AllMusic editor Jose F. Promis found that the singer "possesses a powerful voice to be sure, and the songs on this set are pleasant enough, but one can't help but feel that this album possesses something of an assembly-line feel [...] Shanice has a strong voice and is a talented singer, but ultimately deserves more creative songwriting and better material, because one can't help but feel that her talent is wasted on this mindless, mass-produced '90s pop-soul borderline drudge."[2]