Childhood and early life
Sue Clowes (Susan Ellen Patricia Clowes) was born on 31 October 1957 in Islington, London, England to William Reginald Clowes and Ellen Atkins.
Textiles and fashion
In 1979, Clowes began her career selling her printed clothing on a stall at Camden Lock market. Jon (mole) Baker helped her expand when he bought everything she had on her stall to stock his shop Axiom in The Great Gear Market, The Kings Road. She opened a shop in Kensington Market and began manufacturing clothes and accessories. Throughout Clowes's career, music and musicians have radically influenced her work: Culture Club approached her to design a collection for the group to sell in the shop The Foundry in Ganton Street where George O'Dowd worked as a window dresser. Clowes created a cultural cocktail of offbeat imagery with religious undertones. Her idea portrayed in the Culture Club look was that wherever you are in the world, whatever your culture or religion "we are all part of one club called the human race". The Flesh and Steel collection of winter '83 of printed silver crosses was worn by Jonny Slut of Specimen. Susanne Bartsch, an event producer provided early exposure for British designers with a series of Shows in New York then Tokyo. Clowes took part alongside other 1980s designers, including Leigh Bowery. In May 2010 Boy George was portrayed on film by Douglas Booth in the BBC2 drama documentary "Worried About the Boy". The actors wore original vintage pieces in the film by Sue Clowes. In April 2012 Kylie Minogue wore one of Sue Clowes vintage t-shirts for the AntiTour.
Research and development
Moved to Italy in 1987, and became involved in wearable technology or "smart clothing". Clowes worked in an academic team called Grado Zero Espace, with Italian engineers and scientists, to pioneer clothing that incorporated technology. These garments won awards from Time Magazine and Popular Science. Worked on the project of shape memory alloy named "Nitinol" to obtain the first woven fabric. Clowes worked on the team that researched and developed a jacket padded with Aerogel. The jacket called Absolute Zero was taken on an Antarctic expedition. For Corpo Nove Clowes researched Stinging Nettle fibres which were woven to produce jeans. Gave a conference at The Eden Project and at The European Textile Network Conference on "New Technologies and Materials".
Clowes wrote articles for an Italian magazine called N9VE and interviewed Aliona Doletskaya (editor of Russian Vogue), Sir James Dyson (Vacuum cleaner magnate), Steve Pyke (M.B.E photographer), Dr. Pierre Brisson (head of European Space Agency Technology Transfer), and Sir Timothy Smit (creator of The Eden Project, Cornwall UK) among others.
Clowes is an External Examiner for University of Wales Examination Board Commission Assessments of students attending a BA programme in “Fashion, Design and Costume” at Accademia Italiana Moda in Florence and Rome. Re-launched the Sue Clowes brand in 2012 together with her daughter Marta Melani. The original Sue Clowes outfits from the Culture Club years will be on show in the V&A Museum "Club to Catwalk" exhibition from July 2013 until February 2014.
- Gorman, Paul (2001). “The Look: Adventures in Rock and Pop Fashion”, p.154. Sanctuary Publishing, London. ISBN 0955201705
- Cohen, Scott (1984). “Boy George”, p. 68. Berkley Books, London. ISBN 0425076393
- Dean, Maury (2003). “Rock and Roll: Gold Rush”, p. 388. Algora Publishing. ISBN 0875862276
- Follow Me Magazine, Dec/Jan 84 (n°8) Robyn Bowman, “Flesh and Steel”, Melbourne p.28/29/30/31
- Tilley, Sue (2011). “Leigh Bowery: The Life and Times of an Icon”, p. 20. Hodder & Stoughton, London. ISBN 0340693118
- “Permanently Pressed,” Time Magazine. Dec 3, 2001 p.16
- “Best of What’s New,” Popular Science, Dec 2001
- Paul Marks, “Sleeves up,” New Scientist, July 28, 2001 p.24
- “The Next Big Thing,” Fortune Magazine, June 4th 2003
- Kate Ravilious “Grasping the Nettle”, London Independent, October 1st 2003
- “Eden Project” N9ve Magazine Italia, July 2002, p.34/35/36/37/38
- Blanket Coverage” Wallpaper Magazine, April 2001, p.172