Sling Blade
Sling Blade | |
---|---|
Directed by | Billy Bob Thornton |
Written by | Billy Bob Thornton |
Produced by | Larry Meistrich David L. Bushell Brandon Rosser |
Starring | Billy Bob Thornton Dwight Yoakam J. T. Walsh John Ritter Lucas Black Robert Duvall |
Cinematography | Barry Markowitz |
Edited by | Hughes Winborne |
Music by | Daniel Lanois |
Production company | Shooting Gallery |
Distributed by | Miramax Films |
Release date |
|
Running time | 135 minutes |
Country | United States |
Language | English |
Budget | $1,000,000[1] |
Box office | $24,444,121[2] |
Sling Blade is a 1996 American drama film set in rural Arkansas, written and directed by Billy Bob Thornton, who also stars in the lead role. It tells the story of a man named Karl Childers who has a developmental disability and is released from a psychiatric hospital, where he has lived since killing his mother and her lover when he was 12 years old, and the friendship he develops with a young boy and his mother. In addition to Thornton, it stars Dwight Yoakam, J. T. Walsh, John Ritter, Lucas Black, Natalie Canerday, James Hampton, and Robert Duvall.
The movie was adapted by Thornton from his short film and previous screenplay, Some Folks Call It a Sling Blade. Sling Blade proved to be a sleeper hit, launching Thornton into stardom. It won the Academy Award for Best Writing, Adapted Screenplay, and Thornton was nominated for Best Actor in a Leading Role. The music for the soundtrack was provided by French Canadian artist/producer Daniel Lanois.
Summary
Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly "institutionalized," Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts the brutal murder of his mother and her boyfriend with a Kaiser blade - during which scene he notes to the reporter that, "Some folks call it a sling blade. I call it a kaiser blade," the line from which the film derives its name. Karl continues, saying that he killed the man because he thought he was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.
Having developed a knack for small engine repair during his childhood and his institutionalization, Karl lands a job at a small-engine repair shop in the small town where he was born and raised. Around this time, he befriends 12-year-old Frank Wheatley (Lucas Black). Karl shares with Frank some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own - he later admits that he lied, and that his father committed suicide.
Frank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Eventually, Karl bonds with both Linda and Vaughan. In an early scene, Vaughan tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.
Karl quickly becomes a father figure to Frank, who misses his father and despises Doyle. For Karl, Frank becomes much like a younger brother. Karl eventually reveals that he is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. In a subsequent scene, he visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to "come out too soon," and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to "get rid of it," but when Karl detected movement inside the towel, he inspected it, discovering "a little ol' boy" that "wasn't no bigger than a squirrel." While recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just "return him to the good Lord right off the bat," because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.
Meanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans "big changes", including Karl's removal from the house. Karl begins to realize that he is the only one who can bring about a positive change and thus spare Frank and his mother a grim fate. Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.
Later that evening, Karl returns to Linda's house, but seems undecided about whether he should enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon which he was carrying. Karl replies, "I aim to kill you with it." After Karl asks Doyle how to reach the police by phone, Doyle says Karl should dial 911 and request "an ambulance, or a 'hearst'". Then Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a "hearst" be sent for Doyle. He then eats mustard and biscuits while waiting for the police.
Returned to the state hospital, he seems a different person than he was during his previous incarceration. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.
Cast
- Billy Bob Thornton as Karl Childers
- Dwight Yoakam as Doyle Hargraves
- J. T. Walsh as Charles Bushman
- John Ritter as Vaughan Cunningham
- Lucas Black as Frank Wheatley
- Natalie Canerday as Linda Wheatley
- James Hampton as Jerry Woolridge
- Robert Duvall as Karl's father
- Christine Renee Ward as Melinda Brady, Karl's girlfriend who worked at the Dollar Store
- Jim Jarmusch as Gene, the Frostee Cream employee
- Vic Chesnutt as Terence
- Rick Dial as Bill Cox, the boss of the small engine shop
- Brent Briscoe as Scooter, Bill's employee
- Tim Holder as Albert, Vaughan's boyfriend
- Bruce Hampton as Morris, the songwriting band manager
- Mickey Jones as drummer Monty Johnson
- Ian Moore as bassist Randy Horsefeathers
Reception
Critical response
The film garnered both critical acclaim and box office success. It grossed $24,444,121 on a $1 million budget. The film received a 96% "Certified Fresh" rating by Rotten Tomatoes with an average rating of 8.3 out of 10, with 49 critics giving generally favorable reviews and only two negative reviews; the site's consensus states "You will see what's coming, but the masterful performances, especially Thornton's, will leave you riveted."[3]
The Washington Post called it a "masterpiece of Southern storytelling." Kevin Thomas wrote in the Los Angeles Times that the film is "a mesmerizing parable of good and evil and a splendid example of Southern storytelling at its most poetic and imaginative." New York Times critic Janet Maslin praised the performances but said that "it drifts gradually toward climactic events that seem convenient and contrived."
Awards and nominations
- Academy Awards
- Won for Best Adapted Screenplay (Thornton)
- Nominated for Best Actor (Thornton)
- Chicago Film Critics Awards
- Won for Best Actor (Thornton)
- Edgar Awards
- Won for Best Motion Picture Screenplay (Thornton)
- Independent Spirit Awards
- Won for Best First Feature
- Kansas City Film Critics Awards
- Won for Best Actor (Thornton)
- National Board of Review Awards
- Won for Special Achievement in Filmmaking (Thornton)
- Satellite Awards
- Nominated for Best Actor – Motion Picture Drama (Thornton)
- Nominated for Best Original Screenplay (Thornton)
- Screen Actors Guild Awards
- Nominated for Outstanding Performance by a Cast
- Nominated for Outstanding Performance by a Male Actor in a Leading Role (Thornton)
- Writers Guild of America Awards
- Won for Best Adapted Screenplay (Thornton)
- Young Artist Award
- Won for Best Leading Young Actor in a Feature Film (Black)
- YoungStar Award
- Won for Best Young Actor in a Drama Film (Black)
References
- ^ http://www.boxofficemojo.com/movies/?id=slingblade.htm
- ^ http://www.boxofficemojo.com/movies/?id=slingblade.htm
- ^ "Sling Blade Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 2010-07-26.
External links
- Official website
- Sling Blade at IMDb
- Sling Blade at AllMovie
- Sling Blade at Box Office Mojo
- Sling Blade at Rotten Tomatoes
- Sling Blade – Actual locations of Movie Landmarks
- 1996 films
- American films
- English-language films
- 1990s drama films
- American drama films
- Directorial debut films
- Edgar Award winning works
- Films based on plays
- Films directed by Billy Bob Thornton
- Films set in Arkansas
- Films shot in Arkansas
- Films whose writer won the Best Adapted Screenplay Academy Award
- American independent films
- Miramax films
- Southern Gothic films
- Features based on short films