Roddy McCorley

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Roddy McCorley (died 28 February 1800) was an Irish nationalist from the civil parish of Duneane, County Antrim, modern day Northern Ireland. Following the publication of the Ethna Carbery poem bearing his name in 1902, where he is associated with events around the Battle of Antrim, he is alleged to have been a member of the United Irishmen and claimed as a participant in their rebellion of 1798.[1]

Early years and the 1798 rebellion[edit]

Roddy McCorley was the son of a miller and was born near Toome in the parish of Duneane, County Antrim. A few years before the 1798 rebellion McCorley's father is believed to have been executed for stealing sheep.[2] These charges may have been politically motivated in an attempt to remove a troublesome agitator at a time of great social unrest.[2] Following his father's execution, his family were evicted from their home.[3]

There is uncertainty as to whether McCorley was actually actively involved with the predominantly Presbyterian United Irishmen or the predominantly Catholic Defenders.[3] McCorley's role in the 1798 rebellion itself is unrecorded. In a poem written 100 years after the rebellion by Ethna Carbery, he is claimed to have been one of the leaders of the United Irishmen at the Battle of Antrim, however there is no contemporary documentary evidence to support this claim or prove that he was even active in the rebellion.[2]

Archer's Gang and capture[edit]

After the rebellion, McCorley joined a notorious outlaw gang known as Archer's Gang, made up of former rebels and led by Thomas Archer.[3] Some of these men had been British soldiers (members of the Irish militia) who changed sides in the conflict, and as such were guilty of treason and thus exempt from the terms of amnesty offered to the rank and file of the United Irishmen.[3] This meant that they were always on the run in an attempt to evade capture.[3] This "quasi-rebel" group were claimed to have attacked loyalists and participated in common crime.[4] It is believed that McCorley was caught whilst in hiding, having been betrayed by an informer.[3]

Death[edit]

After McCorley was arrested he was tried by court martial in Ballymena on 20 February 1800 and sentenced to be hanged "near the Bridge of Toome", in the parish of Duneane. His execution occurred on 28 February 1800. This bridge had been partially destroyed by rebels in 1798 to prevent the arrival of loyalist reinforcements from west of the River Bann.[1]

His body was then dismembered and buried under the gallows, on the main Antrim to Derry road.[5][6] A letter published in the Belfast Newsletter a few days after McCorley's execution gave an account of the execution and how McCorley was viewed by some. In it he is called Roger McCorley, which may be his proper Christian name.[4]

In 1852, McCorley's alleged nephew Hugh McCorley was appointed foreman of construction of a new bridge across the River Bann at Toome. Hugh made plans to recover his uncle's body and on 29 June 1852, buried him in an unmarked grave at Duneane parish graveyard.[6]

His great-grandson, Roger McCorley, was an officer in the Irish Republican Army in the Irish War of Independence (1919–1921).[7]

In popular culture and commemoration[edit]

Despite lack of contemporary evidence of McCorley's actual involvement in the United Irishmen rebellion, he became a major figure in nationalist-republican martyrology due to a song by Ethna Carbery called "Roddy McCorley", written in the 1890s. According to historian Guy Beiner he has uncovered earlier references to Roddy McCorley in Presbyterian folklore, which he claims as having been repeatedly forgotten and obscured by the background of mainstream Presbyterian identification with Unionism.[1]

It was repopularised by The Clancy Brothers and Tommy Makem, The Dubliners, The Kingston Trio, and others during the folk music revival of the 1960s, and recorded in 1995 by Shane MacGowan and The Popes for their album The Snake. Heather Dale recorded a version for her 2006 album The Hidden Path.[citation needed] The melody for "Roddy McCorley" was reused in 1957 for "Sean South", about a failed operation that year during the IRA's "Border Campaign".[8]

An account of McCorley's career compiled in the early twentieth century from local traditions and correspondence with his descendants,[9] Who Fears to Speak of '98?, was written by the Belfast antiquary and nationalist Francis Joseph Bigger. It contains an edited version of an early 19th-century ballad about Roddy McCorley's fate.[10]

References[edit]

  1. ^ a b c Guy Beiner, "'The Enigma of “Roddy McCorley Goes to Die': Forgetting and Remembering a Local Rebel Hero in Ulster" in Rhythms of the Revolt: European Traditions and Memories of Social Conflict in Oral Culture, edited by Éva Guillorel, David Hopkin and William G. Pooley (Routledge, 2017), pp. 327-57.
  2. ^ a b c Irish Music Daily. "Roddy McCorley". Retrieved 16 July 2013.
  3. ^ a b c d e f Irish Music Daily. "Roddy McCorley, captured and executed". Retrieved 16 July 2013.
  4. ^ a b Roddy McCorley, Belfast Newsletter
  5. ^ a b Belfast Newsletter: Extract from a letter from Ballymena, Sunday 2 March 1800.
  6. ^ a b Find A Grave. "Roddy McCorley". Retrieved 15 July 2013.
  7. ^ Robert Lynch, The Northern IRA and the Early Years of Partition, p71
  8. ^ 50 Great Irish Fighting Songs, Music Ireland, 2005
  9. ^ Who Fears to Speak of '98? file, F.J. Bigger Archive, Central Library, Belfast.
  10. ^ Bigger, Francis Joseph: «Who fears to speak of '98?», The Irish News and Belfast Morning News; Friday 9 August 1907
  • Beiner, Guy (2018). Forgetful Remembrance: Social Forgetting and Vernacular Historiography. Oxford: Oxford University Press. ISBN 9780198749356.
  • A. T. Q. Stewart The Summer Soldiers: The 1798 Rebellion in Antrim and Down, (Belfast: Blackstaff, 1995). ISBN 0-85640-558-2.
  • "Account of the capture of the Archer Gang", The Belfast News-Letter, March 1800
  • Guy Beiner, "'The Enigma of “Roddy McCorley Goes to Die': Forgetting and Remembering a Local Rebel Hero in Ulster" in Rhythms of the Revolt: European Traditions and Memories of Social Conflict in Oral Culture, edited by Éva Guillorel, David Hopkin and William G. Pooley (Routledge, 2017), pp. 327–57.

External links[edit]