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Tanea Richardson

From Wikipedia, the free encyclopedia

Tanea Richardson is an American artist known for her assemblages and sculptures. Richardson has exhibited her work at the Studio Museum in Harlem,[1] EFA Project Space of the Elizabeth Foundation for the Arts,[2] and at the Museum of Contemporary African Diasporan Arts (MoCADA), in Brooklyn, New York.

Richardson employs everyday materials like telecommunication wires and cables to bind fabric, the work a comment on traditional women’s labor and society's understanding of certain bodies through textiles and language. Roberta Smith of the New York Times described her wall pieces at the Studio Museum in Harlem in 2008, "Initially they seem overly familiar, but they gradually become extremely particular and rather sinister."[3]

A graduate of the Ryman Arts program in Los Angeles and Stanford University,[4] she attended Yale University’s School of Art from 2005.[5][6]

References

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  1. ^ "New Intuitions: Artists in Residence 2007–08". The Studio Museum in Harlem. 2017-09-11. Retrieved 2021-02-21.
  2. ^ "Common Jive". EFA Project Space. Retrieved 2021-02-21.
  3. ^ Smith, Roberta (4 September 2008). "Art Review, Kehinde Wiley: A Hot Conceptualist Finds the Secret of Skin". The New York Times.
  4. ^ "Ryman Arts Alumni 25th Anniversary Exhibition Preview" (PDF). RymanArts.org.
  5. ^ "MFA Painting I". Yale School of Art. Retrieved 2021-02-21.
  6. ^ "25 Ryman Arts Alumni Stories". Ryman Arts via Issuu. 9 March 2016. Retrieved 2021-02-21.
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