Jump to content

Sabra Loomis

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Bender the Bot (talk | contribs) at 06:55, 25 September 2016 (http→https for Google Books and Google News using AWB). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Sabra Loomis (born 1938) is an Irish-American poet. Her most recent poetry collection is House Held Together by Winds (Harper Perennial, 2008), winner of the 2007 National Poetry Series. Her honors include Yaddo and MacDowell Colony fellowships. Her poems have appeared in literary journals and magazines including American Poetry Review, American Voice, Cincinnati Poetry Review, Cyphers, Florida Review,[1] Heliotrope, Lumina, Negative Capability, Poetry Ireland Review, Salamander, Salt Hill Journal, and St. Ann's Review. She is the daughter of Alfred Loomis of Tuxedo Park, New York.[2][3] She graduated from New York University.[4] She teaches at the University of Massachusetts Boston, and was on the faculty of the Poets' House, Donegal. She divides her time between New York City,[5] and Achill Island, Ireland.[6][7]

Honors and awards

  • 2007 National Poetry Series
  • Artists Foundation
  • Yeats Society
  • British Council
  • Yaddo Fellowship
  • MacDowell Colony Fellowship
  • Virginia Center for the Creative Arts residency [8]

Published works

Full-Length Poetry Collections

  • House Held Together by Winds. Harper Perennial. 2008. ISBN 978-0-06-157715-4.
  • Rosetree. Alice James Books. 1989. ISBN 978-0-914086-85-7.

Chapbooks

  • The Ship (Firm Ground Press, 2001)
  • Travelling on Blue. Firm Ground Press. 1998.

Anthology Publications

Reviews

The house in House Held Together by Winds is both mansion and metaphor. Our docent for each construction is a little girl in a lace collar whose satirical observations of her dominating relatives expose the fears at the root of chauvinism....Readers who allow themselves to be voyeuristically fascinated by the gothic eccentricities of these poems will be moved by the transformation.[9]

References