Sarah Lowndes
Sarah Lowndes is a writer and curator based in Glasgow, where she is also a lecturer in the Forum for Critical Inquiry at Glasgow School of Art. Lowndes's research focusses upon artist-led projects, interdisciplinary and performance-related practice and contemporary art, and she has written extensively on post-war art, music and politics in Glasgow in publications including Studio 58: Women Artists in Glasgow Since World War II (Glasgow: Glasgow School of Art Exhibitions, 2012), Social Sculpture: The Rise of the Glasgow Art Scene (Luath Press, 2010) and "The Glasgow Scene", The History of British Art, Volume III (London: Tate Publishing, 2008).[citation needed]
Lowndes has contributed to Frieze, Art on Paper, Untitled, MAP, 2HB, Spike Art Quarterly and Afterall and to catalogues for international institutions, including Richard Wright (2009), Robert Rauschenberg: Botanical Vaudeville (2011) and Dieter Roth: Diaries (2012).[citation needed] Her curatorial projects include "Three Blows", a weekend of experimental acoustic performance by visual artists and musicians (2008),[1] the symposium Subject in Process: Feminism and Art (2009) the international group exhibition Votive at CCA Glasgow (2009) and the all-women performance event Urlibido (Glasgow International 2010). Her curatorial projects include the sculpture park "Dialogue of Hands" (Glasgow International, 2012) and Studio 58: Women Artists in Glasgow Since WWII (Mackintosh Museum, 2012) and she is also the editor of art magazine The Burning Sand.[2]
Lowndes is married to 2009 Turner Prize winner Richard Wright.[3]
References
- ^ "Three Blows". Archived from the original on 20 June 2013. Retrieved 11 June 2013.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ "The Burning Sand". Motto. Retrieved 11 June 2013.
- ^ Higgins, Charlotte (8 December 2009). "There's too much stuff in the world". London: The Guardian. Retrieved 11 June 2013.