11 October; Wright, Karen, Rivane Neuenschwander. The Independent, 18 September; Gazire, Nina, A brincadeira da arte, Harper's Bazaar Brasil Art, September
• 2013: Prêmio coreano, artista mineira. O Globo, Segundo Caderno, 23 September; Rigby, Claire, The Insides Are on the Outside, Art Review, June; Racy, Sonia, Tipo exportação, O Estado de S. Paulo, 26 January; Molina, Camila, Identidade da Videoarte, O Estado de S. Paulo, Caderno 2, 21 January; Miller, Earl, Prefix Photo: Continental Drift and Cartographic Shifts, Toronto, Prefix Institute of Contemporary Art; Rabello, Tânia, The Feminine Side of the Most Important Contemporary and Modern Art Collection, Arte! Brasiliros, May/June
• 2012: Sherwin, Skye, Ten Brazilian Artists to Meet, 10 Magazine, November 2012, pp. 92 – 97; Profiled: A look at six artists...who are shaping Brasil's contemporary art scene, Art Review Supplement, September, pp. 30–38; Clancy, Luke, Rivane Neuenschwander: A Day Like Any Other, Art Review, March; Collins, Tryn, The Cage Effect Today: Rivane Neuenschwander, Notations, March; Krish, Andrea, theartblog, 24 January; Modjeska, Drusilla, Sydney gets a laneway, The Monthly, April; Clement, Tracy, The New MCA: Making Every Second Count, Art Guide Australia, March/April
• 2011: Dunne, Aidan, When you wish upon a ribbon...you're making art, The Irish Times, 7 December; Dunne, Aidan, A Day Like Any Other, The Irish Times, 11 November; Clark, Robert & Sherwin, Skye, This week's exhibitions, The Guardian, 13 November; Baldon, Diana, Polly wants a punctuation mark, Texte Zur Kunst, 10 January; Adam, Georgina, Collecting Special: Flying Time, Financial Times, 27 May; Eltham, Ben, In the World of Art, Everything New is Popular Again, Crikey, 8 April; Hwang, Kellie, First Love at SMoCA, azcentral.com, 8 February; Guggenheim in Bilbao presents The Luminous Interval: The D. Daskalopoulos Collection, Art Daily, 19 April; Fox, Dan, On Nature, Frieze, March
• 2010: Rother, Larry, A Brazilian Makes Playful but Serious Art, The New York Times, 21 June; Wilson, Michael, Time Out New York, Issue 775, 5–11 August; Paist, Janet; Scharr, Julian, Polish Sketch Artist Captures Your First Love, CNN New York, 21 July; Douglas, Sara, Modern Painters, 1 July; Rooney, Kara L., The Brooklyn Rail, September; Wilson, Michael, As You Wish, Artforum Diary, 23 June; New Museum Presents First Survey of Brazilian Artist Rivane Neuenschwander, Art Daily, 25 June; Malone, Meredith, Neuenschwander and Influence, Ethiopian Review, 24 November; Small, Irene V., Artforum, November
• 2009: Thorne, Sam, Signs of Life, frieze, January; Herbert, Martin, Art Review, January–February; Escalante, Mireya and Claudia san Agostin, Mexico: Expected/Unexpected Collection Isabel et Agustin Coppel. Paris, La Maison Rouge
• 2008: Modern Painters, October; Milliard, Coline, Ashes to Ashes, Dust to Dust, Art Review, October; Hubbard, Sue, Rivane Neuenschwander: Suspension Point, South London Gallery
• The Independent, 20 November; Cork, Richard, Royal Academy of Arts Magazine, Autumn; Kulture Flash, 27 November; Punj, Rajesh, Flash Art, June; Glover, Michael, Now you see it, now you don't, The Independent, 20 March; Fite-Wassilak, Chris, Artforum online, March
• 2007: Jones, Kristin M., Rivane Neuenschwander, Frieze, Issue 104, January–February; Comic Abstraction: Image-Breaking, Image-Making, Museum of Modern Art, New York, USA, catalogue cover, pp. 25–26, 96-101; Sheets, Hilarie M., Waves of Light, ArtNews, March; Kunitz, Daniel, Blossoms, Bubbles & Beauty, The New York Sun, 29 March, p. 21
• 2006: Fuenmayor, Jesús, ed., Arte da América Do Sul, Ponto de Viragem 1989, Colecçâo de Arte Comtemporânea Público Serralves 08; Smith, Roberta, Other Stories and Stories of Others, The New York Times, 22 September, p. E31; Linden, Liz, ed. The Best Surprise is No Surprise, JRP Ringier, Zürich, Switzerland
• 2005: Rivane Neuenschwander, Ici lá-bas aqui acolá, Rona Editora, Belo Horizonte, Brazil; Hughes, Jeffrey, Art Papers, March/April; Haq, Nav, Magasin 3, Autumn, Stockholm, Sweden Artists Salute Artpace, Artpace San Antonio, Benefit Auction at Christie's, New York; Burghart, Tara, Tropicalia exhibit features art for all the senses, The Indianapolis Star, 6 November
• 2004: Currents 93: Rivane Neuenschwander, St. Louis Art Museum, St. Louis; Taylor, Betsy, The Enquirer, 23 December, Cincinnati; Friswold, Paul, Riverfront Times, 8–10 December, St. Louis
• 2003: Land Land! Helen Mirra, Rivane Neuenschwander, Katja Strunz, Kunsthalle Basel, Basel, Switzerland; Birnbaum, Daniel, Feast for the Eyes, Artforum, May, pp. 142–146; Cordeiro, Veronica, Rivane Neuenschwander, Art Nexus, no. 47, vol. 1, pp. 100–102
