St. Jerome in the Desert (Bellini, Florence)
San Girolamo Contini Bonacossi | |
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Artist | Giovanni Bellini |
Year | 1480 |
Medium | oil on panel |
Dimensions | 145 cm × 114 cm (57 in × 45 in) |
Location | Uffizi Gallery, Florence |
St. Jerome in the Desert or St. Jerome Reading in the Desert is a 1480 oil-on-panel painting by the Italian Renaissance master Giovanni Bellini, now in the Uffizi Gallery in Florence as part of the Contini Bonacossi collection, giving it its alternative title of The Contini Bonacossi St. Jerome.[1]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/58/Giovanni_bellini%2C_san_girolamo_contini_bonacossi_02.jpg/220px-Giovanni_bellini%2C_san_girolamo_contini_bonacossi_02.jpg)
Its original location is unknown, though Gamba's theory is that it was an altarpiece for Santa Maria dei Miracoli, Venice, where Jacopo Sansovino mentioned seeing a St. Jerome by Bellini completed in 1489. It uses the same composition as another St. Jerome in the Desert, controversially dated to around 1505. In both works saint Jerome is shown reading in the desert, referring to both his life as a hermit and his production of the Vulgate Bible.[citation needed]
The Florence work shows a crucifix on a tall stick, which he used as a prayer aid. His usual lion is shown, as are some birds, a lizard, a squirrel on a branch and one deer chasing another, all of which probably had symbolic meanings. At the top is a rural background with a fortress and a walled city full of guard towers and bell towers, along with other buildings based on famous buildings in Romagna and Venetia which Bellini had seen on his journey to Romagna and the Marche.[citation needed] The central building resembles the Basilica of San Vitale in Ravenna, while others are based on the Ponte di Tiberio in Rimini, the bell-tower of Sant'Anastasia in Verona, and the Mausoleum of Theoderic in Ravenna.[2] The marked the start of a new conception of landscape painting, connected to the predella of the Pesaro Altarpiece or the New York St. Francis in Ecstasy, whose figures and background are lighter and whose atmosphere is freer than previous works.[citation needed]
References
[edit]- ^ "Catalogue entry".
- ^ Zavatta, Giulio (2006). "Il ponte di Tiberio dipinto e "interpretato" dal Bellini" [The Ponte di Tiberio painted and "interpreted" by Bellini] (PDF). Ariminum. March–April 2006 (in Italian). Rimini Rotary Club: 14–15. Retrieved 16 February 2024.