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Semiosis (novel)

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Semiosis
First edition cover
AuthorSue Burke
Cover artistNigel Cattlin
LanguageEnglish
SeriesSemiosis Trilogy[1][2]
GenreScience fiction
PublisherTor Books
Publication date
February 6, 2018
Publication placeUnited States
Media typeHardback
Pages333
ISBN978-0-7653-9135-3
OCLC1021057780
813/.6—dc23
LC ClassPS3602.U7556S46 2018
Followed byInterference 

Semiosis is a 2018 science fiction novel by American writer and translator Sue Burke. It is her debut novel and is the first book of her Semiosis Trilogy series. It was first published in February 2018 in the United States by Tor Books, and in August 2018 in the United Kingdom by HarperVoyager. The book was translated into French by Florence Bury, and published in France in September 2019 by Albin Michel.[3]

Semiosis is about colonists starting a new life on the planet Pax and their alliances with sentient indigenous plant species. The title of the book refers to semiosis, a communicative process using signs.[2] It was shortlisted for the 2019 Arthur C. Clarke Award,[4] the John W. Campbell Memorial Award for Best Science Fiction Novel,[5] the Kitschies Golden Tentacle for Best Debut Novel,[6] and the Locus Award for Best First Novel.[7] Semiosis also featured in the Chicago Review of Books' "10 Best Science Fiction Books of 2018".[8]

The sequel to Semiosis, Interference was published in October 2019 by Tor Books. Burke also wrote three short stories set on the planet Pax: "Adaptation", written before she began Semiosis, and "Spiders" and "Cinderella Faraway", written after she completed the novel, but before it was published.

Plot summary

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To escape war and ecological disasters on Earth in the 2060's, a group of colonists attempt to forge a new life on a distant earth-like planet they name Pax (Latin for "peace"). They find the world is rich in flora and fauna, and appears to be ideally suited for establishing a new colony. But they soon notice that some of the plant life is sentient, and are manipulating them to further their own ends.

The colonists find an abandoned alien city made of glass and relocate their colony there. But they discover that the city is controlled by an intelligent bamboo-like plant they later call Stevland.[a] It attempts to domesticate them in order to flourish and expand, and the humans realize that to survive, they need to share the city with it. Over time, the colonists learn to converse with Stevland using signs, and an uneasy, but mutually beneficial alliance is formed.

During one of the colonist's expeditions further inland, they meet the city's creators, the Glassmakers. The arthropod-like Glassmakers were themselves colonists and coexisted with Stevland, but they abandoned their home and became nomadic.[b] Disease and illness decimated them and their social structures collapsed. The encounter with the Glassmakers is not friendly and leads to an attack on the city. With Stevland's assistance, the Glassmakers are repelled, and the humans, a few Glassmakers willing to coexist with them, and Stevland, form an alliance of peaceful coexistence.

Background

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In the mid-1990s Burke wrote an essay entitled "When Plants Kill".[10] She had noticed that one of her house plants had killed another plant, and decided to undertake some research into plant behavior. She discovered that plants fight for light and nutrients, and will manipulate and even kill each other to get what they want.[11] This formed the basis of the essay, which was published as "The Photosynthetic War" in 1997 in a science fiction magazine, Terra Incognita.[12] In 1996 Burke participated in a Clarion Workshop, and the instructor gave the attendees a writing prompt about a wall that materializes between two warring armies. Burke considered the possibility of a planet with plants at war with each other and human colonists coming between them.[13] This resulted in a short story "Adaptation", which she published in 1999 in LC-39, a science fiction magazine.[14] Burke later expanded "Adaptation" into Semiosis, with the short story becoming the first chapter.[11]

Burke finished writing Semiosis in 2004, but she was unable to find a publisher. In an attempt to generate interest in the universe she had created, Burke wrote two short stories, "Spiders" and "Cinderella Faraway".[15][16] "Spiders" was published in the March 2008 issue of Asimov's Science Fiction, and was later reprinted in 2009 in Year's Best SF 14.[17] The success of "Spiders" attracted the attention of several publishers, but it was not until 2016 that a deal with Tor Books was signed. Semiosis was finally published by Tor in 2018.[18]

Reception

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In a review at Tor.com, Liz Bourke described Semiosis as "a quiet, measured sort of science fiction".[19] She said the book's central theme is about power and its use and abuse, with a "deep vein of kindness" that probes the "weaknesses and flaws of all sentient being". Bourke praised the author's "excellent grasp of voice and characterisation", despite Stevland coming across as "a little too human for an alien plant".[19] She called the book "a very strong debut, and well worth checking out", but felt it could have been even "stronger" had not all the central characters been "cisgender straight [people]".[19] Bourke opined that being a story about a "future attempted-utopian society", the absence of "queer people rather strains at my disbelief".[19]

A review in Kirkus Reviews described Burke's worldbuilding in Semiosis as "astonishing", with "magnificently alien" flora and fauna, and a "richly detailed" human society.[20] But it felt that the novel's periodic jump to the next generation makes it feel like a collection of short stories in a shared universe. The book "feel[s] rushed", plot threads "end abruptly", and "genuinely engrossing characters" remain underdeveloped.[20] The review called Semiosis "[a]n outstanding science-fiction novel hobbled by its rushed story structure."[20] Craig Clark also felt that Semiosis comes across as "linked short stories".[21] Reviewing the book in Booklist, he wrote that the "multigenerational" structure of the book leads to a large cast of characters that can be "overwhelming", but praised the author's worldbuilding and the way she integrates colonization with botany, mutualism and predation.[21] Overall, Clark called the novel "a thought-provoking look into the politics of survival."[21]