• 2002: Rivane Neuenschwander, to/from, Walker Art Center, Minneapolis; Vivencias, Dialogues between Brazilian Artists from 1960's to 2002, The New Art Gallery, Walsall Hoffmann, Jens, Ethereal Materialism, Flash Art, October, pp. 90–92; Timmons, Matthew, Rivane Neuenschwander at Walker Art Center, Pulse, 11 September; Miskowiec, Jay, Brazilian artist brings her maps of Experience to the Walker, La Prensa de Minnesota, 26 September - 2 October, p. 4; Review, Artforum, May; Review, Wall Street Journal, 2 August; Review, Sculpture, September; Kanjo, Kathryn, ARCO, Autumn, no. 25, p. 6; Schwabsky, Barry, review, Artforum, April, p. 147; In the line of beauty, Sunday Herald Tribune, 3 March; Coomer, Martin, Review, Time Out, 20–27 February, p. 51; Buhr, Elke, Orangenalphabet, Frankfurter Rundschau, 10 December, p. 21; Kunstzeitung, No.6 5, January, p. 7
• 2001: Absences, Riksutstillingar; Rivane Neuenschwander, Spell, Portikus, Frankfurt am Main; Hansson, Annika, Make Magazine, issue 90, December, p. 90; Clark, Robert, The Guardian Guide, 23 December - 5 January; Review, Visual Arts, 11 January; Review, The Slate, January; Daly, Catherine, review, The Sunday Times, 14 January; Hierholzer, Michael, Ein Labyrinth aus Pappe und Orangen, Frankfurter Allgemeine Zeitung, 8 December; Hoffman, Jens, Powerful Circles, Rivane Neuenschwander, The Americas Society; Rivane Neuenschwander, Shazia Sikander, Tony Villejo: Artpace, Sculpture, vol. 20, no. 8, October, pp. 77–78; Rivane Neuenschwander: Galeria Camargo Vilaça, Art Nexus, no. 40, May–July, pp. 125, 156; Preview, Art Review, December–January
• 2000: Rivane Neuenschwander, Stephen Friedman Gallery, London, Galeria Camargo Vilaça, São Paulo, Brazil and Douglas Hyde Gallery, Dublin; Moroney, Mic, IVenus, December; Dunne, Aidan, Art bubbles with Originality, Visual Art, December; Hartigan, Marianne, All at a snails pace, The Sunday Tribune, 9 December; Suely, Rolnik, Truce for the soul in ‘The Quiet in the land 2: Everyday Life, ‘Contemporary Art and Projecto Axe', Museu de Arte Moderna da Bahia, Salvador
• 1999: Powder, Aspen Art Museum, Aspen, CO; Rivane Neuenschwander, Untitled, no. 19, Summer, pp. 32–3; Kent, Sarah, Time Out, 19–26 May, p. 43
• 1998: Rivane Neuenschwander, XXIV Bienal de São Paulo, Stephen Friedman Gallery and Galeria Fortes Vilaça, São Paulo, Brazil; Fortes, Marcia, Bili Bidjocka, Rivane Neuenschwander, Frieze, September/October, pp. 101–102; Cream: 10 curators, 10 writers, 100 artists, Phaidon Press
• 1997: Lagnado, Lisette, Rivane Neuenschwander, Immersion in Time in ‘5th International Istanbul Biennial', pp. 162–63; Herbert, Martin, Rivane Neuenschwander, Time Out, 28 May, p. 47; Fioravante, Celso, Vazio Escultórico, Vogue Brasil, May; Material Whirl, State of the Arts, April, p. 8; Murria, Alicia, Arco y Latinoamerica, Art Nexus magazine, no. 24, April–June, pp. 105–107; Papastergiadis, Nikos, Material Immaterial, Art/Text, August–October; Genocchio, Benjamin, Material Immaterial, Look-Art Gallery Society of New South Wales Magazine, March; Genocchio, Benjamin, Concrete Poetry, World Art, no. 12; Material Immaterial, Art Gallery of New South Wales, Sydney; Smee, Sebastian, Smells Like Art, The Sydney Morning Herald, 14 March; Murria, Alicia, Arco y Lationoamerica, Art Nexus magazine, no. 24, April–June, pp. 105, 107; Material Whirl, State of the Arts, April; Fioravante, Celso, Vazio Escultorico, Vogue Brasil, May; Smee, Sebastian, Asking the Right Questions, Art Monthly Australia, no. 99, May; Bifulco, Adriana, Formigas que Viram Arte, Jornal da tarde, 2 July; Fioravante, Celso, Aristas Brasileiros vao an Australia, Folha de São Paulo, 23 January; ARCO ‘97, Casa Triângula, February, p. 100; Brasileiros Conquistam o Mundo, Celso Fioravante, Folha de São Paulo, 10 February
• 1996: Fioravante, Celso, Rivane Exibe o Seu Barroco Minimo, Folha de São Paulo, 2 July; Guimaraes, Cao, Rivane Neuenschwander, Casa Triângula, exhibition folder; Santiago, Alberto, Casa Triangulo Mostra as Delicadezas de Rivane, Shopping News, 6 July; Claudio, Ivan, Objeto Nao Identificado, rivista IstoE, 17 July; Fioravante, Celso, Antartica Artes com a Folha Seleciona 62 Artistas, Folha de São Paulo, 1 August; Escolhidos-Antartica Artes come a Folha, ediçao especial Folha de São Paulo, 22 September; Fioravante, Celso, Antartica Escolhe os Seus Premiados, Folha de São Paulo, 2 October; Raridade, Um ano em 15 Minutos-Retrospectiva Revista da Folha, 29 December
• 1994: Rivane Neuenschwander in ‘Abjeto', Centro Cultural da UFMG, Belo Horizonte, Brazil, pp. 7, 20, 21, 28, 29, 33