This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
Roman Pyatkovka (Роман Пятковка) is a leading exponent of Ukrainian conceptual photography most strongly associated with the Kharkiv School of Fine Art Photography. Pyatkovka pioneered a style of photography which challenged the prevailing ethos of Socialist Realism, the style which had dominated Soviet photography and filmmaking since the early 1930s. In contrast to Socialist Realism which portrayed scenes of a harmonious communist society, photographers of the Kharkiv School challenged the prevailing status quo with a socially challenging contemporary aesthetic. Pyatkovka’s use of overlays and hand-colouring helped define this new style, one which would continue to push artistic boundaries both during and after the more artistically varied Perestroyka years. In 1989 he joined the National Society of Photo Artists of Ukraine (NSPAU).
Pyatkovka has exhibited worldwide including at the Multimedia Art Museum (Moscow, Russia), the National Centre for Contemporary Arts (NCCA) (Moscow, Russia), Museum of Ken Damy (Bresha, Italy), Museum of Contemporary Photography (Chicago, United States), Moscow Museum of Modern Art (Moscow, Russia), The Navigator Foundation (Boston, USA), and ARTOTHEK (Nürnberg, Germany).
This section does not cite any sources. (April 2016) (Learn how and when to remove this template message)
One of Pyatkovka's more noted exhibitions presents a small selection of works from his big series "Soviet Photo" (2012). These vivid images consist of pictures and pages from "Советское фото" (Soviet Photo) magazine, the only photography publication available in the Soviet Union from 1926 to 1992. Much like most publications at the time, the magazine was state-run and loaded with Communist images. Pyatkovka, at the time an underground photographer, juxtaposed these state-approved images with his works, risking imprisonment. Pyatkovka’s aim is for the viewer to reconsider and reflect upon this period of Russian history through these contrasting images. It was this project that won him the Conceptual Photographer of the Year award at the 2013 Sony World Photography Awards.
Books and catalogues
- Post-Photography: The Artist with a Camera by Robert Shore. ISBN 978-1-78067-228-1 Publisher: Laurence King Publishing, London, UK
- Eyemazing: The New Collectible Art Photography ISBN 978-0-500-51685-0. Publisher: Thames&Hudson Ltd., London, UK
- Sony World Photography Awards 2013. ISBN 0-9572010-2-8. London, UK
- NUDE ART TODAY TOME III 2013. ISBN 9782953254860. Paris, France
- SCHEME – Zine collection N°5(with signed print). ISBN 979-1-09-140600-0. Paris, France
- "Le Portrait Dans L'Art Contemporain – 2011" ISBN 978-2-9532548-4-6 Paris, France
- "ХАРЬКОВ. Хроника Pеволюции" (eng.-"Kharkov. Chronicle of the Revolution") (2005) ISBN 966-8636-21-X
- Hannu Eerikainenen. Naneli Esckola "Toisin Nakijat" ISBN 951-615-707-6
- "Un Nouveau Pausage Humain" Recontres Internationales de la Photographie. ISBN 2-7427-1780-3
- Daniela Mrazkova "What is Photography" ISBN 80-7024-004-0
- Юрий Рыбчинский "Фото эстафета. От Родченко до наших дней"