Ronald Duncan

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Ronald Frederick Henry Duncan
Personal details
Born(1914-08-06)6 August 1914
Mashonaland, Salisbury Rhodesia
Died3 June 1982(1982-06-03) (aged 67)
Bideford Hospital, Barnstaple, Devon, England
Spouse(s)
ChildrenBriony Duncan (b.1941)
Roger Duncan (b.1943)
ParentsReginald John Dünkelsbuhler
Ethel Cannon
ResidenceWest Mill, Welcombe, Devon, England
EducationDowning College, Cambridge
OccupationWriter, Poet, Playwright and Librettist
Known forThe Rape of Lucretia (Libretto)
The Horse (poem)

Ronald Frederick Henry Duncan (6 August 1914 – 3 June 1982) was an English writer, poet and playwright of German descent, now best known for his poem The Horse and for preparing the libretto for Benjamin Britten's opera The Rape of Lucretia, first performed in 1946.[1]

Early life[edit]

Duncan was born Ronald Frederick Henry Dunkelsbühler, in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), in 1914. Duncan's mother, Ethel Cannon, moved the family to London after the outbreak of World War One, though his father, Reginald Dunkelsbühler, remained behind and owing to his German origins was interned as an alien and died of influenza contracted whilst giving medical aid during an epidemic in 1918 before he could rejoin the family.[2]

Duncan attended Downing College, Cambridge in 1933, reading English under F. R. Leavis. He became a pacifist during the 1930s, publishing The Complete Pacifist, in 1936.[3] This was later re-issued in 1937[4][5] carrying endorsements from Canon Dick Sheppard[6] of the Peace Pledge Union (PPU), Gerald Heard, and Sylvia Townsend Warner.[7] Later that year he wrote the words for a Pacifist March composed by Benjamin Britten (also a pacifist) for the PPU, but the work was not a success and was soon withdrawn.[8] In the same year also he visited Gandhi in India, and from 1938 was on friendly terms with the British Hispanist Gerald Brenan. His pacifism had led him to set up a co-operative farming enterprise at Gooseham and Mead Farm, near Welcombe, Devon, during the Second World War. This failed by 1943, and in 1944 Duncan successfully faced a conscientious objection tribunal.

Literary works[edit]

In 1937 Duncan met Ezra Pound, who encouraged him to found the "little magazine" Townsman, 1938-1945. Of the 24 issues, numbers 21-24 (1944–45) appeared as The Scythe, a title that signalled Duncan's increasing interest in agriculture and husbandry. Duncan was also a writer of short stories and a journalist. He wrote the film script for Girl on a Motorcycle (dir. Jack Cardiff, 1968), which starred Marianne Faithfull. His poetry was published at Faber and Faber by T. S. Eliot, who became a friend.

In 1960 he published The Solitudes a collection of poems that he dedicated to his favourite horse, Dil Fareb.[9] Duncan was a keen horseman and breeder of Arabian Horses on his farm in Devon.[10]

In 1964 Duncan published All Men are Islands, the first of a series of lively and sometimes contentious and contradictory autobiographies. How to Make Enemies followed in 1968, and Obsessed in 1977. A final controversial autobiography, Working with Britten: A Personal Memoir appeared from Duncan's own Rebel Press in 1981 after being rejected by a mainstream publisher.

In the late 1960s and early 1970s he worked on a long poem about science, Man, in five parts (1970–74), and in 1978 he co-edited a collection of essays by leading scientists The Encyclopedia of Ignorance with Miranda Weston-Smith, grand-daughter of the cosmologist E.A. Milne.

Dramatic works[edit]

In 1942-43 he helped Britten with the last scene of the opera Peter Grimes, and wrote the whole of the libretto for The Rape of Lucretia in 1945-46.

