Seison Maeda
Maeda Seison | |
|---|---|
| File:Maeda Seison.jpg Maeda Seison | |
| Born | Maeda Renzō |
| Nationality | Japanese |
| Known for | Painter |
| Notable work | Dokutsu no Yoritomo |
| Movement | Nihonga |
| Awards | Order of Culture |
Template:Japanese name Seison Maeda (前田 青邨, Maeda Seison); (27 January 1885 - 29 October 1977) was the pseudonym of a nihonga painter in Taishō and Showa period Japan. His real name was Maeda Renzō. He is considered one of the greatest contemporary Japanese painters, and one of the founders of the Nihonga movement.
Biography
Maeda was born in what is now Nakatsugawa city, Gifu prefecture in 1885. His mother died when he was 13, and he moved to Hongo in Tokyo with his father. In 1901, through the introduction of Ozaki Koyo, Maeda enrolled at the art school headed by Kajita Hanko, from whom he received the name "Seison" in 1902. He met and befriended fellow student, Kobayashi Kokei, whose work influenced many of Maeda's early paintings.
Maeda was a member of the Kojikai artistic group from 1907, and of the Japan Fine Arts Academy (Teikoku Bijitsuin) from 1914. Under sponsorship of the Japan Fine Arts Academy, he visited Europe in 1922, touring Rome, Florence and Paris. Although he was greatly impressed by the frescoes of the Italian Renaissance, Maeda remained faithful to the traditional Yamato-e and Rimpa styles of Japanese painting, and came to be known for his watercolor paintings on historical themes, primarily portraiture. However, Maeda worked in a variety of genres, including still life and landscapes.
One of his most important works, Yoritomo in a cave, depicts medieval samurai leader Minamoto no Yoritomo hiding in a cave in Izu with seven of his trusted retainers after his defeat by the Heike clan at the Battle of Ishibashiyama. The work was completed in 1929, and is now on display at the Okura Shukokan museum owned by the Okura Hotel in Tokyo. It was also the subject of a postage stamp issued by the Japanese government in 1982, as part of a series honoring Japanese modern art.
In 1944, Maeda was appointed as an official court painter to the Imperial Household Agency, and taught painting to Empress Kojun.
In 1946, Maeda became an official judge of the annual Japan Arts Exhibitions (Nitten). He was also a professor at the Tokyo National University of Fine Arts and Music from 1950 until his retirement in 1959.
Maeda was awarded the Order of Culture in 1955. In 1967, he was selected to assist in the restoration work on the frescos of the Kondo Hall of the temple of Horyu-ji in Nara. In 1970, his work was selected to decorate one of the halls of the new Imperial Palace. In 1972, despite his advanced years, he was selected as the person most appropriate to assist in the restoration and preservation work of the ancient frescos in the Takamatsuzuka tumulus.
| Yoritomo in a Cave (洞窟の頼朝, Dokutsu no Yoritomo) | |
|---|---|
 | |
| Artist | Maeda Seison |
| Year | 1929 |
| Type | Nihonga |
| Location | Okura Shukokan, Tokyo |
After Maeda's home was destroyed by the firebombing of Tokyo during World War II, Maeda relocated to Kamakura, where he lived within sight of Kita-Kamakura Station from 1945 until his death. His grave is a very distinctive 13-story white stone pagoda at the temple of Tokei-ji in Kamakura.
External links
References
- Conant, Ellen P., Rimer, J. Thomas, Owyoung, Stephen. Nihonga: Transcending the Past : Japanese-Style Painting, 1868-1968. Weatherhill (1996). ISBN 0834803631
- Mason, Penelope. History of Japanese Art. Prentice Hall (2004). ISBN 0131176021