Symphony No. 7 (Ries)

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This is an old revision of this page, as edited by Schissel (talk | contribs) at 12:17, 16 November 2016 (should be in the Ries compositions category. Also, I agree, I will have to add citations for some of these- I think Hill's detailed thematic catalog contains more information.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Ferdinand Ries wrote his Symphony No. 7 in A minor, Op. 181, in 1835. It is the last symphony that Ries wrote. It is Beethovian in style, and specifically influenced by Beethovens's seventh, (sixth ("Pastorale"), and (third symphonies (Eroica).

This symphony is written in four movements and is scored for an orchestra.

His symphonies were numbered, on the whole, in order, not of composition, but of publication and/or first performance in England.

Op.181 was also applied, by the publisher Schuberth, to Ries' Introduction et Rondeau à la Zingaresco for piano published in 1838.[1] The 1860s Abschrift parts (manuscript copy) held at the Staatsbibliothek zu Berlin use Op.181 to describe the symphony, though.

Movements

  1. Allegro con spirito
  2. Larghetto con moto
  3. Scherzo Allegro non troppo
  4. Largo – Finale: Allegro vivace

The lively finale (fourth movement) has a distinct Rossinian and Neapolitan feel to it, and the scherzo (third movement) has a Lisztian start to it.

References

  1. ^ Op.181 Introduction and Rondeau.
  • "Ries 7772162 [RB]: Classical CD Reviews - February 2007 MusicWeb-International". www.musicweb-international.com. Retrieved 2016-03-04.
  • Hill, Cecil (1982). Three Symphonies: 1, 3, 8 (Ries). New York: Garland Publications. ISBN 0824038177.
  • RISM Description of 1860s Abschrift Parts of the 7th Symphony
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