Duncan's play This Way to the Tomb was performed at the Mercury Theatre, Notting Hill Gate in 1945, and was followed by his adaptation of Cocteau's L’aigle à deux têtes as The Eagle has Two Heads (1946). Tallulah Bankhead and Marlon Brando appeared in the U.S. production. Stratton was published in 1950. Our Lady's Tumbler was performed in Salisbury Cathedral for the Festival of Britain in on 5 June 1951, in front of the 7th Earl and Countess of Harewood. In the early 1950's he translated and adapted a number of French plays including The Apollo of Bellac by Jean Giraudoux[11] and Jean Cocteau's The Typewriter.[12] Don Juan was first performed in 1953, and The Death of Satan: a comedy in 1954. A joint production of the two latter plays was presented by the English Stage Company at the Royal Court Theatre in 1956, directed by George Devine. In 1962 there was controversy over the refusal of the Lord Chamberlain to permit public performance of The Catalyst, a play about a ménage à trois. These verse plays in the manner of T. S. Eliot became less popular from the mid-1960s.

Ronald Duncan was instrumental in setting up and naming the English Stage Company at London's Royal Court Theatre, which opened in 1956. Regrettably, during its 50th anniversary celebrations in 2006, the theatre did not acknowledge his initial work. Yet theatre historian Irving Wardle wrote, "without Duncan there would have been no English Stage Company".[13]

Personal life[edit]

Duncan in one of his autobiograpies claimed that his father was the illegitimate son of the last Crown Prince of Bavaria, Rupprecht and Julia Wertheimer.[14] Duncan and his partner Rose Marie Hansom moved to Devon in 1939 and married in 1941. Hansom was an artist who illustrated a number of his works. She was a member of a family of successful architects and engineers including Joseph Hansom the inventor of the eponymous horse-drawn cab. They had a daughter Briony who went on to become a successful sculptrice and a son, Roger who became a lawyer. Duncan died in Bideford hospital, Barnstaple, Devon, England, on 3rd June 1982.[2]

Ronald Duncan Collection[edit]

The Ronald Duncan Collection is held by University of Exeter Special Collections (EUL MS 397)[15]

References[edit]

  1. ^ Duncan, Ronald (1953) The Rape of Lucretia. London: Faber and Faber
  2. ^ a b "Ronald's Family · Ronald Duncan - Writer, Poet and Librettist · Special Collections". specialcollectionsarchive.exeter.ac.uk. Retrieved 2019-02-05.
  3. ^ Duncan, Ronald (1936). The Complete Pacifist. Ascham Press Ltd.
  4. ^ Duncan, Ronald (1937). The Complete Pacifist. London: Boriswood.
  5. ^ "The Complete Pacifist, etc. - British Library". explore.bl.uk. Retrieved 2018-05-31.
  6. ^ Cooke, Mervyn. Britten: War Requiem. Cambridge University Press, 1996 ISBN 0521446333, (p.12).
  7. ^ Ian Patterson, "Pacifists and Conscientious Objectors", in Adam Piette and Mark Rawlinson, The Edinburgh Companion to Twentieth-Century British and American War Literature, Edinburgh University Press 2012. ISBN 0748638741 (p. 311).
  8. ^ "Benjamin Britten - War Requiem – Pacifism Timeline". www.warrequiem.org. Retrieved 2018-05-31.
  9. ^ "bibliography". www.ronaldduncanfoundation.co.uk. Retrieved 2019-02-05.
  10. ^ "The Horse · Ronald Duncan - Writer, Poet and Librettist · Special Collections". specialcollectionsarchive.exeter.ac.uk. Retrieved 2019-02-05.
  11. ^ Cohen, Robert Carl (1968). Giraudoux: three faces of destiny. Chicago: Chicago U.P.
  12. ^ Wearing, J. P. (2014-09-16). The London Stage 1950-1959: A Calendar of Productions, Performers, and Personnel. Rowman & Littlefield. p. 700. ISBN 9780810893085.
  13. ^ Wardle, Irving (1978). The Theatres of George Devine. London: Johnathan Cape. p. 168. ISBN 0224014153.
  14. ^ ": Ronald Duncan". Der Spiegel. 18. 1964-04-29. Retrieved 2019-02-05.
  15. ^ "EUL MS 397 Ronald Duncan Collection". University of Exeter Special Collections Catalogue. Retrieved 31 May 2018.

External links[edit]