Laci Gerhart wrote in a review of Semiosis in the journal Nature Plants that biologists may find that Pax's ecology and the depiction of its sentient plants "leaves something to be desired".[22] The planet's fauna and flora are largely named after Earth species, which she felt lacks imagination and makes their added abilities compared to their Earth counterparts "feel less realistic". What also weakens its realism is that the indigenous sentient species "feel very human in their thoughts and behaviour".[22] Gerhart complained about how unscientific the human scientists are. They "leap to incredible conclusions, [using] single observations and extremely limited information [as] irrefutable evidence".[22] She acknowledged the fine line a science fiction author has to walk to appease both lay- and scientific-audiences, and concluded: "Despite these drawbacks, a plant biologist can enjoy Semiosis, particularly if one is capable of suspending disbelief on developmental capabilities in plants."[22]

According to the review aggregator Book Marks, Semiosis received "positive" reviews, based on 7 reviews.[23]

Awards

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Award Year Result
Arthur C. Clarke Award 2019 Shortlisted[4]
John W. Campbell Memorial Award for Best Science Fiction Novel 2019 Shortlisted[5]
Kitschies Golden Tentacle for Best Debut Novel 2019 Shortlisted[6]
Locus Award for Best First Novel 2019 Shortlisted[7]

Notes

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  1. ^ Stevland was named after Stevland Jamil Barr, the first colonist to die en route to Pax from Earth. Barr's his first name was taken from Stevie Wonder's birth name, Stevland Hardaway Morris.[2]
  2. ^ No reason is given in the text as to why the Glassmakers left the city. After receiving queries about this, Burke said she realized she had cut the explanation from an earlier draft of the novel, believing she had already stated it elsewhere. This is the text that was removed from one of Stevland's monologues in "Lucille and Stevland: Year 107–Generation 7":[9]

    We have also learned why they left, according to their oral tradition. Their colony was failing, and because their genus is nomadic like moths or certain large crabs, they decided to return to the old ways in hopes that it would prove more helpful, but nomadic life did not increase survival since the problem was malnutrition and illness. Females were especially vulnerable, perhaps due to the strain of childbirth, and the orphans grew ungovernable. Finally, after many decades of unceasing decline and in desperation, they decided to return to the city, only to find it occupied. I am sorry I was unable to provide better care when they lived here earlier. I will do so now, and I have learned what I must do to keep them in the city.

References

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  1. ^ "Semiosis". Macmillan Publishers. Retrieved August 28, 2024.
  2. ^ a b c Burke, Sue. "Semiosis: The Planet Pax". semiosispax.com. Retrieved September 6, 2019.
  3. ^ Burke, Sue (September 4, 2019). "Semiosis is now available in French". semiosispax.com. Retrieved September 6, 2019.
  4. ^ a b "Arthur C. Clarke Award 2019". Science Fiction Awards Database. Retrieved September 5, 2019.
  5. ^ a b "John W. Campbell Memorial Award 2019". Science Fiction Awards Database. Retrieved September 5, 2019.
  6. ^ a b "The Kitschies 2019". Science Fiction Awards Database. Retrieved September 5, 2019.
  7. ^ a b "Locus Awards 2019". Science Fiction Awards Database. Retrieved September 5, 2019.
  8. ^ Morgan, Adam (November 28, 2018). "The 10 Best Science Fiction Books of 2018". Chicago Review of Books. Retrieved July 29, 2020.
  9. ^ Burke, Sue (July 4, 2018). "Why the Glassmakers left". semiosispax.com. Retrieved September 9, 2019.
  10. ^ Burke, Sue (August 17, 2017). "When Plants Kill (the article that gave birth to this novel)". semiosispax.com. Retrieved September 10, 2019.
  11. ^ a b Burke, Sue (February 6, 2018). "Where Do Science Fiction Writers Get Their Ideas?". Chicago Review of Books. Retrieved September 10, 2019.
  12. ^ "The Photosynthetic War". Internet Speculative Fiction Database. Retrieved September 10, 2019.
  13. ^ Urie, Chris (January 2018). "Clever Plants, Generations, and Translations: A Conversation with Sue Burke". Clarkesworld Magazine. ISSN 1937-7843. Retrieved September 10, 2019.
  14. ^ "Adaptation". Internet Speculative Fiction Database. Retrieved September 10, 2019.
  15. ^ Burke, Sue (September 4, 2017). "'Spiders': a short story set between Chapters 3 and 4". semiosispax.com. Retrieved September 6, 2019.
  16. ^ Burke, Sue (September 4, 2017). "'Cinderella Faraway': a short story set between Chapters 1 and 2". semiosispax.com. Retrieved September 6, 2019.
  17. ^ "Spiders". Internet Speculative Fiction Database. Retrieved September 6, 2019.
  18. ^ "I'm Sue Burke, author of the science fiction novel *Semiosis,* the one with the murderous plants. AMA". Reddit. March 2018. Retrieved September 10, 2019.
  19. ^ a b c d Bourke, Liz (February 6, 2018). "We Welcome Our New Plant Overlords: Semiosis by Sue Burke". Tor.com. Retrieved September 8, 2019.
  20. ^ a b c "Semiosis". Kirkus Reviews. December 15, 2017. ISSN 1948-7428. Retrieved September 8, 2019.
  21. ^ a b c Clark, Craig (January 1, 2018). "Semiosis by Sue Burke". Booklist. Vol. 114, no. 9/10. p. 58. ISSN 0006-7385. ProQuest 1987378291.
  22. ^ a b c d Gerhart, Laci (May 2018). "Sense and sentient ability". Nature Plants. 4 (5). London: 235–236. doi:10.1038/s41477-018-0145-6. ISSN 2055-0278. S2CID 19170801. ProQuest 2218971677.
  23. ^ "Book Marks reviews of Semiosis by Sue Burke". Book Marks. Retrieved September 9, 2020.

Works cited

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